Notna sveska $20.00
Izvornik
Slopes. Percussion sheet music. Snare Drum sheet music.
Prijevod
Padine. Udaraljke note. Bubanj sheet glazbe.
Izvornik
Slopes composed by Paul Rennick. Snare drum solo with 3 percussionists. For snare drum solo with 3 percussionists. field snare drum, concert snare drum, piccolo snare drum, 3 high toms. double headed. , 3 medium toms. double headed. , 3 low toms. double headed. , 2 log drums, concert bass drum, 3 sizzle cymbals, ride cymbal, mark tree. Level 5. Score and set of parts. Published by Innovative Percussion. IP.E-PR-SLO. Composer's notes. "Slopes" was originally commissioned by John Roberts in 2005 at The University of North Texas. It was conceived by reflecting on a lecture given in Aspen, Colorado by a physics professor from the University of Chicago. The topic was fractal geometry in nature and avalanche theory. The musical material captures the characteristics of these subjects, with a falling direction and downward sloping motifs. "-Slopes" is a work for solo snare drum with percussion trio accompaniment. Combining rudimental and concert techniques, Paul Rennick has created a piece that is technically exciting and musically interesting. The soloist performs on three drums throughout the piece. concert snare, field drum and piccolo snare. The accompanying percussion trio uses combinations of non-pitched instruments. Percussion 1. three high tom-toms, log drum with two pitches, sizzle cymbal. Percussion 2. two medium tom-toms, sizzle cymbal, mark tree. Percussion 3. three large tom-toms, concert bass drum, sizzle cymbal, ride cymbal. The piece has three large sections. The first is characterized by a quick tempo and the use of a concert snare drum by the soloist. The middle section is slower. derived by way of a metric modulation from the opening section. and features the field drum. Following another metric modulation back to the original tempo, the final section features a brief appearance by the piccolo snare drum, followed by the rest of the work featuring the concert snare drum. Largely rudimental in nature, technical demands in the solo part mainly involves the use of paradiddle, drag, roll. open and closed. , and flam patterns. A potentially overlooked aspect of the difficulty level involves the execution of many of these techniques at soft dynamic levels, demanding an advanced degree of subtlety and nuance from the soloist. While the accompanying parts are also challenging from a rhythmic and ensemble standpoint, they do not require the level of technical skill required of the soloist, making this work suitable for an advanced high school or undergraduate percussion ensemble looking to feature a guest artist, advanced student, or faculty member. - Jason Baker Percussive Notes, May 2010.
Prijevod
Padinama skladao Paul Rennick. Bubanj solo s 3 udaraljkaša. Na bubanj solo s 3 udaraljkaša. Polje bubanj, koncert bubanj, piccolo bubanj, 3 srednje Toms. double headed. , 3 srednje Toms. double headed. , 3 niske Toms. double headed. , 2 log bubnjevi, koncert bas bubanj, 3 peći činele, vožnja cimbal, Mark drveća. Level 5. Score i skup dijelova. Objavljeno prema inovativnih udaraljke. IP.E-PR-SLO. Skladatelj bilješke. "Staze" je izvorno naručio John Roberts u 2005 na Sveučilištu u sjevernom Teksasu. To je bio zamišljen tako odražava na predavanju održanom u Aspenu, Colorado je profesor fizike na Sveučilištu u Chicagu. Tema je bila fraktalna geometrija u prirodi i teorije lavinu. Glazbeni materijal snima karakteristike tih subjekata, s pada smjeru i opadajuća motivima. "-Padine" je djelo za solo bubanj sa udaraljke trio pratnju. Kombinirajući rudimental i koncertne tehnike, Paul Rennick je stvorio komad koji je tehnički uzbudljivo i zanimljivo glazbeno. Solist nastupa na tri bubnjevima diljem komadu. Koncert zamka polje bubanj i piccolo zamka. Prateći udaraljke trojac koristi kombinacije ne razapeo instrumenata. Udaraljke 1. Tri visoka tam-simptoma, prijavite bubanj s dva igrališta, peći cimbal. Udaraljke 2. Dvije srednje tam-simptoma, pištanje cimbal, Mark stablo. Udaraljke 3. Tri velike tam-simptoma, koncert bas bubnja, pištanje cimbal, vožnja cimbal. Djelo se sastoji od tri velike dijelove. Prvi karakterizira brzi tempo i korištenje bubanj koncert solista. Srednji dio je sporije. izvedena putem metrički modulacije od dijela otvora. i ima bubanj polje. Nakon još jednog metrički modulacije natrag na izvornu tempu, zadnji dio ima kratak nastup u piccolo bubanj, a nakon toga ostatak posla featuring koncertnu bubanj. Uglavnom rudimental u prirodi, tehnički zahtjevi u solo dijelu uglavnom uključuje korištenje paradiddle, drag, role. otvorena i zatvorena. i FLAM obrasci. Potencijalno previdjeti aspekt razini težine provode se mnoge od tih tehnika na meke dinamičke razine, zahtijevajući napredni stupanj suptilnosti i nijanse iz solist. Dok popratni dijelovi također potiču iz ritmičke i ansambla stajališta, oni ne zahtijevaju razinu tehničke vještine potrebne za soliste, što ovaj rad pogodan za napredne srednje škole ili udaraljke preddiplomskog ansambla u potrazi za lice anonimni umjetnik, napredni student , ili član fakulteta. - Jason Baker udarni Bilješke, svibanj 2010.
