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Izvornik

Stabat Mater in C minor. Josef Gabriel Rheinberger. Voice sheet music. Choir sheet music. Double Bass sheet music. Horn sheet music. Trombone sheet music.

Prijevod

Stabat Mater u c-molu. Josef Gabriel Rheinberger. Glas note. Zbor note. Kontrabas note. Horn note. Trombon note.

Izvornik

Stabat Mater in C minor composed by Josef Gabriel Rheinberger. Edited by Han Theill. For STB vocal soli, SATB choir, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, trombone, 2 violins, viola, cello, contrabass. C-Moll. C minor. Score available separately - see item CA.5001600. Lent and Passiontide, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Level 2. Cello part. Language. Latin. German. Composed 1864. Op. 16. 8 pages. Duration 16 minutes. Published by Carus Verlag. CA.5001614. With Language. Latin. German. Lent and Passiontide, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Contemporary criticism saw in Rheinberger's Stabat Mater op. 16 from 1864 "one of the most beautiful works of this type which the present time has to offer. Distinguished through its breadth of conception and its noble tonal effect, with its rich polyphony it reaches the masterpieces of the old Italian school. " In the expressive choral movements rich-sounding homophonic passages are combined with sections worked out in strict polyphony. The sustained songlike solo pieces are of a profound expression.

Prijevod

Stabat Mater u c-molu sastoji Josef Gabriel Rheinberger. Uredio Han Theill. Za STB vokalne Soli, SATB zbor, 2 oboe, klarineta 2, 2 bassoons, 2 trube, trombon, 2 violine, violu, violončelo, kontrabas. C-Moll. C-molu. Score dostupan zasebno - vidi točka CA.5001600. Korizma i Passiontide, blagdani Blažene Djevice Marije, pjesme u čast Blažene Djevice Marije. Razina 2. Violončelo dio. Jezik. Latin. Njemački. Sastavljen 1864. Op. 16. 8 stranica. Trajanje 16 minuta. Objavio Carus Verlag. CA.5001614. Sa jezika. Latin. Njemački. Korizma i Passiontide, blagdani Blažene Djevice Marije, pjesme u čast Blažene Djevice Marije. Suvremena kritika vidjeli u Rheinberger je Stabat Mater op. 16 iz 1864 ", jedan je od najljepših djela ovog tipa koji je ovaj put ima za ponuditi. Uvaženi kroz svoju širinu poimanja i svoje plemenite tonski učinak, s bogatom polifonije nego dođe do remek-djela stare talijanske škole. "U izražajnih pjevačkih pokreta bogata zvuka homofonijske dijelovi su u kombinaciji s dijelovima razrađen u strogom polifonije. U pretrpio songlike solo komada su duboke izražavanja.