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Izvornik

Smoke. Bassoon sheet music. Piano sheet music.

Prijevod

Dim. Fagot note. Piano note.

Izvornik

Smoke composed by Greg Brown. For 5 bassoons, piano. Score and parts. Published by TrevCo Music Publishing. VC.1939. Smoke was written as the first of a four-movement work for bassoon with Digital Delay and Piano, entitled "this moment". Each movement was inspired by photographs taken by the composer, and posted on the social media mobile app, Instagram. One bassoon was plugged into a computer programmed to repeat, in myriad fashions, what the live bassoonist played. As such, the properties of the delay plugins are inspired by the visual detail of each photograph while the subject and aesthetic of the photo inspired each movement's treatment of the musical material. The music for this arrangement was based on a photo of smoke hovering above a field in the late afternoon, the aftermath of a firecracker on a clear July day. Smoke is meant to be a separate musical object from the original four-movement work. The 5 bassoons essentially play what was computer-generated delay. Where before, one bassoon played and the digital delay created a canon, here each bassoon is a part of that canon. In the first section, there is a 4-beat canon at the unison. After a piano solo, the second section weaves a 6-beat accompaniment in the fashion of a looper-pedal, and the final section is a canon whose closing is a reprise of the first section's bassoon lines. This piece is dedicated to Ryan Romine, the commissioner of "this moment", for his committment to the bassoon repertoire, and for his witty, humble, and delightful attitude.

Prijevod

Pušač sastoji Greg Brown. Za 5 bassoons, klavir. Rezultat i dijelovi. Objavio TrevCo Music Publishing. VC.1939. Dim je bio napisan kao prvi od četiri pokreta rada za fagot s digitalnim kašnjenjem i glasovir, pod nazivom "ovaj trenutak". Svaki pokret je bio inspiriran fotografija snimljenih od strane skladatelja, a objavljene na društvenim medijima mobilnu aplikaciju, Instagram. Jedan fagot je bio priključen na računalo programirano da ponovi, u bezbroj mode, što uživo fagotist igrao. Kao takav, svojstva dodataka kašnjenja su inspirirani vizualnih detalja svake fotografije, a tema i estetski fotografije inspirirala tretman svakog pokreta glazbenog materijala. Glazbu za ovaj aranžman je na temelju fotografije od dima lebdi iznad polja u kasnim poslijepodnevnim satima, nakon nje je petarda na jasan dan srpnja. Dim je značilo da se odvojeno glazbena objekta iz izvorne četiri kretanja rada. U 5 bassoons suštini igrati ono što je računalno generirani kašnjenja. Gdje i prije, jedan fagot igrao i digitalni kašnjenje stvorio kanon, ovdje je svaki fagot je dio tog kanona. U prvom dijelu, nalazi se 4-beat Canon u tijesnoj. Nakon glasovir solo, drugi dio isprepliće 6-beat pratnju u modi od hvatača-pedala, a zadnji dio je kanon čije zatvaranje je repriza prvog dijela je fagot linije. Ovaj dio je posvećen Ryan ROMINE, povjerenik ovog trenutka, zbog predanosti na fagot repertoara, a za njegov duhovit, ponizan i divan odnos.