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Izvornik
Brindis de Guitarras In Homage to Falla. Acoustic Guitar sheet music. Classical Guitar sheet music. Intermediate.
Prijevod
Brindis de Guitarras U počast Falla. Acoustic Guitar note. Klasična gitara note. Srednji.
Izvornik
Brindis de Guitarras In Homage to Falla. A Guitar Tribute. to Manuel de Falla. By Oscar Herrero and Carlos Oramas. For Guitar. Classical. Solos. Flamenco. Intermediate. Compact Disc. Published by Acordes Concert. MB.CD0007. ISBN 9780786674022. Flamenco. 5.5 x 5 inches. In the silence of a Grenadian afternoon stirred by the nearby murmur of the Alhambra, Don Manuel de Falla. 1876-1946. plays on the piano En el generalife, a passage from his Nights in the Gardens of Spain. With true devotion, a group of friends surrounds the maestro, among them the congenial Gypsy from Jerez, Manuel Torre. As Falla concludes, someone questions Torre who remains entranced, absorbed in thought. he responds without hesitation, Everything that has sonidos negros. dark or black sounds. has duende. soul, spirit, a fire within. Sixty years have now passed since the death of Don Manuel, and Oscar Herrero and Carlos Oramas reintegrate his essence in a brief journey in which the circle completes itself in a manner that is perhaps equitable. In addition to being an act of reciprocal love, this recording is an offering that the guitar of today deposits in the Atlantic tomb. where the universal musician of yesterday and today reposes. "In the cathedral of the air. The spirit of de Falla," writes poet Gerardo Diego. 1896-1987. Flamenco has paid tribute, sometimes quite passionately, to the works of many composers. from Rimsky Korsakov to Miles Davis, and from Glinka, Ravel, Turina, Albeniz and Manuel Castillo to John McLaughlin passing by way of Bizet, Granados, Koechli, the Halffters, Mauricio Ohana, or Chausson. But the case of Don Manuel de Falla is different. Possibly, as no one knew how to perceive the spirit- not exactly, but rather in the profound breath deduced from flamenco, that of the jondo. deep song. that was intended to define in his epoch what for Torre were "dark or black sounds". These impregnate the music of de Falla's native Cadiz, the mystery of Grenadian nights, and of Paris with the trends he began, expanding the channels of expression. So it was that Don Manuel de Falla took from flamenco what he would later deposit in El amor brujo, The Three-Cornered Hat, Nights in the Gardens of Spain, La vida breve, or in some of the Seven Popular Spanish Songs like El pano moruno. The Moorish Cloth. or Polo. Now the flamenco guitar of Oscar Herrero and the classical guitar of Carlos Ommas revisit these works. Both play with respect, which is a way of expressing gratitude, with meticulousness and admirable technical perfection, yet at the same time with noteworthy intense emotion- because this recording not only represents an homage, but also the restoration to the man of that of the artist, or similarly- giving to Don Manuel that which is de Falla. Cancion del fuego fatuo. Danza de la molinera. Danza de los vecinos. Danza del molinero. Danza del terror. Danza n 1. Danza ritual del fuego. El Pano Moruno. Le Tombeau de Claude Debussy. Pantomima. Polo.
Prijevod
Brindis de Guitarras U počast Falla. Gitara Tribute. Manuel de Falla. Oscar Herrero i Carlos Oramas. Za gitaru. Klasičan. Solo. Flamanski. Srednji. Kompaktni disk. Objavio Acordes koncert. MB.CD0007. ISBN 9780786674022. Flamanski. 5,5 x 5 cm. U tišini je Grenadian popodne miješanje prema obližnjem žubor Alhambra, Don Manuel de Falla. 1876-1946. svira na klaviru En el Generalife, odlomak iz njegove noći u vrtovima Španjolske. Uz pravu pobožnost, skupina prijatelja okružuje maestro, među njima i blizak Gypsy od Jerezu, Manuel Torre. Kao Falla zaključuje, netko dovodi u pitanje Torre koji ostaje oduševljena, u svojim mislima. on odgovara, bez oklijevanja, sve ono što je sonidos Negros. tamne ili crne zvukovi. ima duende. duša, duh, vatra u roku. Šezdeset godina sada je prošlo od smrti Don Manuel, a Oscar Herrero i Carlos Oramas reintegrirati svoju suštinu, u kratkom putovanju u kojem krugu se završi na način da je možda pravednije. Osim što je čin uzajamnoj ljubavi, ova snimka je prinos koji gitaru od danas depozita u Atlantic grob. gdje univerzalni glazbenik jučer i danas počiva. "U katedrali u zraku. Duh de Falle, "piše pjesnik Gerardo Diego. 1896-1987. Flamenco je platio danak, ponekad vrlo strastveno, s djelima mnogih skladatelja. iz Rimski Korsakova na Milesa Davisa, a od Glinka, Ravel, Turina, Albenizove i Manuel Castillo John McLaughlin prolazi putem Bizeta, Granados, Koechli, na Halffters, Mauricio Ohana, ili Chausson. No, slučaj Don Manuel de Falla je drugačiji. Možda, kao što nitko ne zna kako se percipiraju duh-nije točno, nego u dubokoj daha dobivene iz flamenka, koji od jondo. duboko pjesma. koja je trebala definirati u svojoj epohi ono za Torre bile "tamne ili crne zvukovi". To oploditi glazbu de Falle rodnom Cadiz, otajstvo Grenadian noći, i Pariza s trendovima, počeo je, širi kanale izražavanja. Tako je Don Manuel de Falla je iz flamenca ono što će kasnije depozita u El amor Brujo, The trouglastog Hat, Noći u vrtovima Španjolske, La Vida Breve, ili u neki od sedam popularnih španjolskih pjesama, kao što su El Pano moruno. Maurskom Tkanina. ili Polo. Sada flamenco gitaru Oscar Herrero i klasične gitare Carlosa Ommas ponovno ove radove. Oba igra s poštovanjem, što je način izražavanja zahvalnosti, s akribijom i divljenja tehničke savršenosti, ali u isto vrijeme s izdvojimo intenzivne emotion- jer to snimanje ne samo predstavlja počast, ali i obnova do čovjeka koji je . Pjesma WISP. Danza de la molinera. Ples od susjeda. Ples miller. Dance of Terror. Danza n 1. Ritual Fire Dance. El Pano Moruno. Le Tombeau de Claude Debussy. Pantomima. Polo.
