Notna sveska $19.95

Izvornik

Preambles and Interludes. Hermann Schroeder. Organ Solo sheet music.

Prijevod

Preambule i Interludes. Hermann Schroeder. Orgulje Solo note.

Izvornik

Preambles and Interludes composed by Hermann Schroeder. 1904-1984. Edited by Rainer Mohrs. For organ. This edition. ED 4539. Saddle-stitch. Organ Music. Die Beschrankung auf die kleine Form half Schroeder offensichtlich bei der Loslosung von der Romantik. Klarheit, und formale Pragnanz treten an die Stelle der monumentalen Grossform. Geeignet fur Konzert und Liturgie. Composed 1954. 20 pages. Duration 12 minutes. Published by Schott Music. SD.49004968. ISBN 9790001053273. Hermann Schroeder. 1904-1984. is one of the major German organ composers of the 20th century. He studied with Heinrich Lemacher and Walter Braunfels and became professor of composition and music theory at the Academy of Music in Cologne. From the end of the 1920s he made an important contribution to the new stylistic developments in organ music which was given a fresh impetus after the death of Max Reger. 1916. by composers such as Hindemith, David, Fortner or Schroeder. His smaller-scale compositions in particular, such as the "Preambles and Interludes". 1954. or the "Little Preludes and Intermezzos". 1932, ED 2221. point towards new directions. The limitation to the small form has evidently been helpful in the process of breaking away from Romanticism. clarity and formal precision take the place of monumental grandeur of form. Suitable for concert or liturgical performance.

Prijevod

Preambule i Interludes skladao Hermann Schroeder. 1904-1984. Uredio Rainer Mohrs. Za orguljama. Ovo izdanje. ED 4539. Saddle-bod. Organ Music. Ograničenje na malom obliku pomogla Schroeder evidentno u Loslosung od romantizma. Jasnoća i formalno Pragnanz zauzeti mjesto monumentalne velikoj formi. Pogodno za koncert i liturgiji. Sastavljen 1954. 20 stranica. Trajanje 12 minuta. Objavio Schott Music. SD.49004968. ISBN 9790001053273. Hermann Schroeder. 1904-1984. je jedna od glavnih njemačkih organa skladatelja 20. stoljeća. Studirao je Heinrich Lemacher i Walter Braunfels i postao profesor za kompoziciju i glazbenu teoriju na Muzičkoj akademiji u Kölnu. Od kraja 1920-ih on je napravio važan doprinos novim stilskim kretanjima u orguljske glazbe koja je dobila novi zamah nakon smrti Maxa Reger. 1916. skladatelja kao što su Hindemith, David, Fortner ili Schroeder. Njegovi manjem mjerilu skladbe posebno, kao što su "preambule i Interludes". 1954. ili "malo preludija i intermezza". 1932 AND 2221. upućuju na novim pravcima. Ograničenje na malom obliku očito je bio od pomoći u procesu odvajanja od romantizma. jasnoću i preciznost formalno preuzeti mjesto monumentalne raskoš obliku. Pogodno za koncert ili liturgijski nastup.