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Izvornik

Robbins' Nest. B-Flat Trumpet sheet music. Bass Trombone sheet music. Horn sheet music. Tuba sheet music. Advanced.

Prijevod

Robbins 'Nest. B-Stan Truba note. Bas Trombon note. Horn note. Tuba note. Napredan.

Izvornik

Robbins' Nest by The Claude Thornhill Orchestra. Edited by Jeffrey Sultanof. Arranged by Gil Evans. For big band. 2 Alto Saxophones. both double clarinet. , 2 Tenor Saxophones. tenor saxophone 2 doubles bass clarinet. , 1 Baritone Saxophone, 3 Trumpets, 2 Horns in F. alternate parts included - 4th trumpet and 3rd trombone. , 2 Trombones, 1 Tuba. or bass trombone. , Guita. Swing. Difficult. Full score and set of parts. Published by Jazz Lines Publications. JL.JLP-8097. Background. Some of the most well-known arrangements of modern jazz from the mid-1940s. commonly called bebop, although most of the musicians playing the music disliked the term. were written for the Claude Thornhill Orchestra by its musical director, Gil Evans. Robbins Nest, while not strictly a bebop line, nevertheless remains popular with jazz musicians, and Evans setting of it is one more classic in post-war big band music. For many years, Evans music was at the top of pretty much any band directors wish list as music they wanted their students to play and study. We are delighted to make this music available in the best possible editions. The Music. Robbins Nest was written by tenor saxophonist Illinois Jacquet and pianist Sir Charles Thompson, and they recorded the piece in May of 1947. Lyrics were added by Bob Russell, and this version is known as Just When Were Falling In Love. The piece was subsequently recorded by many artists, including the orchestras of Claude Thornhill and Count Basie. Another version was waxed by the excellent Sam Donahue Orchestra, and this record was as close to a hit as Donahue had. Donahue was still playing it on the road with his orchestra ten years later. Robbins Nest was named after the radio program of the same name hosted by well-known media personality Fred Robbins. 1919-1992. in New York City, heard on various stations over the years. Robbins was all over radio and television as a variety show and quiz show host, actor, and writer. In 1947, he was primarily known as a modern jazz DJ, and the newest records were heard on his program. Please note that this arrangement was recorded for Columbia Records and for radio transcriptions. The Columbia recording has a cut from bars 60-66 because of time. all transcriptions are complete and are easy to find on CD. Notes to the Conductor. If I were asked to name a piece where it seemed like the ensemble was going to explode but never does, I would immediately think of this arrangement. The Thornhill Orchestra was known as an ensemble that featured extreme contrasts in dynamics, from very soft to loud. Thornhill gave interviews about how he admired the Glenn Miller Orchestra for its dynamic control, and how he sought to imitate it. Although there are some sections of Robbins Nest that are moderately loud to very loud, the key to the success of this arrangement is softness. the ability to play very relaxed yet softly at the same time, which is seldom asked for in the music many big bands study and play today. This is the perfect piece to practice such an approach. Additionally, some of the voicings are highly dissonant and demand perfect intonation. Grinds of half-steps against each other. F# against G natural, Db against C, often in the same instruments. are an Evans trademark in all his music, from Thornhill to the classic Miles Davis albums Miles Ahead and Porgy and Bess. he even asks for quarter tones in the trombones in some settings. , and musicians must get used to them, even though they may have encountered them previously in the music of Maria Schneider and Bob Brookmeyer. Here they are used in a popular music vein vs. composition. I have resisted the temptation to put excessive articulation in the parts, as Ive found that in doing so, it can tend to be exaggerated in performance. Evans music must be played many times so that musicians get every last nuance he put into it, and in doing so, you and the band will find your way toward a performance that everyone will be comfortable playing and hearing. Jeffrey Sultanof -February 2010 Note. The sound sample is courtesy of the Manhattan School of Music's Concert Jazz Band, conducted by Justin DiCioccio.

Prijevod

Robbins 'Nest The Claude thornhill orkestar. Uredio Jeffrey Sultanof. Raspored po Gil Evans. Za big band. 2 Alto saksofona. i dvaput klarinet. , 2 Tenor saksofoni. tenor saksofon 2 dubl bas klarinet. , 1 Bariton saksofon, truba 3, 2 rogovi u F. Alternativna dijelovi uključeni - 4. trubu i trombon 3.. , 2 trombona, 1 Tuba. ili bas trombon. , Guita. Zamah. Težak. Cijeli rezultat i set dijelova. Objavljeno prema jazz Lines Publikacije. JL.JLP-8097. Pozadina. Neki od najpoznatijih aranžmana modernog jazza od sredine 1940-ih. obično naziva bebop, iako je većina glazbenika svira glazbu volio termin. su napisani za Claude thornhill orkestra svojim glazbeni direktor, Gil Evans. Robbins Nest, a ne striktno bebop linija, ipak ostaje popularan s jazz glazbenicima, a Evans postavka od njega je još jedan klasik u poslijeratno big band glazbe. Već dugi niz godina, Evans glazba je bila na vrhu prilično mnogo bilo popisa benda direktori želja kao glazbu koju su željeli da njihovi učenici igrati i studijskog. Mi smo oduševljeni da bi ta glazba dostupan u najboljim mogućim izdanjima. Glazba. Robbins Nest je napisao tenor saksofonist Illinois Jacquet i pijanista Sir Charlesa Thompsona, a snimili su komad u svibnju 1947. Tekstovi su dodani Bob Russell, a ova verzija je poznat kao pravedan Kada su zaljubljivanja. Djelo je kasnije snimio mnogih umjetnika, uključujući i orkestrima Claude Thornhill i Count Basie. Druga verzija je voskom po izvrsnom Sam Donahue orkestra, a ovaj album je bio što bliže hit kao Donahue je. Donahue dalje je to igranje na cesti sa svojim orkestrom deset godina kasnije. Robbins Nest je dobio ime po programu radija istog imena čiji je domaćin bio dobro poznat mediji osobnosti Fred Robbins. 1919-1992. u New Yorku, čuti na raznim postajama tijekom godina. Robbins je sve više radio i televiziju kao varijetea i kviz showa, glumac i pisac. Godine 1947, on je prvenstveno poznat kao moderan jazz DJ, a najnoviji zapisi su čuli o njegovom programu. Imajte na umu da je ovaj aranžman je snimljen za Columbia Records i za radio prijepisa. Snimanje Columbia ima rez od barova 60-66, jer vremena. svi prijepisi su potpuno i lako se naći na CD-u. Bilješke uz dirigenta. Da se pitam u ime komad u kojem se činilo kao ansambl će eksplodirati, ali nikada ne radi, ja bih odmah misliti na ovom dogovoru. Thornhill orkestar je poznat kao ansambl koji opremljenog ekstremne kontraste u dinamici, s vrlo mekana da glasno. Thornhill je dao intervjue o tome kako je on divio Glenn Miller Orchestra po dinamičnom kontrole, te kako je tražio da ga oponašaju. Iako postoje neki dijelovi Robbins gnjezdo koje su umjereno glasno jako glasno, ključ za uspjeh ovog aranžmana je mekoću. Sposobnost da igraju vrlo opušteno, ali tiho u isto vrijeme, što je rijetko tražio u glazbi mnogi veliki bendovi učiti i igrati danas. To je savršen komad u praksi takav pristup. Osim toga, neke od voicings su vrlo disonantni i traže savršenu intonaciju. Melje polovnjaka koraka jedni protiv drugih. F# against G natural, Db against C, often in the same instruments. su Evans zaštitni znak u svoj svojoj glazbi, od Thornhill do klasičnih Miles Davis albuma miljama ispred i Porgy i Bess. on je čak pita za četvrtfinale tonova u trombones u nekim postavkama. , I glazbenici moraju naviknuti na njih, iako su možda ih susreo prije u glazbi Maria Schneider i Bob Brookmeyer. Ovdje se koriste u popularnoj glazbi venu vs. sastav. Ja sam odolio iskušenju staviti prekomjerne artikulaciju u dijelovima, što je Ive otkrili da se u tome, da se imaju tendenciju da se pretjeruje u izvedbi. Evans glazba mora se igrati mnogo puta, tako da su glazbenici dobili svakom kutku je i sam u nju, i na taj način, a bend će naći svoj put prema performansama, da će svi biti zadovoljni igranje i sluh. Jeffrey Sultanof-veljača 2010 Note. Zvuk Uzorak je ljubaznošću na Manhattan School of Music koncertnih Jazz Band, provedena Justin DiCioccio.