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Izvornik

Hungarian Rhapsody No. 9 - The Carnival at Pest. Franz Liszt. Harpsichord sheet music. Piano Solo sheet music. Advanced.

Prijevod

Mađarski Rhapsody broj 9 - Karneval u Pešti. Franz Liszt. Čembalo sheet glazbe. Piano Solo note. Napredan.

Izvornik

Hungarian Rhapsody No. 9 - The Carnival at Pest. Piano Solo. Composed by Franz Liszt. 1811-1886. Edited by Ernst Herttrich. For Piano. Piano. Harpsichord. , 2-hands. Henle Music Folios. Pages. VIII and 29. SMP Level 10. Advanced. Softcover. 37 pages. G. Henle #HN805. Published by G. Henle. HL.51480805. Liszt's ninth Rhapsody is the "Carnival at Pest" - one of the few Hungarian Rhapsodies to which he gave a name. Once again Liszt turns to Hungarian folk melodies and fuses them with improvisatory elements. The result is a dazzling virtuosic firework display. The relaxed atmosphere of a Budapest carnival around 1840 is brought to life - indeed Liszt is said to have recorded several themes when there. Accordingly, the work quickly found its way into European concert halls, and then into those around the world. To use Bela Bartok's words, Liszt once again succeeds in creating a "work of perfect authenticity. Very advanced level, very difficult note reading, frequent time signature changes, virtuosic level technical facility needed.

Prijevod

Mađarski Rhapsody broj 9 - Karneval u Pešti. Piano Solo. Sastavljen Franza Liszta. 1811-1886. Uredio Ernst Herttrich. Za Piano. Plan. Cimbala. , 2-ruke. Henleovo Glazba listova. Stranice. VIII i 29. SMP Level 10. Napredan. Softcover. 37 stranica. Г. Хенле. Objavljeno G. Henle. HL.51480805. Liszt je deveta Rhapsody je "Karneval u Pešti" - jedna od rijetkih mađarskih rapsodija kojemu je dao ime. Još jednom Liszt okreće mađarskih narodnih melodija i osigurači im improvizatorska elemenata. Rezultat je sjajan virtuozna vatromet. Opuštena atmosfera Budimpešti karnevala oko 1840 je doveo do života - doista Liszt je rekao da su snimili nekoliko tema kad postoji. U skladu s tim, rad je brzo pronašao svoj put u europskim koncertnim dvoranama, a onda na one oko svijeta. Za korištenje Béle Bartóka riječi, Liszt opet uspije u stvaranju "rad savršenom autentičnosti. Vrlo napredna razina, vrlo teško note čitanja, česte ritam promjena, virtuozna razinu tehničke objekt potrebno.