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Izvornik

Mirages. Piano sheet music.

Prijevod

Fatamorgane. Piano note.

Izvornik

Mirages. pour Piano a 4 Mains. Composed by Karol Beffa. Piano, 4-Hands. For piano, 4-hands. 22 pages. Duration 11. 00. Gerard Billaudot Editeur #510-07711. Published by Gerard Billaudot Editeur. PR.510077110. ISBN 9790043087700. Mirages was my first piano piece for four hands and was commissioned by the Music Festival of Satin-Lizier, whose theme in 2003 - the year the piece was premiered - was "In the style of. That explains the references to Ravel. Concerto en sol. Dutilleux,. Sonate pour piano. and, in its central part, Ligeti. Like a long singsong, one can follow the tormented wavering of the higher line of the piano in a wandering across peaceful landscapes which progressively get more disturbing as polyphony gains momentum. The musical pattern grows angular, almost choppy, strewn with sharp ridges and rough parts, then progressively bolts before reaching a breaking point. The central part follows the same pattern. it opens in a foggy atmosphere. recalling Ligeti's clouds. and seems to bring to completion the process it has initiated. The piece ends in a peaceful eternity. I wish to thank Florence et Isabelle Lafitte, Lorene de Taruld and Johan Farjot for their kind suggestions. --Karol Beffa.

Prijevod

Fatamorgane. Piano 4 Ruke ima. Skladao Karol Beffa. Klavir, 4-ruke. Za klavir, 4-ruke. 22 stranice. Trajanje 11. 00. Gerard Billaudot # 510-07711. Objavljeno Gerard Billaudot Editeur. PR.510077110. ISBN 9790043087700. Fatamorgane bio moj prvi glasovir komad četiri ruke i naručio je festival glazbe Satin-Lizier, čija je tema u 2003. godini - godini komad je premijerno - bio je "U stilu. To objašnjava reference na Ravela. Koncert hr Sol. Dutilleux,. Sonate pour piano. i, u svom središnjem dijelu, Ligetija. Poput duge monotono, može se pratiti izmučenog kolebljivost višoj liniji klavira u lutaju mirnim krajolika koji se postupno dobiti više uznemirujuća kao višeglasja dobiva zamah. Glazbeni uzorak raste kutni, gotovo naletima, posut oštrim grebenima i grube dijelove, zatim postupno vijaka prije donošenja prijelomnu točku. Središnji dio slijedi isti obrazac. to otvara u maglovitoj atmosferi. podsjećajući Ligeti je oblake. a čini se da bi do završetka procesa je pokrenut. Djelo završava u mirnom vječnosti. Želim se zahvaliti Florence et Isabelle Lafitte, Lorene de Taruld Johan Farjot za svoje vrste prijedloga. --Karol Beffa.