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Eastern European Rhapsody - duets for oboe and bassoon. Bassoon sheet music. Oboe sheet music. Advanced.

Prijevod

Istočne Europe Rhapsody - dueti za obou i fagot. Fagot note. Obou note. Napredan.

Izvornik

Eastern European Rhapsody - duets for oboe and bassoon composed by Enescu, Liszt, Dvorak, Brahms. Arranged by John Gibson. For Oboe, Bassoon. Classical Period, Romantic Period. Advanced Intermediate. JB Linear #D0098. Published by JB Linear. S0.6932. Great music that is fun to play - not easy music, either. For oboe and bassoon. Romanian Rhapsody #1 by Enescu. Hungarian Dance #4 by Liszt. Slavonic Dances #6, 7, and 8 by Dvorak. Hungarian Dances #1, 3, and 10 by Brahms. The audio sample is from Enescu's Romanian Rhapsody for flute and clarinet. All other versions are similar, but adjusted to work with the instruments being used. Here is a review by Simone Weber in the International Clarinet Society magazine, The Clarinet. September 2008. A clarinetist does not usually get the chance to play orchestral literature, apart from studying excerpts, if not a member of an orchestra or philharmonic. East Eu­ropean Rhapsody is a delightful book of duets for clarinet and bassoon that allows just that. John Gibson has arranged eight orchestral pieces for the two woodwind instruments. Transcribing and arranging orchestral literature for two instruments can be challenging, but Gibson has not compromised the integrity of the pieces. And the addition of these duets provides the repertoire another collection of duets for clarinet and bassoon. The collection is comprised of Roma­nian Rhapsody No. 1 by George Enescu, Hungarian Dance #3 by Franz Liszt, Slavonic Dances #6, 7, and 8 by Anton Dvorak, and Hungarian Dances #1, 3, and 10 by Johannes Brahms. Both the clarinet and bassoon players must perform at a high level, and also must be sensitive to each other. Because of the nature of the orchestral works, these transcriptions re­quire advanced use of tempo changes, fer­matas, accelerando, and ritardando. The players must be capable of following the score, able to cue each other and follow cues, and be sensitive to each other's mu­sical nuances. One may miss the lush orchestral sound, but Gibson manages to keep the melodies of the pieces intact, and the pieces, as a whole, very recognizable since the form of the duets remains true to the orches­tral versions. Gibson omits sections of the music when the texture becomes too thick, complex, or when a section repeats itself more than once. The lines are not true to the instruments-there are lines that are played by the clarinet in the or­chestra that Gibson gives to the bassoon and vice versa. That is not always the case, however, because in the Liszt, the cadenza is still played by the clarinet. Some of the musical passages are technically difficult because in the orchestral versions these passages are carried by the violin section. And the transcription of these duets is not always true to the original key of the or­chestral versions. Some of the pieces work very well with two instruments because of the duets that occur within the wind section of the orchestra, Brahms Hungarian Dance #3 in particular. Slavonic Dance #8 by Anton Dvorak may be perhaps the most difficult to arrange for two players because of the orchestral texture and the sheer volume of the piece. Gibson, of necessity, omits some of the harmonies and secondary melodies, but still manages to retain the important melody. As with any duet, the piece demands the full expertise of the players. These du­ets are no exception. The two players are playing almost all the time. If there are rests, they are not long, and few and far between. Accordingly, the performance of these pieces might prove difficult because of the endurance required, especially since the Enescu will last from 12-15 minutes. Digital Print is printable sheet music available anytime, anywhere. Just purchase, print and play. View your online sheet music at home, school, work or anywhere you have a computer connected to the Internet. Use our iPad app to view your digital sheet music on the go. With Digital Print, you can print your digital sheet music immediately after purchase, or wait until its convenient. And our software installation is easy - we'll guide you through the simple steps to make sure you have Adobe Flash Player, Adobe AIR and the Sheet Music Plus AIR application.

Prijevod

Istočnoeuropski Rhapsody - dueti za obou i fagot skladao Enescu, Liszta, Dvorak, Brahmsa. Uređeni John Gibson. Za obou, fagot. Klasičnog razdoblja, romantičnog razdoblja. Napredna Srednji. JB Линейный. Objavljeno JB Linear. S0.6932. Velika glazba koja je zabavno igrati - nije lako glazbu, bilo. Za oboa i fagot. Румынская рапсодия. Венгерский танец. Славянские танцы. Венгерские танцы. Audio uzorak iz Enescua je rumunjskom Rapsodija za flautu i klarinet. Sve ostale verzije su slični, ali namjesti da rade s instrumentima koji se koriste. Ovdje je pregled Simone Weber u časopisu Međunarodno društvo klarinetista, klarinet. Rujna 2008. Klarinetist ne obično dobiti priliku igrati orkestralnu literaturu, uz učenje izvatke, ako ne i član orkestra ili filharmonijski. East European Rhapsody je divan knjiga dueta za klarinet i fagot koji omogućuje upravo to. John Gibson je dogovorio osam orkestralna djela za dva puhačke instrumente. Prepisivanje i uređenje orkestralnu literaturu za dva instrumenta može biti izazovan, ali Gibson nije ugrožen integritet komada. I dodatak dueta pruža repertoara drugu zbirku dueta za klarinet i fagot. Коллекция состоит из Румынская рапсодия № 1 по Джордже Энеску, Венгерский танец. Oba klarinet i fagot igrači moraju obavljati na visokoj razini, a također moraju biti osjetljivi na međusobno. Zbog prirode instrumentalna djela, te transkripcije zahtijevaju korištenje naprednih TEMPO promjena, fermatas, accelerando i ritardando. Igrači moraju biti u stanju da prati rezultat, moći napomena jedni druge i slijediti znakove, i biti osjetljivi na međusobnim glazbenih nijansi. One mogu propustiti bujnu orkestralnog zvuka, ali Gibson uspijeva zadržati melodije komada netaknut, a komadi, kao cjelina, vrlo prepoznatljiv jer obliku dueta ostaje vjeran orkestralnim verzije. Gibson izostavlja dijelove glazbe kada tekstura postaje previše gust, kompleks, ili kada poglavlje ponavlja više od jednom. Linije su nije istina da su instrumenti-postoje linije koje se igraju po klarinet u orkestru koji Gibson daje do fagot i obrnuto. To nije uvijek slučaj, međutim, jer je u Liszta, Cadenza je još uvijek glumi klarinet. Neki od glazbenih odlomaka su tehnički teško, jer je u orkestralnim verzijama ovi odlomci se provodi od strane dijela violine. I prijepis dueta nije uvijek vjeran izvorniku ključu orkestralnim verzije. Некоторые из частей очень хорошо работает с двумя инструментами из-за дуэтов, которые происходят в разделе ветра оркестра, Брамс Венгерские танцы. Славянский танец. Gibson, nužde, izostavlja neke od harmonija i srednjim melodije, ali i dalje uspijeva zadržati važnu melodiju. Kao i kod bilo koje duetu, komad zahtijeva punu stručnost igrača. Ove du-ETS nisu iznimka. Dva igrača igraju gotovo sve vrijeme. Ako postoje ostaci, nisu dugo, a malo i daleko između. U skladu s tim, obavljanje tih komada moglo pokazati teško zbog izdržljivosti potrebne, pogotovo jer Enescu će trajati 12 do 15 minuta. Digital Print je ispis glazbeni dostupan list bilo kada, bilo gdje. Samo za kupnju, ispis i igrati. Pregled online note kod kuće, u školi, na poslu ili bilo gdje imate računalo spojeno na Internet. Koristite našu ipad app za pregledavanje digitalne list glazbe u pokretu. Uz Digital Print, možete ispisati svoje digitalne note odmah nakon kupnje, ili čekati do njegova povoljno. I naš instalacija softvera je jednostavno - mi ćemo vas kroz jednostavne korake kako bi bili sigurni da imate instaliran Adobe Flash Player, Adobe AIR i notnih Plus AIR aplikacija.