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Izvornik

Classic Ballads With Strings. Tenor Saxophone sheet music.

Prijevod

Klasične Balade sa žicama. Tenor saksofon note.

Izvornik

Classic Ballads With Strings. Inspired by Ben Webster. Composed by Glenn Zottola. For tenor sax. Jazz, Standards. Book and CD. Published by Music Minus One. MO.MMOCD12226. Ben Webster always had a split musical personality. On uptempo tunes, the great tenor-saxophonist could sound quite intense, with growls, honks, roars and screams being a natural part of his vocabulary. Yet on ballads, he could purr romantically like a pussycat, playing with great tenderness and sensuality while making every sound count. In both cases, Ben Webster’s playing was more about the sound than about the notes. Coleman Hawkins, his idol and main influence early on, could run rings around Webster harmonically, since Hawkins knew every chord backwards and forwards. Hawkins could make dozens of notes fit while Webster could get his message across with one perfectly placed sound. He had a unique sound and style, one that was at its prime for more than 30 years. Glenn Zottola was best known in his earlier years as a hot trumpeter whose classic style ranged from Louis Armstrong to Clifford Brown. He also occasionally played alto in those days but in more recent times has often recorded on tenor. The versatile Zottola has been featured on a series of stimulating projects for Music Minus One including tributes to Clifford Brown. on trumpet. , Charlie Parker. on alto. and Stan Getz's bossa nova period. on tenor. "This series lets me pay tribute to some of the great legends who influenced who I am," says Glenn Zottola, "and it also allows me to pass down to others what was passed down to me. A little while ago, I received a Dexter Gordon mouthpiece from the instrument company RS Berkeley. I had never played a metal mouthpiece before. It is so small it is almost like playing an alto mouthpiece. I decided to do some research into other tenor-saxophonists who had played metal mouthpieces, ranging from Sonny Rollins, early John Coltrane, Dexter and Don Byas, all the way back to Coleman Hawkins. When I reached Ben Webster, it brought back memories of listening to his recordings with Duke Ellington, and I was inspired to record these ballads with his flavor. On Ben Webster Revisited, Zottola makes no attempt to imitate Webster but performs a set of ballads utilizing the great tenor's relaxed and romantic approach along with hints of his airy breathy sound. Rather than playing double-time phrases, he lets the music breathe, putting plenty of feeling into each note. Among the highlights are such songs as "Can't Help Lovin' That Man". from Jerome Kern's Showboat. , "Stardust", "Blue Moon" and "Laura. " A special treat is hearing the beautiful "Portrait of Jennie", a song that has hardly been played in jazz since Clifford Brown. This is a very romantic album, one in which Glenn Zottola captures the essence of the great Ben Webster. --Scott Yanow, author of 11 books including Swing, Bebop, Jazz on Film and Jazz on Record 1917-76. Can't Help Lovin' Dat Man Of Mine. Laura. What's New. Memories Of You. Willow Weep For Me. Embraceable You. Blue Moon. Where Or When. Yesterdays. Portrait of Jenny. Smoke Gets In Your Eyes. Stardust.

Prijevod

Klasične Balade sa žicama. Inspirirani Ben Webstera. Sastavljen Glenn Zottola. Za tenor saksofon. Jazz, Standardi. Knjiga i CD. Objavio Glazba minus jedan. MO.MMOCD12226. Ben Webster uvijek imao split glazbenu osobnost. Na uptempo melodija, veliki tenor-saksofonist može zvučati prilično intenzivan, s režati, trubu, grmi i krici Biti prirodan dio svog vokabulara. Ipak, na balade, mogao presti romantično poput Pussycat, igranje s velikom nježnošću i senzualnošću, a što svaki zvuk računati. U oba slučaja, Ben Webster sviranje više o zvuku nego o bilješkama. Coleman Hawkins, njegov idol i glavni utjecaj rano, mogao izvoditi prstenovi oko Webster skladno, jer Hawkins unatrag i unaprijed zna svaki akord. Hawkins mogao bi desetine bilješke stati dok Webster mogao dobiti svoju poruku preko s jedne savršeno stavljen zvuk. Imao je jedinstveni zvuk i stil, onaj koji je bio na svom vrhuncu već više od 30 godina. Glenn Zottola je najpoznatiji iz njegovih ranijih godina kao vruća trubača čiji klasični stil u rasponu od Louisa Armstronga na Clifforda Browna. Također je povremeno igrao alt tih dana, ali u novije vrijeme često se bilježi na tenor. Svestrani Zottola je predstavljena na nizu poticajnih projekata za glazbu minus jedan, uključujući počast Clifforda Browna. na trubi. , Charlie Parker. na alt. i Stan Getz je bossa nova razdoblje. Na tenor. "Ova serija omogućuje mi odati počast nekim od velikih legendi koje su utjecale tko sam", kaže Glenn Zottola ", a također mi omogućuje da se prenesu drugima ono što se prenosi na mene. Malo prije sam dobio Dexter Gordon pisak iz instrumenta tvrtke RS Berkeley. Nikada nisam igrao metalni pisak prije. To je tako mali da je gotovo kao što je igranje alt pisak. Odlučio sam napraviti neke istraživanja u drugim tenor-saksofonista koji je igrao metalne piske, u rasponu od Sonny Rollins, početkom Johna Coltranea, Dexter i Don Byas, sve na putu natrag do Colemana Hawkinsa. Kad sam stigao Ben Webster, to je vratio sjećanja na slušanje njegovih snimki s Dukea Ellingtona, a ja sam bio inspiriran za snimanje ove balade sa svojim okusom. Na Ben Webster Revisited, Zottola ne čini pokušaj imitiranja Webster, ali obavlja niz balada Koristeći veliki tenor je opušteno i romantično pristup uz naznake njegovog prozračnom breathy zvuka. Umjesto da svira double-time fraze, on omogućuje glazba disati, stavljajući puno osjećaja u svaku notu. Među ističe se takve pjesme kao "ne mogu pomoći, Lovin 'That Man". od Jeromea Kerna je putujuće kazalište. , "Stardust", "Blue Moon" i "Laura. "Posebna poslastica je čuo lijepe" Portret Jennie ", pjesmu koja jedva da je igrao u jazzu od Clifforda Browna. To je vrlo romantičan album, onaj u kojem Glenn Zottola bilježi bit velikog Ben Webstera. --Scott Yanow, autor 11 knjiga, uključujući Swing, Bebop, Jazz na filmu i jazza na rekord 1917-1976. Ne može pomoći Lovin 'Dat čovjek rudniku. Laura. Što ima novoga. Sjećanja na tebe. Willow plači za mene. Embraceable Vi. Blue Moon. Gdje i kada. Yesterdays. Portret Jenny. Smoke Gets In Your Eyes. Stardust.