Notna sveska $15.00
Izvornik
Forest of Arden. George Lloyd. B-Flat Trumpet sheet music. Cornet sheet music. Grade 4.
Prijevod
Šuma Arden. George Lloyd. B-Stan Truba note. Cornet note. Grade 4.
Izvornik
Forest of Arden composed by George Lloyd. 1913-1998. For concert band. Flute 1. Piccolo, Flute 2, Oboe 1. 2, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Eb Alto Clarinet. optional. , Bb Bass Clarinet, Bassoon 1. 2, Alto Saxophone 1. 2, Tenor Saxophone, Baritone Saxophone, Bb Cornet 1, Bb Cornet 2, Bb Cornet 3, Bb Trumpet 1. 2, Ho. Band Music. Grade 4. Score only. Duration 10. 00. Published by C. Alan Publications. CN.S11042. This symphonic sketch for concert band is packed full different motives thrown around the ensemble hinting at the programmatic leitmotifs of Wagner. Every section of the ensemble gets a workout in this delightful 10-minute work. A Symphonic Sketch for Concert Band. The resurgence of interest in George Lloyd's music must give us faith that such talent will ultimately prevail against sometimes unhappy circumstances. Lloyd was Cornish and showed precocious gifts at an early age - he had completed his first symphony by the age of nineteen. During the 1930s he completed two operas, one of which - "The Serf" - was produced at Covent Garden in 1938. He was set for a glittering career as a composer. The Second World War intervened and he was invalidad out of the Navy in a shell-shocked state, and having written very little serious music since 1937 went to Switzerland to recuperate, looked after by his wife, Nancy. Painfully, he began writing again - symphonies Nos. 4 and 5 - and then returned to England. He needed to earn a living and he set up a mushroom farm in Dorset. But slowly he began to compose again and drafted more symphonies in short score. By this time he was virtually unknown - despite being considered the equal of Walton, Britten, and other young stars of English music some 30 years earlier. Lloyd decided to embark on a series of recordings of his symphonies, and slowly popular acclaim enabled him to regain his position. "The Forest of Arden" was written in 1987 as a result of a commission by the Solihull Youth Wind Band. Although Lloyd's music feels instinctively written one should not be misled - it is carefully crafted, but the craft and structure are always subordinated to create a flow with a strongly melodic content. Instead of two or three themes, "The Forest of Arden" contains an abundance of ideas which can be described in two groups. The first group contains the opening rhythmic motif, quickly developed into a short rising quaver passage in the woodwinds, and later then a chromatic "ostinato" bass - only 8 bars at this stage but later expanded. The second group is broad and expansive, initially based on intervals of rising fifths introduced by euphonium, tubas, and baritone saxophone, immediately echoed by horns. Low brass and winds expand the theme into rising sixths and octaves. There is a hint of development, bit this is arrested as the music moves to a piu tranquillo section introduced by the alto saxophone which further develops the rising sixth theme. There follows a true development of the opening material, starting with the ostinato bass and gradually passing through different tonal centers until the rising fifths of the second theme group are heralded - "fortissimo" and "poco piu largamente" shortly before the end. The structure is almost Wagnerian. albeit on a much smaller scale. , with themes being used as leitmotifs, but this is music which, even within the space of ten minutes is conceived on a grand design.
Prijevod
Šuma Arden skladao George Lloyd. 1913-1998. Za koncertni bend. Frula 1. Piccolo, frula 2, obou 1. 2, Bb klarinet 1, Bb klarinet 2, Bb klarinet 3, Eb Alto Klarinet. opcija. , BB bas klarinet, fagot 1. 2, alt saksofon 1. 2, tenor saksofon, bariton saksofon, BB Cornet 1, BB Cornet 2, BB Cornet 3, Bb Truba 1. 2, sam. Band Glazba. Grade 4. Postići samo. Trajanje 10. 00. Objavljeno C. Alan Publikacije. CN.S11042. Ovaj simfonijska skica za koncertni bend je pakiran puna različitih motiva bačeno oko ansambla aludirati na programskim leitmotifs od Wagnera. Svaki dio ansambla dobiva vježbati u ovom ugodnijim 10 minuta rada. Simfonijski Skica za Concert Band. Oživljavanje interesa za Georgea Lloyda glazbe moraju nam dati vjeru da takav talent u konačnici će nadvladati ponekad nesretnih okolnosti. Lloyd je Cornish i pokazao preuranjenim darove u ranoj dobi - što je završio svoju prvu simfoniju u dobi od devetnaest. Tijekom 1930-ih on je završio dva scenska djela, od kojih jedan - "kmet" - proizvedeno u Covent Gardenu 1938. On je postavljen za blještavo karijeru kao skladatelj. Drugi svjetski rat je intervenirala i on je invalidad iz mornarice u stanju šoku, a nakon što je napisan vrlo malo ozbiljnije glazbe od 1937 otišao u Švicarsku kako bi se oporavio, nakon što je pogledao prema svojoj supruzi, Nancy. Bolno, počeo je ponovno pisati - simfonija brojeve 4 i 5 - a onda se vratio u Englesku. On je potreban da bi zaradili za život, a on je postavio farmu gljiva u Dorsetu. No, polako je počeo ponovno sastaviti i izradila više simfonija u kratkom rezultatom. Po ovom trenutku on je bio gotovo nepoznat - unatoč tome što smatra jednako od Waltona, Brittena i drugih mladih zvijezda engleske glazbe 30-ak godina ranije. Lloyd je odlučila da se krene na nizu snimke njegovih simfonija, i polako popularni priznanje mu je omogućilo da povrati svoj položaj. "Šuma Arden" napisana je 1987, kao rezultat proviziju od strane Solihull mladih Wind Band. Iako Lloyd glazba osjeća instinktivno napisano ne treba se zavaravati - to je pažljivo izrađen, ali obrta i struktura uvijek podređene stvoriti protok s izrazito melodični sadržaj. Umjesto dva ili tri teme, "Šuma Arden" sadrži obilje ideja koje se mogu opisati u dvije skupine. Prva skupina sadrži otvaranju ritmičku motiv, vrlo brzo razvio u kratkom diže podrhtavati prolaz u puhačke instrumente, a kasnije i onda kromatski "ostinantni" bas - samo 8 bar u ovoj fazi, ali kasnije proširila. Druga skupina je širok i prostran, u početku na temelju intervalima diže petine uveo euphonium, tubas i bariton saksofonu, odmah reagirao i rogovima. Niska mesinga i vjetrovi proširili temu u usponu sekstama i oktava. Ima naznaka razvoja, ugrizao ovo je uhićen dok je glazba giba do piu Tranquillo dijelu uveo u alt saksofon što dodatno razvija diže šesti temu. Tu slijedi pravi razvoj otvaranja materijala, počevši ostinatnih bas i postupno prolazi kroz različite tonske centara dok se diže petine drugoj temi skupine slavi - "fortisimo" i "poco piu largamente" nedugo prije kraja. Struktura je gotovo vagnerijanskog. iako u znatno manjem opsegu. , S temama koje se koristi kao leitmotifs, ali to je glazba koja, čak i unutar prostora od deset minuta je koncipiran na Grand Design.
