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Izvornik
Kirchenmusik II. Organ Accompaniment sheet music.
Prijevod
Crkva Glazba II. Pratnju orgulja note.
Izvornik
Kirchenmusik II. Miserere Bb minor for soloists, choir, orchestra and organ. Composed by Ernst Theodor Amadeus Hoffmann. Edited by Friedrich Schnapp. For soloists, choir and orchestra with organ. This edition. ETAH 110-20. Cloth-cover. Complete edition. Complete Editions. E.T.A. Hoffmann - Selected Musical Works Band 10b. Score. Composed 1809. 140 pages. Published by Schott Music. SD.49009324. ISBN 9790001130035. The first edition of the musical works of E.T.A. Hoffmann, begun in the 1920s, foundered as a result of adverse economical conditions and because it was an enterprise ahead of its time. In the intervening years the E.T.A. Hoffmann specialist Friedrich Schnapp has rediscovered several works previously unknown or believed lost. his close collaborator Gerhard Allroggen documented the musical oeuvre of Hoffmann bibliographically in a 'Chronological Thematical Catalogue'. The present edition is based on this preparatory research and presents more than half of E.T.A. Hoffmann's musical works in a critical edition of 12 volumes. Most of the works omitted consist of his numerous stage compositions. But apart from his main dramatic work 'Undine'- published here for the first time in its original form - this section also contains 'Die lustigen Musikanten'. a particularly successful setting of Brentano's musical comedy. , 'Liebe und Eifersucht' and his first work 'Die Maske'. 1799. , the only surviving large-scale dramatic work where Hoffmann himself adapted the libretto. The incidental music for Zacharias Werner's 'Kreuz an der Ostsee' is interesting because of the notoriety achieved by the play. 'Arlequin' is representative of Hoffmann's ballet music. Hoffmann's work in other genres, including sacred music, orchestral works, piano and chamber music, choral pieces, arias and lieder, are all published complete. In contrast to the stage works, they are much smaller, and their general importance as well as their use for practical music making are increasingly recognized. Each music volume contains a preface with the genesis and description of each work as well as a Critical Commentary listing the sources and necessary textual emendations.
Prijevod
Crkva Glazba II. Mizerere Bb manja za soliste, zbor, orkestar i orgulje. Sastoji Ernst Theodor Amadeus Hoffmann. Uredio Friedrich Schnapp. Za soliste, zbor i orkestar s orgulja. Ovo izdanje. ETAH 110-20. Tkanina-cover. Complete Edition. Kompletna izdanja. E.T.A. Hoffmann - Odabrani glazbenih djela Band 10b. Postići. Sastavljen 1809. 140 stranica. Objavio Schott Music. SD.49009324. ISBN 9790001130035. Prvo izdanje glazbenih djela E.T.A. Hoffmann, započeo u 1920, potopili kao posljedica nepovoljnih gospodarskih uvjeta i zato jer je poduzeće ispred svog vremena. Proteklih godina E.T.A. Hoffmann specijalist Friedrich Schnapp je ponovno otkrila nekoliko djela prethodno nepoznatih ili vjeruje izgubili. njegov bliski suradnik Gerhard Allroggen dokumentirano glazbeni opus Hoffmann bibliografski u 'Kronološki Tematski katalog'. Prisutna izdanje temelji se na ovoj pripremnoj istraživanja i predstavlja više od polovice ETA-e Hoffmann je glazbena djela u kritičkom izdanju od 12 svezaka. Većina radova izostavljenih sastojati od njegovih brojnih scenskih skladbi. No, osim svog glavnog dramatičnog rada 'Undine'-objavljena ovdje po prvi put u svom izvornom obliku - ovaj dio sadrži i' Umri lustigen Musikanten '. Posebno uspješna postavljanje Brentano glazbene komedije. , "Liebe und Eifersucht 'i njegov prvi rad' Die maske '. 1799. , Jedini preživjeli velikih dramatični rad gdje sam Hoffmann prilagodio libreto. Slučajnu glazba za Zaharija Wernerov 'Kreuz der Ostsee' je zanimljiva zbog popularnosti postignutog igrom. 'Arlequin' prikazuje Hoffmann je glazbu za balet. Hoffmann rad u drugim žanrovima, uključujući i sakralne glazbe, orkestralnih djela, glasovir i komornu glazbu, zborove, arija i Lieder, svi su objavljeni potpuni. Za razliku od scenskih djela, oni su puno manji, a njihov opći značaj, kao i njihovo korištenje za praktičnu muziciranja sve priznaju. Svaki glazbeni volumen sadrži predgovor s genezi i opisu svakog posla, kao i kritičko Komentar popisom izvora i potrebne tekstualne emendations.
