Notna sveska $26.99
Izvornik
Bluegrass Jazz Guitar Volume 1. Electric Guitar sheet music. Flatpicking Guitar sheet music. Advanced.
Prijevod
Bluegrass Jazz Guitar Volume 1. Električna gitara note. Flatpicking glazba Guitar list. Napredan.
Izvornik
Bluegrass Jazz Guitar Volume 1 composed by Barry Solomon. For Guitar. Flatpicking. Saddle-stitched, methods. Grossman Audio. Solos. Transcriptions. Intermediate-Advanced. Book. 3-CD Set. 36 pages. Published by Mel Bay Publications, Inc. MB.30203BCD. ISBN 9780786685639. Solos. Transcriptions. 8.75 x 11.75 inches. Flatpicking guitar has taken an interesting journey since its inception, first with Maybelle Carter, then Don Reno, Doc Watson and Clarence White. Younger players who began by listening to the original masters have melded those influences with other styles, including blues, swing, classical and even various world music styles. When first listening to Doc Watson and Clarence White, Barry Solomon was particularly attracted to their use of swing and jazz licks and phrasing, and their choices of songs straight from the Tin Pan Alley and Great American Songbook. Tunes like Limehouse Blues, All of Me, and Honeysuckle Rose were exciting challenges to explore after becoming comfortable with bluegrass and fiddle tunes. Barry always thought that bluegrass and jazz were a wonderful combination, and the most gratifying challenge has been to create arrangements that meld both styles in a tasteful and exciting manner. Titles presented in Volume 1 include. Lady Be Good, Take the A Train, Solly's Blues, Back Home In Indiana, There'll Never Be Another You and Georgia On My Mind. Accompanying audio is included.
Prijevod
Bluegrass Jazz Guitar Volume 1 composed by Barry Solomon. Za gitaru. Flatpicking. Uvezanih, metode. Grossman Audio. Solo. Transkripti. Srednji-Advanced. Knjiga. 3-CD Set. 36 stranica. Objavljeno Mel Bay Publications, Inc. MB.30203BCD. ISBN 9780786685639. Solo. Transkripti. 8,75 x 11,75 cm. Flatpicking gitara je poduzela zanimljiv put od svog osnutka, najprije s Maybelle Carter, tada Don Reno, Doc Watson i Clarence White. Mlađi igrači koji su počeli slušajući izvorne majstori su se uklopili te utjecaje s drugim stilovima, uključujući i blues, swing, klasična, pa čak i različitih svjetskih glazbenih stilova. Kada se prvi put slušati Doc Watson i Clarence White, Barry Salomona posebno je privukla njihovu uporabu swing i jazz liže i fraziranja i njihovih izbora pjesama ravno iz Tin Pan Alley i Velike američke pjesmarice. Tunes kao Limehouse Blues, svi mi, i Honeysuckle Rose bili su uzbudljivi izazovi za istraživati nakon što je postao ugodno s bluegrass i gudačkim melodija. Barry je uvijek mislio da bluegrass i jazz su prekrasna kombinacija, a najviše zadovoljavajuće izazov je bio stvoriti dogovore stapaju i stilova u ukusna i uzbudljiv način. Naslovi izneseni u Volume 1 uključuju. Lady Be Good, Uzmi vlak, Solly je blues, kod kuće u Indiani, postoji nikada neće biti još jedan vi i Gruzije u mojim mislima. Prateći zvuk je uključen.
