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Izvornik

Capture of the U-505. Percussion sheet music. Timpani sheet music.

Prijevod

Hvatanje u U-505. Udaraljke note. Timpani note.

Izvornik

Capture of the U-505 composed by John Willmarth. Timpani Solo. For timpani solo. timpani. Book. Duration 8 minutes, 50 seconds. Published by Innovative Percussion. IP.T-JW-505. Composer's notes. "Capture of the U-505" is a programmatic piece influenced by Wagner's use of Leitmotif. a musical device in which a character, place, or idea is depicted through a musical theme. Throughout the work the top two drums represent the American Naval forces and the bottom drums the German U-boat, the U-505. The piece is comprised of four sections. The U-boat, The Chase, The Battle, and The Capture. The opening reveals the U-boat theme including the characteristic sound of the sonar ping. The one-handed roll technique depicts the rumble of the U-boat engines. The Chase is written in a canonic style in which one hand "chases" the other. The left hand plays the bottom drums in the key of Bb while the right hand plays the top drums in the key of F. Eventually an ostinato is unveiled which rhythmically spells out the distress signal "S.O.S." in Morse code. In The Battle, small cloth bags filled with coins are placed in the center of the drumhead producing an explosion sound when the head is struck. At "agitato" the performer should improvise for 10-20 seconds using, but not limited to, the given motives in a fragmented rhythmic style. devoid of an easily discernable pulse center. The texture of the improvisation should become increasingly dense throughout. The drums can be tuned to any pitch throughout this section. based on where the performer chooses to end the glissando effects. but should end with the drums in mid-range. A 4-line staff is also used to represent the four drums rather that delineate a specific pitch set. This section should depict the chaos, aggression, and ferocity of battle. An elongated glissando up the drums is used to portray the U-boat surfacing thus ending the battle. this phrase should be performed on the 32" and 29" drums. The Capture brings some of the beginning themes full circle. This time, however, the rumble of the engines is on the high drums representing the American convoy. The drums are tuned to a major tonality depicting a resolution of the conflict throughout. The sonar ping is no longer present but the motive carries on as the sub is towed away. In 1941, the United States entered World War II in response to Japan's surprise attack on Pearl Harbor. At this point in the war, the Germans had already unleashed their Blitzkrieg attack on London and, along with Japan and Italy, formed the Axis powers. Because shipping was the primary means of delivering supplies to Great Britain and Africa, the German submarine or U-boat became a major factor in what has come to be known as the Battle of the Atlantic. German U-boats were sinking merchant ships at an alarming rate. In fact the U-boats effect on the war was so profound that in a speech British Prime Minister Winston Churchill stated, "The only thing that ever really frightened me during the war was the U-boat peril. " In response to this threat, the United States formed hunter-killer task groups designed to seek out and destroy enemy subs. Captain Daniel Gallery led the group known as the 22.3 which was comprised of five destroyer escorts. USS Chatelain, USS Jenks, USS Flaherty, USS Pillsbury, USS Pope, and the aircraft carrier the USS Guadalcanal. Through intercepted radio transmissions the 22.3 was able to ascertain the general location of a U-boat off the coast of West Africa. After 2 weeks of searching unsuccessfully, the 22.3 broke off the hunt. On June 4th, 1944, as they headed towards Casablanca to refuel, the USS Chatelain suddenly made sonar contact with the U-505 less than 800 yards away. The American destroyer fired on the sub as it took evasive action. Wildcat fighters from the Guadalcanal marked the position of the U-505 by firing their machine guns into the water. The Chatelain was able to severely damage the U-505 using depth charges, forcing her to surface. It was a short but fierce battle in which the U-505 was only able to launch one torpedo. Once the sub surfaced, the U.S. convoy surrounded the sub and covered her in artillery fire. The crew abandoned ship and 58 German sailors were captured with only one casualty. Although the Germans took measures to scuttle the ship, an American salvage crew managed to board the boat, remove classified materials, and save the U-505 from sinking. The boat was secretly towed over 2,500 miles to a U.S. base at Bermuda in order to study German U-boat technology. Because of the bravery, courage, and daring of Commander Gallery and his team, the U.S. Navy was able to capture an enemy vessel at sea for the first time since the War of 1812. Admiral Royal E. Ingersoll, Commander in Chief, U.S. Atlantic Fleet, released the following statement. "The Task Group's brilliant achievement in disabling, capturing, and towing to a United States base a modern enemy man-ofwar taken in combat on the high seas is a feat unprecedented in individual and group bravery, execution, and accomplishment in the Naval History of the United States.

Prijevod

Capture of the U-505 composed by John Willmarth. Timpani Solo. Za timpana solo. Timpani. Knjiga. Trajanje 8 minuta, 50 sekundi. Objavljeno prema inovativnih udaraljke. IP.T-JW-505. Skladatelj bilješke. "Snimanje je U-505" je programski dio utjecajem Wagnera korištenje lajtmotiv. glazbeni uređaj u kojem lik, mjestu, odnosno ideja je prikazan kroz glazbenu temu. Kroz rad prva dva bubnjevi predstavljaju američke pomorske snage i dno bubnjevi njemačka podmornica, U-505. Djelo se sastoji od četiri dijela. Podmornica, Chase, bitka, a Capture. Otvaranje otkriva temu podmornica uključujući karakterističnim zvukom sonar ping. Jednom rukom rola tehnika opisuje tutnjava od U-brodskih motora. Chase je napisan u kanonskog stilu u kojem jedna ruka "potjera" drugoga. Lijeva ruka svira bubnjeve dna u ključ BB, a desna ruka svira bubnjeve vrh u ključu F. Na kraju ostinantni je predstavio koja ritmički navodi Signal "SOS" u Morse kodu. U bitci, male platnene vrećice pune kovanica su smješteni u središtu bubnju proizvodi eksploziju zvuka kada je glava udarila. Na "agitato" izvođač treba improvizirati 10-20 sekundi koriste, ali ne ograničavajući se na, danim motiva u rascjepkanom ritmičke stilu. lišen lako uočljivih puls centru. Tekstura improvizacije trebao postati sve gusta cijeloj. Bubnjevi može biti podešen na bilo koji teren u cijelom ovom dijelu. ovisno o tome gdje izvođač odluči okončati glisanda učinke. ali bi trebao završiti s bubnjevima u mid-range. 4-linije osoblje također se koristi za zastupanje četiri bubnjeve umjesto da opisivanja određeni parcele set. Ovaj dio bi trebao prikazati kaos, agresiju i žestinu bitke. Izdužena glisanda do bubnjevima koristi oslikati podmornica Poliranje time završava bitku. ovaj izraz treba biti izvedena na 32 "i 29" bubnjevima. Snimanje donosi neke od samog početka teme puni krug. Ovaj put, međutim, tutnjava motora na visokim bubnjevima predstavljaju američki konvoj. Bubnjevi su podešeni na glavni tonaliteta prikazom rezoluciju od sukoba tijekom. Sonar ping više ne postoji, ali motiv obavlja kao sub je odvukli. Godine 1941, Sjedinjene Države ušla u Drugi svjetski rat, kao odgovor na japansku iznenadnog napada na Pearl Harbor. U ovom trenutku u ratu, Nijemci su već pokrenuo njihov blitzkrieg napad na London i, zajedno s Japanom i Italije, formirana silama Osovine. Zbog shipping je osnovno sredstvo isporuci potrošnog materijala za Veliku Britaniju i Afrike, njemačke podmornice ili podmornica postala glavni faktor u onome što je danas poznato kao Bitke na Atlantiku. Njemacki podmornice su tone trgovačke brodove na alarmantan stopa. Zapravo podmornice učinak na rat je bio toliko dubok da je u govoru britanski premijer Winston Churchill je rekao: "Jedina stvar koja je ikad stvarno me uplašila tijekom rata bio podmornica opasnost. "Kao odgovor na tu prijetnju, Sjedinjene Države formirana lovac-ubojica radne grupe dizajnirane tražiti i uništiti neprijateljske podmornice. Kapetan Daniel Galerija vodio skupinu poznatu kao 22,3 koja je sastavljena od pet razarač pratitelja. USS Chatelain, USS Jenks, USS Flaherty, USS Pillsbury, USS Papa, a nosač zrakoplova USS Guadalcanal. Kroz prisluškivanih radio postaja 22,3 bio u stanju utvrditi opće mjesto s podmornica uz obale zapadne Afrike. Nakon 2 tjedna u potrazi neuspješno, 22,3 prekinuo lov. Na 4. lipnja 1944, kao i oni krenuli prema Casablanci na benzinskoj postaji, USS Chatelain odjednom je sonara kontakt s U-505 manje od 800 metara udaljenosti. Američki razarač otkaz na pod jer je vozni akciju. Wildcat borci iz Guadalcanala označio položaj U-505 od plamena svoje strojnice u vodu. Chatelain je mogao ozbiljno oštetiti U-505 pomoću dubinske bombe, prisilivši je na površinu. Bilo je kratko, ali žestoka bitka u kojoj je U-505 bio je jedini u mogućnosti pokrenuti jedan torpedo. Nakon što pod površinom, američki konvoj okružena podmornicu te joj pokrivena u topničkom vatrom. Posada napustili brod i 58 njemačkih mornara su zarobljeni sa samo jednim nezgode. Iako su Nijemci poduzeli mjere onesposobiti brod, American spašavanje posada uspjeli ukrcati na brod, uklonite povjerljive materijale, i spremiti na U-505 od potonuća. Brod je dotegljen u tajnosti više od 2.500 milja do američke baze na Bermude, kako bi se studij njemačke tehnologije podmornica. Zbog hrabrosti, hrabrosti i odvažnosti zapovjednika Galeriji i njegov tim, američka mornarica je u stanju uhvatiti neprijatelja brod na moru, po prvi put nakon rata 1812. Admiral Royal E. Ingersoll, vrhovni zapovjednik, SAD-atlantske flote, objavio sljedeću izjavu. "Briljantan uspjeh Zadatak Grupe u onesposobljavanje, hvatanje i vuče na Sjedinjene Države baze moderni neprijatelj čovjek-ofwar poduzeti u borbi na otvorenom moru je podvig bez presedana u pojedinačnoj i grupnoj hrabrost, izvršenja i ostvarenje u pomorsku povijest Sjedinjene Američke Države.