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Izvornik

Concerto For Violin And Orchestra. Einojuhani Rautavaara. Violin Solo sheet music.

Prijevod

Koncert za violinu i orkestar. Einojuhani Rautavaara. Violinu solo note.

Izvornik

Concerto For Violin And Orchestra composed by Einojuhani Rautavaara. 1928-. For violin and orchestra. Score. Published by Fennica Gehrman. FG.042-08819-7. ISBN 979-0-042-08819-7. Milan Kundera compared symphonic music to a journey through a world which has no boundaries. And so it is with the solo violin in this work, which seems to be on a journey where it continually encounters new vistas and situations. The last pages of the concerto, containing the furious stretto finale, were written in New York's Manhattan. Returning after two decades of absence to the city in which the composer studied as a young man was a moving experience for him. "As I looked from my workroom window at the sky-scrapers of Downtown Manhattan, with their thousands of lights switching on an off in the windows around the clock, and listened to the endlessly changing murmur of traffic on 5th Avenue, I realised that the violin part should live its final moments passionately and restlessly, untiringly penetrating the orchestral texture right up to the very last bars of the piece.

Prijevod

Koncert za violinu i orkestar sastavljen od strane Einojuhani Rautavaara. 1928 -. Za violinu i orkestar. Postići. Objavio Fennica Gehrman. FG.042-08819-7. ISBN 979-0-042-08819-7. Milan Kundera u usporedbi simfonijske glazbe na putovanje kroz svijet koji nema granica. I tako je to sa solo violinu u ovom poslu, a čini se da na putovanje u kojem je stalno susreće nove vidike i situacije. Posljednje stranice koncerta, sadrže žestoki stretto finale, napisao je u njujorškom Manhattanu. Vrativši se nakon dva desetljeća izbivanja u grad u kojem je skladatelj studirao kao mladić bio dirljivo iskustvo za njega. "Kao što sam gledao od mog radna prozora na sky-strugala u središtu Manhattana, sa svojih tisuću svjetala prebacivanje na off u prozorima oko sat, i slušao beskrajno mijenja šum prometa na 5. Aveniji, shvatio sam da violina dio bi trebao živjeti svoje posljednje trenutke strastveno i neumorno, neumorno probijanje orkestralnu teksturu pa sve do zadnjeg barova u komadu.