Notna sveska $30.00
Izvornik
Zarabanda. Joseph Turrin. B-Flat Trumpet sheet music. Double Bass sheet music. Euphonium sheet music. Horn sheet music. Percussion sheet music. Trombone sheet music. Tuba sheet music. Grade 4.
Prijevod
Zarabanda. Joseph Turrin. B-Stan Truba note. Kontrabas note. Euphonium note. Horn note. Udaraljke note. Trombon note. Tuba note. Grade 4.
Izvornik
Zarabanda. Xylophone. Marimba Feature. Composed by Joseph Turrin. 1947-. For Soloist. with Concert Band. Solo Percussion, Piccolo, Flute 1-2, Oboe 1-2, Bassoon 1-2, Clarinet in Eb, Clarinet in Bb 1-3, Bass Clarinet, Alto Saxophone 1-2, Tenor Saxophone, Baritone Saxophone, Horn in F 1-4, Trumpet in Bb 1-5, Trombone 1-3, Euphonium, Tuba, Contrabass, Percussion. Grade 4. Score only. Duration 5. 00. Published by C. Alan Publications. CN.16431. The piece is in several sections with a Latin style rhythm that occasionally gets interrupted by accented outbursts from the ensemble. As the piece develops and moves from section to section, new rhythmic and melodic ideas are introduced. The piece culminates with a bravura mallet cadenza and an optional cadenza, which calls for the additional skills of playing the timbales, bongos, tom-toms, and conga drum. I composed Zarabanda for a Latin American recording project with RCA Records and percussionist Evelyn Glennie. Although the recording project was never realized by RCA, I decided that the work would make a wonderful vehicle for Ms. Glennie along with wind ensemble accompaniment. The piece is in several sections with a Latin style rhythm that occasionally gets interrupted by accented outbursts from the ensemble. The soloist alternates between the xylophone, for the more accented staccato passages and scales, and the marimba, for the more melodic material. As the piece develops and moves from section to section, new rhythmic and melodic ideas are introduced. The piece culminates with a bravura cadenza - the soloist performing rapid-fire staccatos and scales on the xylophone. There is also an optional cadenza, which calls for the additional skills of playing the timbales, bongos, tom-toms, and conga drum. The piece concludes with a quick coda as the solo xylophone and ensemble build a fiery rhythmic syncopation. There are more rapidly accented staccatos, a quick scale, and the final bar. The zarabanda is a late 16th and 17th century Spanish dance in a lively alternating 6. 8 and 3. 4 time. Some evidence suggests that the zarabanda originated in the Spanish colonies in America, making it the first popular Latin American dance. Other evidence seems to suggest an African origin. A possible scenario might be that the zarabanda was brought to Spain by the Moors during the 12th Century, but was heavily modified by American influences during the early 16th Century. The zarabanda and its French descendant, the sarabande, were very different dances. While the French dance was a slow dance in 3. 4 time, the Spanish original was very lively, alternating between 6. 8 and 3. 4 time. In the beginning, the zarabanda was considered very indecent. Cervantes writes about the "diabolic zarabanda" in one of his short stories, and in 1583, a law was passed against singing the zarabanda. The penalties for breaking it were banishment for women and 200 whiplashes and 6 years of galley service for men.
Prijevod
Zarabanda. Ksilofon. Marimbu Feature. Skladao Joseph Turrin. 1947 -. Za solist. s Koncertnom Band. Samo udaraljke, Piccolo, frula 1-2, obou 1-2, 1-2 fagot, klarinet u Eb, klarinet u Bb 1-3, bas klarinet, alt saksofon 1-2, tenor saksofon, bariton saksofon, rog u F 1. -4, Truba u Bb 1-5, 1-3 Trombon, Euphonium, Tuba, kontrabas, udaraljke. Grade 4. Postići samo. Trajanje 5. 00. Objavljeno C. Alan Publikacije. CN.16431. Komad je u nekoliko sekcija s latinskim stilu ritmu koji povremeno dobiva prekidala naglaskom ispade iz ansambla. Kao dio razvija i kreće se od odjeljka do odjeljka, nove ritmičke i melodijske ideje su uvedene. Komad kulminira s bravura malj kadenci i dodatni kadenci, što zahtijeva dodatne vještine sviranja timbalesi, bongosi, tam-simptoma, i Conga bubanj. I sastoji Zarabanda za latinoameričke projektu snimanja s RCA Records i udaraljkaš Evelyn Glennie. Iako je projekt snimanja nikad realiziran je RCA, odlučio sam da će posao napraviti prekrasan vozilo za gospođe Glennie uz vjetar pratnju ansambla. Komad je u nekoliko sekcija s latinskim stilu ritmu koji povremeno dobiva prekidala naglaskom ispade iz ansambla. Solist izmjenjuje između ksilofon, za više naglašavali Staccato prolaza i vage, i marimbu, za više melodijske materijala. Kao dio razvija i kreće se od odjeljka do odjeljka, nove ritmičke i melodijske ideje su uvedene. Komad kulminira s bravura kadenci - solist brzom vatre staccatima i vage na ksilofon. Tu je i opcija Cadenza, koji se poziva na dodatne vještine igranja timbalesi, bongosi, Tom-jem i Conga bubanj. Djelo završava s brzim kodom kao solo ksilofon i ansambl izgraditi vatreni ritmičku Syncopation. Postoje brže naglašene staccatima, brzo razmjera, i konačno bar. Zarabanda je potkraj 16. i 17. stoljeća španjolski ples u živo naizmjenično 6. 8 i 3. 4 puta. Neki dokazi upućuju na to da je zarabanda nastao u španjolskim kolonijama u Americi, što je prvi popularni latinoamerički ples. Drugi dokazi čini se da ukazuju na afričkog podrijetla. Mogući scenarij može biti da zarabanda doveden u Španjolskoj od strane Maura tijekom 12. stoljeća, ali je teško mijenjati američkih utjecaja tijekom ranog 16. stoljeća. Zarabanda i njegov francuski potomak, Sarabande, bili su vrlo različiti plesovi. Dok je francuski ples bio spor ples u 3. 4. vrijeme, španjolski izvorni je vrlo živo, naizmjence 6. 8 i 3. 4 puta. U početku, zarabanda se smatra vrlo nepristojnim. Cervantes piše o "đavolskog zarabanda" u jednom od svojih kratkih priča, te u 1583, zakon je donesen protiv pjeva zarabanda. Kazne za kršenje da su progonstva za žene i 200 whiplashes i 6 godina galija usluge za muškarce.
