Notna sveska $50.00
Izvornik
A Light Unto the Darkness. David Gillingham. B-Flat Trumpet sheet music. English Horn sheet music. Flugelhorn sheet music. Grade 5.
Prijevod
Svjetlo k Darkness. David Gillingham. B-Stan Truba note. Engleski Horn note. Flugelhorn note. Grade 5.
Izvornik
A Light Unto the Darkness composed by David Gillingham. For concert band. Piccolo, Flute 1. 2, Oboe 1. 2, English Horn, Bassoon 1. 2, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bass Clarinet, Eb Contralto Clarinet. optional. , Alto Saxophone 1. 2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1. Flugelhorn. or muted trumpet. , Bb. Grade 5. Score only. Duration 12. 00. Published by C. Alan Publications. CN.03161. An homage to the 168 victims of the Oklahoma City bombing disaster on April 19, 1995, A Light Unto the Darkness is a very emotional work. Beginning unsuspectingly, the listener hears the noises of traffic, country-western and jazz music and the mechanics of oil wells. The center section deals with the disaster in loud explosions and unyielding dissonance. A mournful English Horn solo and flugelhorn call are followed by a reassuring closing that reflects Gillingham's sentiment in the piece. "we must all seek to be a "light unto the darkness" - to find good amidst the evil. A Light Unto the Darkness was written for the Mt. Pleasant High School Symphonic Wind Ensemble conducted by Roger A. Sampson, and dedicated to my daughter, Amy. The work is an homage to the 168 victims of the Oklahoma City bombing disaster on April 19, 1995. The work is in three main sections, each alluding to a different idea, setting or emotion associated with the disaster. The first section deals with the everyday routine of Oklahoma City which is completely unsuspecting of the terrible fate which is knocking at the door. This fate interrupts the music several times during this section. The cosmopolitan nature of Oklahoma City is suggested through the music with references to the hustle and bustle of traffic, country western music, jazz music and the mechanistic drone of oil wells in the surrounding countryside. The ensuing section depicts the disaster itself with loud explosive articulations in the percussion, sinister motives, driving rhythms and unyielding dissonance. The final section begins with a lament by the English horn and a mournful call by the flugelhorn followed by a warm, reassuring melody which culminates the movement. This final theme is significant in that it is the key to understanding this work. We must all seek to be a "light unto the darkness" - to find good amidst the evil. The "light" is within the final melody of this work and seeks to call our attention to 168 special, individual, and beautiful souls who are now at peace. They are our "lights unto the darkness.
Prijevod
Svjetlo k Darkness sastavu David Gillingham. Za koncertni bend. Piccolo, frula 1. 2, obou 1. 2, engleski rog, fagot 1. 2, Bb klarinet 1, Bb klarinet 2, Bb klarinet 3, bas klarinet, Eb kontraalt Klarinet. opcija. , Alt saksofon 1. 2, tenor saksofon, bariton saksofon, Bb Truba 1. Flugelhorn. ili nijemi truba. , BB. Grade 5. Postići samo. Trajanje 12. 00. Objavljeno C. Alan Publikacije. CN.03161. Hommage 168 žrtava Oklahoma City bombaškom katastrofe 19. travnja 1995, svjetlost navješćivati Darkness je vrlo emocionalna rad. Počevši unsuspectingly, slušatelj čuje zvukove prometa, zemlja-zapadnoj i jazz glazbe i mehaniku naftnim bušotinama. Središnji dio bavi katastrofe u glasnih eksplozija i nepopustljiv disonance. Žalostan Engleski rog solo i flugelhorn poziv slijedi pouzdanog zatvaranja koja odražava Gillingham je sentiment u komadu. "Svi moramo nastojati biti" svjetlo k tami "- kako bi pronašli dobro usred zla. Svjetlo k Darkness je napisao za Mt. Ugodan High School Simfonijski Puhački ansambl proveo Roger A. Sampson, i posvetio svojoj kćeri, Amy. Rad je hommage 168 žrtava Oklahoma City bombaškom katastrofa na 19. travanj 1995. Rad je u tri glavna dijela, svaki aludirajući na drugu ideju, postavljanje ili emocije povezane s katastrofom. Prvi dio se bavi svakodnevnu rutinu Oklahoma City koji je potpuno bezazlen od strašne sudbine koja kuca na vrata. To je sudbina prekida glazbenoj nekoliko puta tijekom tog dijela. Kozmopolitski priroda Oklahoma City je sugerirao kroz glazbu s referencama na energičnost i žuriti u prometu, zemlje zapadne glazbe, jazz glazbe i mehanicisticki brujanje naftnim bušotinama u okolicu. Uslijedila poglavlje opisuje katastrofe sama s glasnim eksplozivnih artikulacija u udaraljke, sumornom motivima, vožnje ritmova i nepopustljiv disonance. Završni dio počinje s žalopojke strane engleskog roga i žalosnim poziv od strane flugelhorn slijedi toplo i umirujućom melodije koje kulminira kretanje. Ova konačna tema je značajan po tome što je ključ za razumijevanje ovog posla. Mi svi moramo nastojati biti "svjetlo k tami" - kako bi pronašli dobro usred zla. "Svjetlo" je u završnoj melodije ovog posla i traži da se nazvati našu pozornost na 168 posebnih, pojedinačnih i lijepe duše koje su sada na miru. Oni su naši "svjetla k tami.
