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Izvornik

Eurydice. a tone poem for cello and orchestra. 1995. Thomas Oboe Lee. Cello Solo sheet music. Advanced.

Prijevod

Eurydice. Ton pjesma za violončelo i orkestar. 1995. Thomas obou Lee. Violončela notnih. Napredan.

Izvornik

Eurydice. a tone poem for cello and orchestra. 1995. composed by Thomas Oboe Lee. For Cello,Full Orchestra. 21st Century,20th Century,Romantic Period,Classical Period,Baroque Period. Advanced Intermediate. Score. Published by Thomas Oboe Lee. S0.43201. Instrumentation. solo cello & 3222-4231-timp-2perc-hp-strings. When I presented to Max Hobart the idea of composing a new work for Andrés Díaz and the Civic Symphony Orchestra, he suggested that I, instead of writing a conventional "concerto," consider writing a tone poem for cello and orchestra. I thought, why not. I always enjoy a good challenge. So, I looked into all that wonderful stuff Hector Berlioz and Richard Strauss came up with in that genre - "Harold in Italy," "Romeo and Juliet," "Don Quixote," "Ein Heldenleben," "Tod und Verklärung," etc. I had a blast re-living the joy of all that out-pouring of emotion, orchestral colors, and uninhibited romantic excess in musical expression. In choosing my subject, I went straight to the reason why I wanted to write a piece for Andrés in the first place - the wonderful tone and singing quality of his cello and that soulful voice only he can project - a voice that charms and enchants. Orpheus seemed the perfect subject. According to Greek myth, Orpheus' singing lyre put everyone who listened into a spell. Edith Hamilton writes in her book, Mythology, "There was no limit to his power when he played and sang. No one and nothing could resist him. Everything animate and inanimate followed Orpheus. He could move trees, mountains, and change the courses of rivers. " My tone-poem is about Orpheus and Eurydice, a love story in which Orpheus loses Eurydice soon after their wedding. He laments her death, and then resolves to rescue her from the Underworld. Because his singing is so beautiful and irresistible, the Furies cannot refuse his request to return Eurydice. With Eurydice in his arms, finally, they dance. But the denizens of the Underworld change their minds and take her away again. In the aftermath, Orpheus laments his loss once more. It is true, the myth has been a favorite subject among composers since the advent of opera in the 1600's. A few of the better-known examples. Jacopo Peri's "Euridice," Claudio Monteverdi's "Orfeo," Christoph Willibald von Gluck's "Orfeo ed Euridice," Jacques Offenbach's operetta, "Orpheus in the Underworld," and Igor Stravinsky's ballet, "Orpheus. " It seems like a tremendous responsibility and burden for a composer to try to come up with something "new" after all these precedents. But, what the heck, there really isn't anything "new" or "shocking" anymore these days. A composer does not always consciously try for the "new. " It is just as important to make music that speaks to the heart. Music with dramatic narrative. Music that moves. In that sense, my "Eurydice" is music theater. And in the process, should a "masterpiece" reveal itself, so much the better. The work is in four movements, played without pause -I. Orpheus weepsII. Orpheus' resolveIII. Orpheus and EurydiceIV. Orpheus' apotheosis. Digital Print is printable sheet music available anytime, anywhere. Just purchase, print and play. View your online sheet music at home, school, work or anywhere you have a computer connected to the Internet. Use our iPad app to view your digital sheet music on the go. With Digital Print, you can print your digital sheet music immediately after purchase, or wait until its convenient. And our software installation is easy - we'll guide you through the simple steps to make sure you have Adobe Flash Player, Adobe AIR and the Sheet Music Plus AIR application.

Prijevod

Eurydice. Ton pjesma za violončelo i orkestar. 1995. sastoji Thomas obou Lee. . 21. stoljeće, 20. stoljeće, romantičnog razdoblja, antike, baroka. Napredna Srednji. Postići. Objavljeno Thomas oboa Lee. S0.43201. Instrumentacija. solo violončelo. Kad sam predstavio Max Hobart ideju izrade nove poslove za Andrés Díaz i Civic Symphony Orchestra, on je sugerirao da, umjesto pisanja konvencionalne koncert, razmislite o pisanju ton pjesmu za violončelo i orkestar. Mislio sam, zašto ne. Uvijek sam uživati ​​dobar izazov. Dakle, gledao sam u sve to divno stvari Hector Berlioz i Richard Strauss smislio u tom žanru - Harold u Italiji, Romeo i Julija, Don Quijote, Ein Heldenleben, Tod und Verklärung, itd. Imala sam blast ponovno živi radost sve to out-izlijevanjem emocija, orkestralnih boja, i nesputano romantične viška u glazbenom izričaju. U odabiru moj predmet, otišao sam ravno na razlog zašto sam htjela napisati komad za Andrés na prvom mjestu - prekrasan ton i pjevanje kvalitetu njegovog violončela i da duševan glas samo on može projicirati - jedan glas koji šarmira i očarava. Orfej činilo savršen temu. Prema grčkom mitu, Orpheus 'pjevanje lire stavi svima koji su slušali u čaroliju. Edith Hamilton piše u svojoj knjizi, mitologija, nije bilo ograničenje svoje moći, kada je igrao i pjevao. Nitko i ništa ga nije moglo odoljeti. Sve je živa i neživa slijedi Orfeja. On bi mogao preseliti drveće, planine, i promijeniti kolegije rijeka. Moj ton-pjesma o Orfeju i Eurydice, ljubavnoj priči u kojoj Orfej gubi Euridiku ubrzo nakon njihova vjenčanja. On lamentira njezinu smrt, a zatim rješava da ju spasi iz podzemlja. Budući da mu je pjevanje je tako lijepa i neodoljiva, da Furies ne može odbiti njegov zahtjev da se vrate Euridiku. S Eurydice u naručju, napokon, plešu. No, stanovnici podzemlja predomisle i odvesti je opet. U danima nakon, Orfej, žali njegov gubitak još jednom. To je istina, mit je bio omiljeni predmet među skladatelja od dolaska opere u 1600. Neke od poznatijih primjera. Jacopo Peri je EURIDICE, Claudio Monteverdi je Orfeo, Christoph Willibald Gluck je von Orfeo ed EURIDICE, Jacques Offenbach je opereta Orfej u podzemlju, i Igora Stravinskog balet, Orfej. Čini se kao ogromnu odgovornost i teret za skladatelj pokušati da se s nečim novim, nakon svih tih presedanima. No, ono što je pakao, tamo stvarno nije ništa novo i šokantno više ovih dana. Skladatelj ne uvijek svjesno pokušati novi. To je jednako važno da se glazba koja govori o srcu. Glazba s dramatične pripovijesti. Glazba koja pomiče. U tom smislu, moja Euridika je glazbeni teatar. I u tom procesu, treba remek se otkrivaju, toliko bolje. Rad je u četiri pokreta, igrao bez pauze -I. . Digital Print je ispis glazbeni dostupan list bilo kada, bilo gdje. Samo za kupnju, ispis i igrati. Pregled online note kod kuće, u školi, na poslu ili bilo gdje imate računalo spojeno na Internet. Koristite našu ipad app za pregledavanje digitalne list glazbe u pokretu. Uz Digital Print, možete ispisati svoje digitalne note odmah nakon kupnje, ili čekati do njegova povoljno. I naš instalacija softvera je jednostavno - mi ćemo vas kroz jednostavne korake kako bi bili sigurni da imate instaliran Adobe Flash Player, Adobe AIR i notnih Plus AIR aplikacija.