Notna sveska $65.00

Izvornik

Happy Hooligan. Guitar sheet music. B-Flat Trumpet sheet music. Bass Trombone sheet music. Drums sheet music. Percussion sheet music. Piano sheet music. Intermediate.

Prijevod

Sretan huligana. Gitara note. B-Stan Truba note. Bas Trombon note. Bubnjevi note. Udaraljke note. Piano note. Srednji.

Izvornik

Happy Hooligan by Elliot Lawrence. Edited by Jeffrey Sultanof. Arranged by Gerry Mulligan. For big band. 2 Alto Saxophones, 2 Tenor Saxophones, Baritone Saxophone, 4 Trumpets, 3 Trombones. 3rd is Bass Trombone. , Guitar, Piano, Bass, Drums. Swing. Medium. Score and parts. Published by Jazz Lines Publications. JL.JLP-8203. As a high school student in Philadelphia, Gerry Mulligan approached WCAU house band director John Warrington to write arrangements for the band. Warrington was impressed with Mulligan's music and not only bought some arrangements, but coached him as well. After a stint with the Tommy Tucker band in 1945, Mulligan went back to WCAU, where pianist. arranger Elliot Lawrence had become the new house bandleader. After a year with the Gene Krupa orchestra, Mulligan moved to New York to arrange for the Claude Thornhill orchestra. He also wrote for Lawrence, whose orchestra was now a national attraction with a Columbia Records contract and a full-touring schedule. The Music. Most Mulligan scores are dated, but the score to this piece is unavailable at this time, so the date of this piece is a question-mark. This publication has been engraved from the original parts. The name of the piece is of interest. Happy Hooligan was a comic strip character created by Frederick Burr Opper that ran from 1900 through 1932, when Burr had to retire due to poor eyesight. No doubt Mulligan must have seen it as a child and remembered the character, a penniless hobo who usually had a smile on his face regardless of whatever misfortune and bad luck befell him. The recording made for Fantasy Records may be faster than Mulligan intended this piece to be played. Mulligan was upset with the tempos on this album in general. Certainly your ensemble can play the piece at the speed in which it was recorded, but the slower tempo indicated on the first page of the score is my recommendation based on discussions I had with him during the summer of 1995. The introduction was cut on both the parts and recording. Lawrence plays an eight-bar intro with the rhythm section. Of additional interest are two backgrounds for solos that Mulligan wrote. According to the parts, he cut the background from bars 57-60, but they are present on the recording. The trombone. baritone sax background beginning at bar 65 was not cut on the parts, but was cut for the recording. Ranges.

Prijevod

Sretan huliganizam Elliot Lovre. Uredio Jeffrey Sultanof. Raspored po Gerry Mulligan. Za big band. 2 Alto saksofona, 2 Tenor saksofoni, bariton saksofon, truba 4, 3 trombona. 3. je bas Trombon. , gitara, klavir, bas, bubnjevi. Zamah. Medium. Rezultat i dijelovi. Objavljeno prema jazz Lines Publikacije. JL.JLP-8203. Kao učenik srednje škole u Philadelphiji, Gerry Mulligan prišao WCAU house bend redatelj John Warrington pisati aranžmane za bendom. Warrington je bio impresioniran s Mulligan u glazbi, a ne samo da je kupio neke dogovore, ali ga je trener kao dobro. Nakon ograničenje s Tommy Tucker benda u 1945, Mulligan vratio se WCAU, gdje je pijanist. aranžer Elliot Lawrence je postala nova kuća vođa. Nakon godinu dana s Gene Krupa orkestra, Mulligan preselila u New York kako bi organizirati za Claude thornhill orkestar. On je također pisao za Lovre, čiji je orkestar bio danas nacionalna atrakcija s ugovorom Columbia Records i raspored full-touring. Glazba. Većina Mulligan rezultat su datirani, ali rezultat na ovaj komad nije dostupan u ovom trenutku, tako da je datum ovog djela je pitanje-mark. Ova publikacija je ugravirano od originalnih dijelova. Ime komadu od interesa. Sretan huliganizam je strip lik stvorio Frederick Burr Opper koji je vodio od 1900 do 1932, kada Burr morao otići u mirovinu zbog slabog vida. Nema sumnje Mulligan mora su ga vidjeli kao dijete i sjetio karakter, siromašna skitnica koji su obično imali osmijeh na licu, bez obzira na bilo nesreća i peh zadesila ga. Snimanje je napravio za Fantasy Records može biti brži od Mulligan namijenjen ovaj komad koji će se čuti. Mulligan je svađa s tempo na ovom albumu u cjelini. Dakako, vaš ansambl može igrati komad na brzinu u kojoj je zabilježen, ali sporiji tempo navedeno na prvoj stranici rezultata je moja preporuka se temelji na razgovorima koje sam imao s njim u ljeto 1995. Uvod je smanjiti na obje dijelova i snimanje. Lawrence igra osam bar uvod s ritam sekcijom. Od dodatnih kamata dvije pozadine za solo da Mulligan pisali. Prema dijelovima, on je izrezati pozadinu od barova 57-60, ali su prisutni na snimanju. Trombon. bariton saksofon background s početkom u 65 bara nije isključen na dijelovima, ali je smanjen za snimanje. Rasponi.