Notna sveska $200.00
Izvornik
Symphony on Death & Dying. C Trumpet sheet music. English Horn sheet music. Grade 5.
Prijevod
Simfonija u smrt. C Truba note. Engleski Horn note. Grade 5.
Izvornik
Symphony on Death & Dying composed by Karl Blench. For concert band. Piccolo, Flute 1, 2. Piccolo 2, 3. , Alto Flute. Flute 3. , Oboe 1, 2, English Horn, Bassoon 1, 2. Contrabassoon. , Clarinet in Bb 1, 2, 3, 4, Bass Clarinet, Alto Saxophone 1, 2, Baritone Saxophone, Horn in F 1, 2, 3, 4, Trumpet in C 1, 2, 3, 4, Tenor Trombo. Band Music. Grade 5. Score and parts. Duration 17. 40. Published by C. Alan Publications. CN.11420. This piece explores the emotions a person may feel after the loss of someone close. The Symphony is cast in four movements played without pause. Symphony on Death and Dying was written after taking a course at the University of New Hampshire of the same name. This piece explores the emotions a person may feel after the loss of someone close. The Symphony is cast in four movements played without pause. The pitch material is based on a seven note theme. E, F, G, F#, D#,. , C, B. and all motives are derived from the intervals contained within this set. The work was written for the University of New Hampshire Wind Ensemble. Durham, NH. and dedicated to the ensemble's director, Dr. Andrew Boysen. Out of Confusion and Anger begins as a funeral march and is centered around the pitch E. The theme is stated from a solo trombone and then picked up by various groups of the ensemble. After the theme is presented an ostinato figure and melodic bass line build to the first outburst of anger followed by a return to the opening material. Of Remembrance is a solemn movement in contrast to the first. The solo clarinet has the melody at the beginning accompanied by soft harmonies in the low brass until it is interrupted by the theme from the first movement. Ghosts then can be heard as singing voices building to a brief climax and then a return to the opening melody this time in the solo bassoon. Of Rage begins with an outburst from the entire ensemble. The movement is filled with violent brass, screeching woodwinds, and is accented by barbaric percussion. After a brief return to the material of the first and second movements the material builds to the symphony's climax where violent screaming and shouting can be heard. The movement then slowly returns to the funeral march theme from the first movement. In Of Why. the solo soprano acts as the griever asking and wondering why their loved one has left them. The movement is brief and recalls material from the three previous movements. After one last desperate cry from the soprano and the ensemble the work comes to its quiet close. 'Karl Blench.
Prijevod
Simfonija o smrti. Za koncertni bend. Piccolo, frula 1, 2. Mali 2, 3. , Traalta. Flauta 3. , Obou 1, 2, engleski rog, fagot 1, 2. Contrabassoon. , Klarinet u Bb 1, 2, 3, 4, bas klarinet, alt saksofon 1, 2, bariton saksofon, rog u F 1, 2, 3, 4, truba u C 1, 2, 3, 4, tenor Trombo. Band Glazba. Grade 5. Rezultat i dijelovi. Trajanje 17. 40. Objavljeno C. Alan Publikacije. CN.11420. Ovaj komad istražuje emocije osoba može osjećati nakon gubitka bliske osobe. Simfonija je bačen u četiri stavka igrao bez pauze. Simfonijski na smrt i umiranje je napisao nakon uzimanje tečaj na Sveučilištu u New Hampshireu istog imena. Ovaj komad istražuje emocije osoba može osjećati nakon gubitka bliske osobe. Simfonija je bačen u četiri stavka igrao bez pauze. Smola materijal temelji na sedam bilješke temu. E, F, G, F. , C, B. i svi motivi su izvedeni iz intervalima sadržanih u ovom skupu. Djelo je pisano za University of New Hampshire Vjetar Ensemble. Durham, NH. i posvećena ansambla direktor, dr. Andrew Boysen. Od zbunjenosti i ljutnje počinje kao pogrebnog marša i okupljenih oko terenu E. tema je navedeno iz solo trombon, a zatim pokupila razne skupine ansambla. Nakon tema je predstavila ostinantni lik i melodijske bas linije graditi na prvi izljev bijesa nakon čega slijedi povratak u uvodnom materijala. Sjećanja je svečana pokret za razliku od prvog. Solo klarinet ima melodiju na početku pratnji mekih harmonija u niskom mesinga dok se ne prekida na temu iz prvog stavka. Duhovi onda se može čuti kako je pjevanje glasovi gradi na kratko vrhunca, a zatim povratak u uvodnom melodijom ovaj put u solo fagot. Od Rage počinje s provalom iz cijelog ansambla. Pokret je ispunjen nasilnih tuča, vrišti puhačke instrumente, a dodatno je naglašen barbarskog udaraljke. Nakon kratkog povratka u materijalu od prvog i drugog pokreta materijal gradi se simfoniju klimaks u kojem se mogu čuti nasilni vrištanje i deranje. Pokret zatim polako vraća u pogrebnog marša teme iz prvog stavka. U zašto. solo sopranistica djeluje kao Griever tražeći i pitajući zašto njihova voljena osoba ih je ostavila. Pokret je kratak i podsjeća materijal iz prethodna tri pokreta. Nakon jednog zadnjeg očajničkog vapaja soprana i ansambla rad u pitanju njegova mirnom kraju. Karl bijeliti.
