Notna sveska $22.95
Izvornik
A Song for Chris. Edward Gregson. Cello Solo sheet music. Piano Accompaniment sheet music.
Prijevod
Pjesma za Chris. Edward Gregson. Violončela notnih. Klavirsku pratnju note.
Izvornik
A Song for Chris. Cello and Piano. Composed by Edward Gregson. For Cello, Piano Accompaniment. Music Sales America. 52 pages. Novello & Co Ltd. #NOV958089. Published by Novello & Co Ltd.. HL.14013347. In memory of Christopher Rowland. Originally a concerto for cello and chamber orchestra, now for cello with a piano reduction of the orchestral part. The concerto is in four movements which are played without a break. Meditation, Intermezzo, Toccata-Scherzo and Song. The work lasts for some 18 minutes and was scored for two oboes, two horns, timpani. doubling tubular bells. and strings. found here in a Cello. Piano form. It is organised in one large arch-shaped structure, with two fast inner movements flanked by two outer slow ones. The solo cello opens the work reflectively, and introduces core melodic material which is continuously developed throughout the concerto. Gradually the strings enter, then wind and timpani, and build a pyramid twelve-note chord, at the peak of which there is a dramatic climax. The music then subsides. solo cello again. , but links to the two faster middle movements. The second movement, Intermezzo has an ABA structure and in its middle section quotes the opening of Shostakovich's Third String Quartet. written in the same year as Christopher Rowland was born. Indeed, the ghost of Shostakovich looms large throughout the concerto in more ways than one. The Toccata-Scherzo is energetic and rhythmically-charged, again using an ABA structure. Here the writing for solo cello is quite virtuosic, but not, I hope, in a shallow sense. The music builds inexorably towards a powerful climax, underpinned by the opening twelve-note chord's re-appearance, together with a violent outburst from the timpani, at which point a tonal resolution. on G. arrives through a pianissimo held chord on strings which leads directly to the final movement – Song. And so the music arrives at its emotional heart through a simple melody. present in other forms throughout the work. announced by solo cello at the very top of its register, against a quiet backdrop of horns and strings. A solo oboe enters, with cello in canonic reply, and all the time the music builds in texture and intensity, now with tubular bells joining in the joyful and optimistic conclusion.
Prijevod
Pjesma za Chris. Violončelo i klavir. Sastoji Edward Gregson. Za violončelo, pratnju glasovira. Glazba Prodaja Amerika. 52 stranice. Новый. Objavio Novello. HL.14013347. U spomen na Christophera Rowland. Izvorno Koncert za violončelo i komorni orkestar, sada za violončelo sa smanjenjem klavira u orkestralnom dijelu. Koncert je u četiri pokreta koji su igrali bez pauze. Meditacija, Intermezzo, Toccata-Scherzo i pjesama. Rad traje nekih 18 minuta i zabio je za dvije oboe, dva roga, timpana. udvostručenje Tubular Bells. i gudače. naći ovdje u violončelo. Klavir oblik. Organizirana je u jednoj velikoj luk u obliku strukture, s dva brza unutarnjim kretanjima urešenim dva vanjska sporim one. Solo violončelo otvara rad promišljeno, a uvodi osnovne melodijske materijal koji se kontinuirano razvijaju tijekom koncerta. Postupno žice ulaze, onda vjetar i timpana i gradnji piramide dvanaest note akord, na vrhuncu od kojih je dramatični vrhunac. Glazba onda splasne. solo violončelo opet. , ali je povezan s dvije brže srednje pokreta. Drugi stavak, Intermezzo ABA strukturu iu srednjem dijelu citira otvaranje Šostakoviča Trećem Gudačkog kvarteta. zapisano je u istoj godini kao rođen Christopher Rowland. Doista, duh Šostakoviča se nazire veliki diljem koncerta u više od jednog načina. Toccata-Scherzo je energičan i ritmički nabijen, ponovno koristeći ABA strukturu. Ovdje je pisanje za solo violončelo je prilično virtuozna, ali ne i, nadam se, u plitkoj smislu. Glazba gradi nezaustavljivo prema snažnim vrhunca, utemeljena na otvaranju dvanaest NAPOMENA Akord je ponovni nastup, zajedno s nasilnim ispadima iz timpana, na kojem trenutku tonskome rezoluciju. na G. stiže kroz pianissimo održana akord na žice koje izravno vodi na završni pokret - Pjesma. I tako glazba stiže na svom emocionalnom srcu kroz jednostavnu melodiju. prisutna u drugim oblicima diljem rada. najavio solo violončelo na samom vrhu svoje registra, protiv mirnom pozadina od roga i gudače. Solo oboa ulazi s violončelo u kanonskog odgovor, a sve vrijeme glazba gradi u teksturi i intenziteta, sada s cjevaste zvona ulaskom u radosnom i optimističan zaključak.
