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Izvornik

Lukas-Passion. Georg Philipp Telemann. Voice sheet music. Choir sheet music. Piano and Keyboard sheet music. Violin Solo sheet music.

Prijevod

Lukas-strast. Georg Philipp Telemann. Glas note. Zbor note. Klavir i tipkovnica note. Violinu solo note.

Izvornik

Lukas-Passion composed by Georg Philipp Telemann. 1681-1767. Edited by Felix Schroeder. Arranged by Felix Schroeder. For STB vocal soli, SATB choir, flute, oboe, oboe d'amore, violin soloist, 2 violin, viola, basso continuo,. bassoon. Stuttgart Urtext Edition. Score available separately - see item CA.3949500. Passions, Lent and Passiontide, Holy Week. Violin 1 part. Language. German. English. Composed 1744. TVWV 5. 29. 28 pages. Published by Carus Verlag. CA.3949512. ISBN M-007-05652-0. With Language. German. English. Passions, Lent and Passiontide, Holy Week. Of the five surviving St. Luke Passions by Telemann, this first printing of the Passion of 1744 distinguishes itself first with, aside from expressive arias, the dramatic choruses. In contrast to his other Passions, Telemann only uses three chorales here. as an opening, during the scene on the Mount of Olives, and as a closing. This setting of the Passion is an full-evening of music of only moderate difficulty and moderate scoring requirements.

Prijevod

Lukas-Passion sastoji Georg Philipp Telemann. 1681-1767. Uredio Felix Schroeder. Raspored po Felix Schroeder. Za STB vokalne Soli, SATB zbor, flaute, oboe, obou d'amore, violinu solist, 2 violine, violu, basso continuo,. fagot. Stuttgart Urtext Edition. Score dostupan zasebno - vidi točka CA.3949500. Strasti, korizma i Passiontide, Veliki tjedan. Violina 1. dio. Jezik. Njemački. Engleski. Sastavljen 1744. TVWV 5. 29. 28 stranica. Objavio Carus Verlag. CA.3949512. ISBN M-007-05652-0. Sa jezika. Njemački. Engleski. Strasti, korizma i Passiontide, Veliki tjedan. Od pet preživjelih Sveti Luka strasti prema Telemann, ovo prvo tiskanje Muke 1744 odlikuje se najprije, osim izražajne arija, dramatičnim zborova. Za razliku od njegovih ostalih Strasti Telemann koristi samo tri korala ovdje. kao otvaranje, tijekom scene na Maslinskoj gori, a kao zatvaranja. Ova postavka strast je full-večer glazbe samo umjereno poteškoća i umjerenih uvjeta bodovanja.