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Izvornik

Chameleon Music. Dan Welcher. Glockenspiel sheet music. Marimba sheet music. Percussion sheet music. Vibraphone sheet music. Xylophone sheet music.

Prijevod

Kameleon Glazba. Dan Welcher. Glockenspiel note. Marimbu note. Udaraljke note. U Bjelovaru note. Ksilofon note.

Izvornik

Chameleon Music composed by Dan Welcher. Percussion ensemble. For player 1. crotales - upper octave, glockenspiel, xylophone. , player 2. vibraphone, glass wind chimes, crotales - shared w. , player 3. 4.3-octave marimba, ceramic wind chimes, glockenspiel - shared w. , player 4. 4.3-octave marimba, tom-toms - may. 10 players. Difficulty. Difficult. Duration 10. 10. Published by C. Alan Publications. CN.15. Chameleon Music, composed for ten percussionists by Dan Welcher, is based on a short story by Truman Capote, entitled "Music for Chameleons. " Welcher writes. "More a vignette about a person and a place than an actual story, the piece described a visit by Capote to Martinique, and the home of a woman there. She lives on the edge of the jungle, and had on her terrace a grand piano that had been played by a number of famous visitors. The music she played for Capote was Mozart, and the result of the little recital was the inspiration for my Piece. It seemed that the little lizards living nearby had become accustomed to her playing and had grown to be quite discerning in their taste. The composer they responded most to was Mozart whenever she would play a sonata of his, the chameleons came out in droves from the jungle. They would sneak tentatively forward at first, then. emboldened by Wolfgang. come right up to lie at her feet while she played. When she finished, she'd stamp her feet on the tiles, and the lizards would 'scatter, like the shower of sparks from an exploding star. "The music describes this scene, but more than that. It attempts to show in a rather abstract fashion how music Mozart's music, specifically can cast a spell over otherwise uncivilized beings. The piece has four subtitled sections. 'The Jungle at Night,' 'The Chameleon Circle,' 'The Spell,' and 'The Retreat. In the first section, marimbas provide a chordal curtain of sound, with four kinds of wind chimes adding a scent of the tropics. After the atmosphere of the place has been established, the second section proceeds immediately. 'The Chameleon Circle' presents the cast of characters, in the form of three different motives. played on xylophone, glockenspiel, and bass marimba respectively. These could be thought of as some of the chameleons waiting at the edge of the jungle but they carry within themselves the seeds of the music of their 'favorite composer. ' In the ensuing passage, the tempo picks up and we hear these characters growing bolder. When the tempo slows again, we are in "The Spell. " No fewer than four Mozart sonatas are quoted. K. 279, K. 281, K. 330, and K. 332. Elements of the melodic turns in these fragments seem somehow familiar, and in fact we've just heard them slightly disguised in 'The Chameleon Circle. ' As the Mozart music overlaps and combines in ways in which Mozart never intended. but which, I think, he might have approved. the night is filled with charmed animals, crickets, and of course, chameleons. At the height of their reverie, though, there is a stamping of feet a scattering of tiny legs and the sounds of the jungle at night return, with the barest echoes of Mozart still lingering in the breeze. About the OU Percussion Press. In 1977 the OU Percussion Orchestra and Ensemble embarked on a project that developed into a national model for the encouragement and development of new music for percussion ensemble. The OU Percussion Ensemble Commissioning Series regularly engages outstanding composers to write works for this medium. The Commissioning Series is responsible for the creation of some of today's staples in the percussion ensemble repertoire. In 1983 the University of Oklahoma funded the establishment of the OU Percussion Press, a non-profit extension of the percussion area. Through the Percussion Press, the commissioning series compositions plus other works expressly written for the OU Percussion Orchestra and Ensembles have been made available for purchase and performance by the world's leading percussion ensembles. The Percussion Press' catalog numbers more than 50 works, all published in a non-profit venture as a service to the profession.

Prijevod

Kameleon Glazba sastoji Dan Welcher. Udaraljkaški ansambl. Za igrača 1. crotales - Gornja oktava, Glockenspiel, ksilofon. , Igrač 2. vibrafon, staklo wind chimes, crotales - dijeli w. , Igrač 3. 4.3-oktave marimbu, keramičke wind chimes, Glockenspiel - dijeli w. , Igrač 4. 4.3-oktave marimbu, tam-simptoma - svibanj. 10 igrača. Teškoća. Težak. Trajanje 10. 10. Objavljeno C. Alan Publikacije. CN.15. Kameleon glazbe, skladao za deset udaraljkaša Dan Welcher, temelji se na kratkoj priči Trumana Capotea, pod nazivom "Glazba za kameleona. "Piše Welcher. "Više vinjeta o osobi i mjesto od stvarne priče, komad opisao posjet Capote na Martinique, a doma žene tamo. Ona živi na rubu džungle, i imao na svom terasi koncertni klavir koji je odigrao niz poznatih posjetitelja. Glazba je igrao za Capote je Mozart, a rezultat je mali recital bio inspiracija za moj komad. Činilo se da su mali gušteri koji žive u blizini su se navikli na nju svira i da je narasla da se dosta razlikuje u njihovom ukusu. Skladatelj odazvali su najviše je Mozart kad god bi igrati sonatu od njegovih, su kameleoni izašao u stado iz džungle. Oni bi doušnik uvjetno naprijed na prvi, a zatim. ohrabreni Wolfgang. doći odmah do ležati na nogama, dok je igrao. Kad je završila, ona bi zgaziti nogama po pločicama, a gušteri bi 'raspršiti, kao i tušem iskri od eksplozije zvijezde. "Glazba opisuje ovu scenu, ali i više od toga. Ona pokušava prikazati u prilično apstraktan mode kako glazba Mozartova glazba, posebno se baci čaroliju tijekom inače neciviliziranih bića. Komad ima četiri titlovani sekcija. 'Jungle noću,' 'Kameleon krug,' 'Čarolija' i 'Retreat. U prvom dijelu, marimbas pružiti akordiËkih zavjesu zvuka, s četiri vrste vjetra otkucaji dopunjuju miris tropa. Nakon što je utvrđeno atmosfera na mjestu, drugi dio nastavlja se odmah. "Kameleon krug 'predstavlja likova, u obliku tri različita motiva. igrao na ksilofon, Glockenspiel, i bas marimbu respektivno. To bi se moglo shvatiti kao neke od kameleona koji čekaju na rubu džungle, ali oni nose u sebi sjeme glazbu svog 'omiljenog skladatelja. "U sljedećim prolaz, tempo pokupi i čujemo se ovi likovi raste hrabriji. Kad tempo opet usporava, mi smo u "The Spell. "Ne manje od četiri Mozart sonatama kotiraju. K. 279, 281 K., K. 330, i 332 K.. Elementi melodijskih poteza u tih fragmenata čini nekako poznato, a zapravo smo upravo čuli ih malo prerušen u 'The Chameleon krug. 'Kao Mozart music preklapanja i kombinira u načinima na koje Mozart nikad namijenjenih. , ali koja je, mislim, mogao je odobrena. noć je puna šarmantna životinja, cvrčaka i, naravno, kameleona. Na vrhuncu svoje maštanje, međutim, tu je topot nogu raspršenja sitnih nogu i zvukove džungle na noćnom povratku s barest odjecima Mozarta i dalje zaostaje u povjetarcu. O OU udaraljke Press. Godine 1977 OU udaraljkaški orkestar i ansambl krenula na projektu koji se razvio u nacionalni model za poticanje i razvoj nove glazbe za udaraljke ansambl. OU udaraljkaški ansambl puštanje serije redovito angažira izvanredne skladatelja za pisanje radova za ovaj medij. Puštanje Serija je odgovoran za stvaranje nekih od današnjih Staples u repertoaru ansambla udaraljke. Godine 1983 Sveučilište u Oklahomi financira osnivanje OU udaraljke Press, neprofitna proširenje udaraljke području u. Kroz udaraljke tisak, puštanje serije skladbe plus ostali radovi izričito pisane za OU udaraljke orkestra i ansambla su dostupni za kupnju i izvedbe vodećih svjetskih ansambala udaraljki. Perkusije Press 'Katalog broji više od 50 radova, sve objavljeno u neprofitnom pothvatu u kao služenje struke.