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Izvornik

SuperCell. Alto Saxophone sheet music. Marimba sheet music. Percussion sheet music. Piano sheet music. Timpani sheet music. Xylophone sheet music. Intermediate.

Prijevod

Nadćelija. Alt saksofon note. Marimbu note. Udaraljke note. Piano note. Timpani note. Ksilofon note. Srednji.

Izvornik

SuperCell. Alto Saxophone Feature. Composed by David R. Gillingham. Solo with Percussion Ensemble. For Solo with Percussion Ensemble. Solo E-flat Alto Saxophone, Piano, Marimba 1. 4.3-octave. , Marimba 2. 4.3-octave. , Marimba 3. 4.5-octave. , Marimba 4. 5-octave. , 4 Timpani, Percussion 1. bells, 2-octave crotales, suspended cymbal. shared. , tam-tam. shared. , Percussion 2. xylophone, 3-oc. Medium. Score only. Duration 11. 00. Published by C. Alan Publications. CN.10591. Supercell is a journey through the giant thunderstorms of the same name that roam the Great Plains. Taking a very simple melody in the solo alto saxophone, Gillingham takes the piece through many transformations, keeping the melody fresh. Supercell is a journey through the giant thunderstorms of the same name that roam the Great Plains. The beginning of the piece represents the breezy and sunny afternoon that is often experienced just before a supercell develops. As the afternoon progresses, puffy clouds become numerous in the once clear sky. Eventually one of these clouds meets an updraft, and it explodes like an atomic bomb into the atmosphere. The sky becomes dark and threatening, lightning flashes violently and thunder is heard in the distance. The breezes die down and the supercell begins its track over the area. Light rain begins to fall, gradually increasing to a moderate shower. All of a sudden the wind begins to madly gust, the rain becomes blinding, and small hail mixes with the rain. Eventually the rain is overtaken by a hailstorm that hurls hailstones up to the size of softballs, wreaking havoc on properties below. The supercell spreads panic and fear as it becomes even more intense with deafening hurricane force winds, furious lightning, pounding rain and hail, and a pitch-black sky. Just as the storm reaches its ultimate fury, it is suddenly silenced. The air is dead-calm. Though no rain or hail is failing, the sky is still pitch-black with a tint of green. Though the fury appears to be over, the worst is yet to come. A tornado moves through, destroying everything in its path. Common items are whirled through the air, turning them into deadly missiles as the whirlwind of over 300 MPH tears through. Though the tornado is the most violent part of a supercell, it is the most short-lived. As the tornado departs the area, the black sky gives way to rays of sunshine and clear skies. A haunting mood is heard, because even though the skies have cleared, the aftermath of the supercell is abundant. As destructive as the storm might have been, eventually the aftermath becomes a memory as people move on and repair the damages. The piece ends in a calm, gentle, and dream-like manner, with a short reminder that supercells will return. - Kurt Gros.

Prijevod

Nadćelija. Alt saksofon Feature. Sastoji David R. Gillingham. Solo s ansamblom udaraljki. Za Solo s ansamblom udaraljki. Samo E-stan alt saksofon, klavir, marimbu 1. 4.3-oktave. Marimbu 2. 4.3-oktave. Marimbu 3. 4.5-oktave. Marimbu 4. 5-oktave. , 4 Timpani, udaraljke 1. Zvona, 2-oktava crotales, suspendiran cimbal. podijeljen. , Tam-tam. podijeljen. , Udaraljke 2. ksilofon, 3-OC. Medium. Postići samo. Trajanje 11. 00. Objavljeno C. Alan Publikacije. CN.10591. Nadćelija je putovanje kroz divovske oluje istog imena koji lutaju Great Plains. Uzimajući vrlo jednostavnu melodiju u solo alt saksofon, Gillingham uzima komad kroz mnoge promjene, stalno drži melodiju. Nadćelija je putovanje kroz divovske oluje istog imena koji lutaju Great Plains. Početak komad predstavlja vjetrovit i sunčano popodne koje se često doživljavaju neposredno prije nadćelija razvija. Kako je poslijepodne napreduje, podbuhle oblaci postali brojniji u jednom vedrim nebom. Na kraju je jedan od tih oblaka susreće Nalet vjetra, i to eksplodira poput atomske bombe u atmosferu. Nebo potamni i opasne, munje i gromovi nasilno se čuje u daljini. U povjetarac jenjavati i nadćelija započinje svoj trag na tom području. Slaba kiša počinje da pada, postupno povećanje do umjereno tušem. Odjednom vjetar počinje ludo gušt, kiša postaje zasljepljujuće, a mala tuča miješa sa kišom. Na kraju kiša zatekne na oluje koje hurls tučom i do veličine softballs, osveta pustoš na svojstva ispod. Nadćelija širi panika i strah jer postaje još intenzivnije s zaglušujuća uragan snage vjetra, žestoki munje, lupa kiše i tuče, i pitch-black neba. Baš kao što je oluja dosegne svoj krajnji bijes, iznenada je ušutkao. Zrak je mrtav-mirna. Iako nema kiše ili tuče ne uspijeva, nebo je još uvijek u rogu s nijansa zelene. Iako bijes, kako se čini gotovo, najgore tek dolazi. Tornado prolazi kroz, uništavajući sve na putu. Zajednički predmeti su se okrenula u zraku, pretvarajući ih u smrtonosnih projektila kao vihor od preko 300 MPH suza kroz. Iako tornado je najnasilniji dio nadćeliju, to je najčešće kratkog vijeka. Kao što tornado odlazi područje, crno nebo ustupa zrakama sunca i vedrog neba. Nezaboravna raspoloženje je čuo, jer iako su se na nebu pojavili izbrisani, posljedicama Prvog nadćelije obiluje. Kao destruktivni kao oluja mogla biti, na kraju posljedice postaje memorije kao i ljudi premjestiti na i popravak štete. Djelo završava u mirnom, nježna, a san-kao što su način, uz kratki podsjetnik da će nadćelije povratak. - Kurt Gros.