Notna sveska $40.00
Izvornik
Piano Concerto. Mozartiana. 2007. for piano solo and chamber orchestra. Thomas Oboe Lee. Piano Solo sheet music. Advanced.
Prijevod
Koncert za glasovir. Mozartiana. 2007. za glasovir solo i komorni orkestar. Thomas obou Lee. Piano Solo note. Napredan.
Izvornik
Piano Concerto. Mozartiana. 2007. for piano solo and chamber orchestra composed by Thomas Oboe Lee. For Piano,Orchestra. Baroque Period,Classical Period,Romantic Period,20th Century,21st Century. Advanced Intermediate. Score. 2 Flute. also piccolo. 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 French horns 2 Trumpets in Bb 2 Trombones Timpani Piano solo. Published by Thomas Oboe Lee. S0.10957. With 2 Flute. also piccolo. 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 French horns 2 Trumpets in Bb 2 Trombones Timpani Piano solo. Baroque Period,Classical Period,Romantic Period,20th Century,21st Century. Instrumentation. 2 Flute. also piccolo. 2 Oboes2 Clarinets in Bb 2 Bassoons2 French horns 2 Trumpets in Bb2 TrombonesTimpaniPiano solo 1st Violin2nd ViolinViolaCelloDouble bass Program note. It is with great pleasure that I have had this opportunity to write my very first piano concerto for my next-door neighbor and friend, Robert Levin. The virtuoso pianist Robert Levin and the music of Mozart are an inseparable pairing. I knew immediately that I had to include some Mozart in this stew. For my “Mozartiana,” I went to the complete Mozart edition and looked for some incomplete melodic or thematic fragments that I could “steal” as themes and motives for my concerto. The concerto is in four sections – slow-fast, slow-fast. Perhaps I should say that the work is in two movements – in each movement the music begins slowly, then shifts gear and becomes fast. Out of the four themes in this work, three of them are based on Mozart fragments. The first movement begins with a slow theme in D-minor. The material is derivative of a Mozart fragment in D-major – a “Kyrie” theme for chorus and orchestra. At 80 measures the orchestra goes into a fast romp. The material for this section has nothing to do with Mozart. Texturally, it sounds like a four-part counterpoint display in the style of Bach. The second movement theme is taken from a Mozart fragment originally intended for an orchestral overture. Its main characteristic is a melodic turn followed by a zig-zagging arpeggio theme. The fast music that follows, a mad scherzo, once again at measure 80, is based on a Mozart fragment in triple meter that he sketched for an unfinished string quintet. When I showed Robert Levin the score recently, he said he was quite surprised that he did not recognize the Mozart fragments. “When I read through the score,” he told me, “it sounded like your characteristic TOL music. ” Well, I have to say I was quite relieved and pleased. It is OK to “steal” from the Salzburg Genius, but it is more important that the stolen material should go through a filtering process resulting in something that is recognizably my music and not Mozart’s. Incidentally, Mr. Levin is well known for his improvised cadenzas in concertos by Mozart and Beethoven. Toward the end of the second movement, I gave him ample room to improvise to his heart’s content. Digital Print is printable sheet music available anytime, anywhere. Just purchase, print and play. View your online sheet music at home, school, work or anywhere you have a computer connected to the Internet. Use our iPad app to view your digital sheet music on the go. With Digital Print, you can print your digital sheet music immediately after purchase, or wait until its convenient. And our software installation is easy - we'll guide you through the simple steps to make sure you have Adobe Flash Player, Adobe AIR and the Sheet Music Plus AIR application.
Prijevod
Koncert za glasovir. Mozartiana. 2007. za glasovir solo i komorni orkestar sastavljen Thomas obou Lee. . Baroka, klasično razdoblje, romantike, 20. stoljeće, 21. stoljeće. Napredna Srednji. Postići. 2. frula. Isto tako male. 2 oboe 2 klarineta u Bb 2 Bassoons 2 Francuski rogove 2 truba u Bb 2 trombones Timpani glasovir solo. Objavljeno Thomas oboa Lee. S0.10957. S 2 fruli. Isto tako male. 2 oboe 2 klarineta u Bb 2 Bassoons 2 Francuski rogove 2 truba u Bb 2 trombones Timpani glasovir solo. Baroka, klasično razdoblje, romantike, 20. stoljeće, 21. stoljeće. Instrumentacija. 2. frula. Isto tako male. 2 Oboes2 klarineta u Bb 2 Bassoons2 francuskih rogova 2 trube u BB2 TrombonesTimpaniPiano solo 1. Violin2nd ViolinViolaCelloDouble bass program bilješke. To je s velikim zadovoljstvom da sam imao priliku da napiše svoj prvi koncert za glasovir za mog susjeda i prijatelja, Robert Levin. Virtuoz pijanist Robert Levin i glazbom Mozarta su nerazdvojni uparivanje. Odmah sam znao da sam morao uključiti neke Mozarta u ovom gulaš. Za moj Mozartiana, otišao sam do potpunog Mozart izdanju i tražio neke nepotpune melodijskih ili tematskih fragmenata koje sam mogao kradu kao tema i motiva za mog koncerta. Koncert je u četiri dijela - sporo-brzo, sporo-brzo. Možda bih trebao reći da je rad u dvije pokreta - u svakom pokretu glazba počinje lagano, a zatim prebacuje brzinu i postaje brzo. Od četiri teme u ovom poslu, tri od njih su na temelju Mozart fragmenata. Prvi stavak počinje sa sporim temu u d-molu. Materijal je derivat Mozart fragment u D-major - Kyrie Tema za zbor i orkestar. Na 80 mjera orkestar ide u brzom nered. Materijal za ovaj dio nema nikakve veze s Mozartom. Texturally, to zvuči kao prikaz četiri dijela kontrapunktičkoga u stilu Bacha. Drugi stavak tema je uzeta iz Mozart fragmenta prvobitno predviđen za orkestralne uvertire. Njegova glavna karakteristika je melodična Nakon njih je cik-zagging Arpeggio temu. Brza glazba koja slijedi, ljuta scherzo, opet na mjeru 80, temelji se na Mozartovom fragment u trostrukom metar da je skiciran za nedovršeni gudački kvintet. Kad sam je pokazao Robert Levin rezultat u zadnje vrijeme, on je rekao da je bio prilično iznenađen da je ne prepoznaju Mozart fragmente. Kad sam pročitao kroz rezultat, rekao mi je, to je zvučalo kao svom karakterističnom TOL glazbe. Pa, moram reći da sam prilično olakšanje i zadovoljan. To je u redu ukrali iz Salzburga Genius, ali je još važnije da je ukraden materijal treba proći kroz proces filtriranja rezultira nečim što je prepoznatljivo moja glazba, a ne Mozart-a. Usput, gospodin Levin je poznat po svojim improviziranim kadence u koncerata Mozarta i Beethovena. Krajem drugog pokreta, dao sam mu dovoljno prostora za improvizaciju na svoje sveopće zadovoljstvo. Digital Print je ispis glazbeni dostupan list bilo kada, bilo gdje. Samo za kupnju, ispis i igrati. Pregled online note kod kuće, u školi, na poslu ili bilo gdje imate računalo spojeno na Internet. Koristite našu ipad app za pregledavanje digitalne list glazbe u pokretu. Uz Digital Print, možete ispisati svoje digitalne note odmah nakon kupnje, ili čekati do njegova povoljno. I naš instalacija softvera je jednostavno - mi ćemo vas kroz jednostavne korake kako bi bili sigurni da imate instaliran Adobe Flash Player, Adobe AIR i notnih Plus AIR aplikacija.
