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Izvornik

Assumpta est Maria. Choir sheet music.

Prijevod

Assumpta est Maria. Zbor note.

Izvornik

Assumpta est Maria. No. 2 from Three Marian Motets. Composed by Ko Matsushita. For SSAA choir. Carus Contemporary. Contemporary choral music. Advent, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Full score. Text language. Latin. 8 pages. Published by Carus Verlag. CA.964300. ISBN M-007-14352-7. With Text language. Latin. Advent, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Matsushita sets each section of the Offertorium text vividly, in keeping with the style of Renaissance motets. The opening motif soars powerfully upwards over a pedal point in leaps of a fifth and fourth from the starting note of C, before pausing on a chord of superimposed fourths at the word coelo. heaven. In the corresponding place at the end of the work, the same tender chord is heard en passant at the word "Maria", a beautiful musical portrayal of the mystery of the Assumption of Mary into heaven. The angels' rejoicing and the alleluia forms the greater part of the motet. imbued with playful repetitions and eighth note rests, the emphasis in the words is displaced and individual, dance-like syncopations are created. The dynamic climax of the work is in three upswings at the words "cum Christo regnat in aeternum", arriving at a radiant B flat major at the word "aeternum". eternity. , chanted forte hymnically over five measures.

Prijevod

Assumpta est Maria. No. 2 from Three Marian Motets. Skladao Ko Matsushita. Za SSAA zbor. CARUSu Suvremena. Suvremena zborske glazbe. Advent, blagdani Blažene Djevice Marije, pjesme u čast Blažene Djevice Marije. Cijeli ocjenu. Jezik teksta. Latin. 8 stranica. Objavio Carus Verlag. CA.964300. ISBN M-007-14352-7. Sa jezika teksta. Latin. Advent, blagdani Blažene Djevice Marije, pjesme u čast Blažene Djevice Marije. Matsushita postavlja svaki dio teksta Offertoriuma živo, u skladu sa stilom renesanse moteta. Otvaranje motiv uzdiže snažno prema gore preko pedale točke u skokovima od petog i četvrtog od početne note C, prije zaustavivši se na akord od nanizanih četvrtine na riječ coelo. heaven. U odgovarajućem mjestu na kraju rada, isti natječaj akord čuje en passant na riječ "Maria", prekrasan glazbeni portret otajstva Uznesenja Marijina na nebo. Anđeli "radost i aleluja čini veći dio moteta. prožeta razigranih ponavljanja i osmi bilješku odmore, naglasak u riječi se pomakne i individualni, plesne poput syncopations su stvorili. Dinamički Vrhunac rada u tri poleta u riječi "cum Christo regnat u aeternum", stiže na zračenja B-duru na riječ "aeternum". vječnost. , chanted forte hymnically over five measures.