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Izvornik
Concerto for Flute in D major. Johann Christian Bach. Flute Solo sheet music. Horn sheet music. Piano and Keyboard sheet music.
Prijevod
Koncert za flautu u D-duru. Johann Christian Bach. Solo flauta note. Horn note. Klavir i tipkovnica note.
Izvornik
Concerto for Flute in D major. Flotenkonzert in D. Composed by Johann Christian Bach. 1735-1782. Edited by Ulrich Leisinger. For solo flute, 2 horns, strings, basso continuo. D-Dur. D major. Score available separately - see item CA.3840400. Set of instrumental parts. except strings. Language. all languages. Composed 1768. Warb C 79. 24 pages. Duration 20 minutes. Published by Carus Verlag. CA.3840409. With Language. all languages. Johann Christian Bach was-as his father before him-only very seldom satisfied with the compositions that he put down on paper. Thus did this concerto too undergo many corrections. revisions by the composer and today consists of three movements of similar length. Although they were initially handed down separately at different locations, the motivic relationship as well as the melodic and figurative references among themselves clearly reveals the common identity of the three movements. Not only the final rondo is characterized by highly virtuoso passages, but both the slow, second movement as well as the introductory movement testify to youngest Bach son's compositional greatness, whose works later generations unjustly let almost fall into desuetude.
Prijevod
Koncert za flautu u D-duru. Flotenkonzert u D. Skladao Johanna Christiana Bacha. 1735-1782. Uredio Ulrich Leisinger. Za solo flautu, 2 rogovima, žice, continuo. D-Dur. D-duru. Score dostupan zasebno - vidi točka CA.3840400. Postavite instrumentalnih dijelova. osim žice. Jezik. svi jezici. Sastavljen 1768. Warb C 79. 24 stranica. Trajanje 20 minuta. Objavio Carus Verlag. CA.3840409. Sa jezika. svi jezici. Johann Christian Bach je-što je njegov otac prije njega samo vrlo rijetko zadovoljan sastava koji je stavio na papir. Tako je ovaj koncert također prolaze kroz mnoge ispravke. revizije po skladatelja i danas se sastoji od tri pokreta slične dužine. Iako su u početku bili donesena odvojeno na različitim mjestima, motivičku odnos kao melodičan i figurativne reference među sobom jasno otkriva zajednički identitet triju pokreta. Ne samo konačna Rondo karakterizira vrlo virtuozne prolaza, ali i sporo, drugi stavak, kao i uvodni stavak svjedoče najmlađe Bacha sina kompozicijske veličine, čija djela novije generacije nepravedno pustiti gotovo spadaju u nepodobnost za upotrebu.
