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Izvornik

Ne timeas, Maria. Choir sheet music.

Prijevod

NE timeas, Maria. Zbor note.

Izvornik

Ne timeas, Maria. No. 1 from Three Marian Motets. Composed by Ko Matsushita. For SSAA choir. Carus Contemporary. Contemporary choral music. Advent, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Full score. Text language. Latin. 8 pages. Published by Carus Verlag. CA.964200. ISBN M-007-14351-0. With Text language. Latin. Advent, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Matsushita's composition draws on elements of the Gregorian antiphon. It begins in unison Gregorian chant, as was typical of Renaissance motets, and the beginning of new lines of text are also derived from Gregorian material. Matsushita juxtaposes a syllabic, rhythmic declamation with this melody, constantly alternating bars with even and odd numbers of beats, the octave C' - C'' constantly repeated by the outer parts and leading towards the climax at the text "nomen Jesu". After ascending D major arpeggios, the central word "Jesu" radiates into F sharp major, the following repetition in the compass of an octave on C is more tranquil, ending peacefully with an F major chord, ppp.

Prijevod

NE timeas, Maria. No. 1 from Three Marian Motets. Skladao Ko Matsushita. Za SSAA zbor. CARUSu Suvremena. Suvremena zborske glazbe. Advent, blagdani Blažene Djevice Marije, pjesme u čast Blažene Djevice Marije. Cijeli ocjenu. Jezik teksta. Latin. 8 stranica. Objavio Carus Verlag. CA.964200. ISBN M-007-14351-0. Sa jezika teksta. Latin. Advent, blagdani Blažene Djevice Marije, pjesme u čast Blažene Djevice Marije. Matsushita je sastav oslanja na elemente gregorijanskom antifonom. Ona počinje u sklad gregorijanskim pjevanjem, što je tipično za renesansnih moteta, a početak nove linije teksta također su izvedeni iz gregorijanskog materijala. Matsushita juxtaposes a syllabic, rhythmic declamation with this melody, constantly alternating bars with even and odd numbers of beats, the octave C' - C'' constantly repeated by the outer parts and leading towards the climax at the text "nomen Jesu". Nakon uspona D-duru arpeggia, centralno riječ "Jesu" zrači u F oštra glavni, slijedi ponavljanje u kompas za oktavu na C je još mirno, završava u miru sa F-duru akord, PPP.