Notna sveska $12.00
Izvornik
Dissolve. score only. Dan Adams. Marimba sheet music. Percussion sheet music. Vibraphone sheet music. Advanced.
Prijevod
Otopiti. postići samo. Dan Adams. Marimbu note. Udaraljke note. U Bjelovaru note. Napredan.
Izvornik
Dissolve. score only. composed by Dan Adams. Percussion Ensemble. For Percussion Ensemble. Percussion 1. 4-octave marimba, cowbell. Percussion 2. 4-octave marimba, claves. Percussion 3. 4-octave marimba, woodblock. Percussion 4. 4.3-octave marimba, bass drum. Percussion 5. 3-octave vibraphone, 3 suspended cymbals. Percussion 6. temple blocks, s. Medium difficult. Score only. Duration 6. 00. Published by C. Alan Publications. CN.05921. Inspired by cinemagraphic techniques in which one image is gradually transformed into another, this work allows resonant sounds to dissolve according to their natural acoustical decay. Sustained sounds dissolve into percussive passages and definitely pitched sonorities dissolve into the sounds of indefinitely pitched instruments. The title of "Dissolve" refers both to the literal definition of the term, a separation of an entity into its constituent parts, and to a cinemagraphic technique in which one image is gradually transformed into another. Resonant sounds dissolve according to their natural acoustical decay. Sustained sounds dissolve into percussive passages and definitely pitched sonorities dissolve into the sounds of indefinitely pitched instruments. Homophonic and polyphonic textures dissolve into one another. "Dissolve" is composed in a three section form that resembles ternary or rounded binary but is neither, as the three sections are distinguished mostly by timbre, texture, and the relationship between definite and indefinite pitch. The first section consists of mostly long sustained notes. The second, third, and fourth marimbas begin the piece entering one by one with rolls on the 12 notes of the chromatic scale spread throughout the marimba's register. The marimbas are accompanied by resonant sounds played on the indefinitely pitched metal instruments. The first marimba articulates the same notes that are played as rolls by the other three marimbas, facilitating the transition to middle section. Two alternating chords played on the vibraphone complete the transition to the more rhythmically active middle section, which is dominated by indefinitely pitched wood, metal, and membrane instruments. This section is characterized by a faster tempo and more complex rhythmic counterpoint. Indefinitely-pitched counterpoint between the tom-toms and temple blocks are juxtaposed against a collage of repeated notes on the cowbell, claves, and bass drum Playing a six note motive, the vibraphone part again signals a transition, this time to the final section. It is based on polyrhythmic counterpoint between the vibraphone, crotales, and bells with the marimba rolls from the opening section serving as a backdrop.
Prijevod
Otopiti. postići samo. sastoji Dan Adams. Udaraljkaški ansambl. Za udaraljke ansambla. Udaraljke 1. 4-oktave marimba, cowbell. Udaraljke 2. 4-oktava marimbu, Claves. Udaraljke 3. 4-oktave marimba, woodblock. Udaraljke 4. 4.3-oktave marimba, bas bubanj. Udaraljke 5. 3 oktave vibrafon, 3 suspendirani činele. Udaraljke 6. hram blokovi, s. Srednje teško. Postići samo. Trajanje 6. 00. Objavljeno C. Alan Publikacije. CN.05921. Inspiriran cinemagraphic tehnika u kojoj se jedna slika se postupno pretvara u drugu, ovaj rad omogućuje rezonantne zvuči da raspusti u skladu s njihovom prirodnom akustička propadanja. Stalni zvukovi otopiti u udarno prolaza i definitivno razapeo sonornosti otopiti u zvukovima neodređeno razapeo instrumente. Naslov "otopiti" odnosi se i na doslovnom definiciju pojma, razdvajanja subjekta na sastavne dijelove, a na cinemagraphic tehnika u kojoj se jedna slika se postupno pretvara u drugu. Rezonantni zvuk otopiti u skladu s njihovom prirodnom akustička propadanja. Stalni zvukovi otopiti u udarno prolaza i definitivno razapeo sonornosti otopiti u zvukovima neodređeno razapeo instrumente. Homofona i polifone tekstura otopiti u jednu drugu. "Otopiti" sastoji se u obliku tri sekcije koje nalikuje trostruk ili zaobljena binarna, ali nije ni, jer su tri sekcije odlikuje uglavnom boju, teksturu, a odnos između određenog i neodređeno igralištu. Prvi dio se sastoji od uglavnom dugo održao bilješke. Drugi, treći, i četvrti marimbas početi komad ulazi jedan po jedan s rolama na 12 nota u kromatske ljestvice proširila diljem marimbu registar. U marimbas su popraćeni rezonantnih zvukova igrao na neograničeno razapeo metalnih instrumenata. Prvi marimba artikulira iste bilješke koje su igrali kao rolama od ostale tri marimbas, olakšava prijelaz na središnjem dijelu. Dva izmjenična akorde igrao na vibrafon dovršetak tranzicije na više ritmički aktivna srednjem dijelu, koji je dominirao na neodređeno vrijeme kosim drva, metala i membranskih instrumenata. Ovaj dio karakterizira brži tempo i složenije ritmičkog kontrapunkt. Neodređeno vrijeme tonova suprotnost između tam-tomova i hrama blokova su suprotstavljene protiv kolaž ponovljenih bilješke na cowbell, claves, i bas bubanj Igranje šest bilješke motiv, vibrafon dio ponovno signalizira prijelaz, ovaj put na završnom dijelu. Ona se temelji na polyrhythmic kontrapunkt između vibrafon, crotales, a zvona s marimbu role iz sekcije otvaranja koje služe kao pozadina.
