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Izvornik
Chronicles. Joseph Turrin. B-Flat Trumpet sheet music. Cornet sheet music. Horn sheet music. Trombone sheet music. Grade 6.
Prijevod
Chronicles. Joseph Turrin. B-Stan Truba note. Cornet note. Horn note. Trombon note. Grade 6.
Izvornik
Chronicles. Trumpet Feature. Composed by Joseph Turrin. 1947-. For Soloist. with Concert Band. Piccolo, Flute 1. 2, Oboe 1. 2, Bassoon 1. 2, Bb Clarinet 1, 2, 3, Eb Clarinet, Bass Clarinet, Bb Contrabass Clarinet, Alto Saxophone 1. 2, Tenor Saxophone, Baritone Saxophone, Solo Bb Trumpet, Bb Cornet 1, 2, 3, Bb Trumpet 1, 2, F Horn 1, 2, 3, 4, Trombone 1. Grade 6. Score only. Duration 17. 00. Published by C. Alan Publications. CN.06791. This work in many ways could be considered a concerto, if not in a strict sense of form, at least in expansiveness. The Prologue begins with a trumpet fanfare then becomes a mixture of pointillism versus lyricism. Lamentation consists of a haunting chorale as well as a lyrical trumpet melody. Epilogue is a rondo in 3. 4 time with several sections leading to a last high staccato fanfare as the piece whirls to its conclusion. I composed "Chronicles" during the summer of 1998. It is the second large trumpet work I have written for Philip Smith, the first being the Concerto for Trumpet commissioned by the New York Philharmonic in 1988. This work in many ways could also be considered a concerto, if not in a strict sense of form, at least in its expansiveness. The first movement. Prologue. has several thematic ideas that interweave throughout. There is a mixture of pointillism versus lyricism here along with a driving pulse create by running scale passages shared between soloist and ensemble. I also use a fanfare-like motif. as in the opening solo trumpet cadenza. which serves as a unifying force that reappears throughout. There is a quick coda, ending with a seven-bar chorale in which the solo trumpet recaps material from the opening cadenza. The second movement. Lamentation. begins with a chorale and consists of several contrasting sections. Section A, the opening chorale with the soloist entering in the latter half of the section. Following is Section B. a restless agitato. This section builds to a short climax which leads us to Section C. a plaintive melody in the clarinets followed by a building of tension in the brass. Section D follows. a lyrical trumpet melody with a steady ostinato accompaniment. There is a short trumpet cadenza followed by the return of the opening chorale. The movement slowly fades into silence. The last movement. Epilogue. is a rondo in 3. 4 time. There are several sections, all of which lead to a trumpet cadenza. Following the cadenza is a fast coda bringing back material from the first movement. The solo trumpet states one last high staccato fanfare as the piece whirls to its conclusion. - Joseph Turrin.
Prijevod
Chronicles. Truba Feature. Skladao Joseph Turrin. 1947 -. Za solist. s Koncertnom Band. Piccolo, frula 1. 2, obou 1. 2, fagot 1. 2, Bb klarinet 1, 2, 3, Eb klarinet, bas klarinet, kontrabas Bb klarinet, alt saksofon 1. 2, tenor saksofon, bariton saksofon, Solo Bb Truba, BB Cornet 1, 2, 3, Bb Truba 1, 2, F Horn 1, 2, 3, 4, Trombon 1. Grade 6. Postići samo. Trajanje 17. 00. Objavljeno C. Alan Publikacije. CN.06791. Ovaj rad na mnogo načina može se smatrati koncert, ako ne u strogom smislu formi, barem u ekspanzivnosti. Prologue počinje s trube fanfare tada postaje mješavina pointilizam odnosu lirike. Plač se sastoji od nezaboravna koral kao lirska melodija truba. Epilog je rondo u 3. 4. vrijeme s nekoliko sekcija koje vode do posljednje velike fanfare staccato kao komad skuplja za svoj zaključak. Skladao sam "Kronike", tijekom ljeta 1998. To je drugi veliki truba rada koji sam napisao za Philipa Smitha, prvi je bio koncert za trublju naručila New York filharmonije 1988. Ovo djelo je u mnogočemu se također može smatrati koncert, ako ne u strogom smislu formi, barem u svom ekspanzivnosti. Prvi stavak. Prolog. ima nekoliko tematskih ideja koje se prelamaju cijeloj. Tu je mješavina pointilizam odnosu lirike ovdje zajedno s vožnje puls stvoriti pokretanjem kamenca prolaza dijele između solista i ansambla. Ja također koristiti pompu poput motiv. kao u otvaranju solo trubu kadenci. koji služi kao ujedinjujuća sila koja se pojavljuje iznova tijekom. Tu je brza coda, završio sa sedam-bar koral u kojem solo truba recaps materijal od otvaranja kadenci. Drugi stavak. Kukanje. počinje s koral, a sastoji se od nekoliko kontrastnih sekcija. Sekcija, otvaranje koral sa solistom ulaska u drugoj polovici dionice. Slijedi odjeljak B. nemirna agitato. Ovaj dio gradi na kratko klimaksu koji nas vodi u dijelu C. tužan melodija u klarineta, nakon čega slijedi izgradnja napetosti u mjedi. Sekcija D slijedi. lirski truba melodiju s čvrstim ostinantni pratnju. Tu je kratka truba Cadenza slijedi povratak otvaranju koral. Pokret polako nestaje u tišini. Posljednji stavak. Epilog. je Rondo u 3. 4 puta. Postoji nekoliko dijelova, od kojih je sve dovelo do trubu kadenci. Nakon kadencu je brza coda vraćaju materijal iz prvog stavka. U solo truba navodi posljednji visoki staccato fanfare kao komad skuplja za svoj zaključak. - Josip Turrin.
