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Izvornik

American Primitive Guitar. Fingerpicking Guitar sheet music. Intermediate.

Prijevod

Američki Primitivni gitara. Fingerpicking gitara note. Srednji.

Izvornik

American Primitive Guitar composed by John Fahey. For Guitar. Fingerpicking. Saddle-stitched, Solos. Grossman Audio. American. Intermediate. Book. 3-CD Set. 56 pages. Published by Grossman's Guitar Workshop. MB.99802BCD. ISBN 9780786662081. American. 8.5 x 11 inches. In this series for the intermediate guitarist, John Fahey teaches a wide variety of instrumental solos. Critics have called John's style American Primitive Guitar. The book includes tablature and notation with three compact discs featuring note-by-note, phrase-by-phrase instruction. LESSON ONE. A general discussion of pattern picking and the use of the alternate bass. In Christ There Is No East Or West, Take A Look At That Baby and Some Summer Day. LESSON TWO. One of John's most requested multi-sectioned composition is Indian Pacific Railroad Blues, also known as Beverley. This tune demonstrates how John composes in the fingerpicking idiom. Also taught is another very requested and imitated instrumental, John's The Last Steam Engine Train. LESSON THREE. When The Springtime Comes Again and The Approaching Of The Disco Void. A discussion of improvisational ideas in relationship to fingerstyle compositions concludes this lesson. BOOK CONTENTS. Blood On The Tracks by Edwin Pouncey. Explanation of the Tab System. In Christ There Is No East Or West. Take a Look at That Baby. Some Summer Day. Indian Pacific Railroad Blues. The Last Steam Engine Train. When The Springtime Comes Again. The Approaching Of The Disco Void. CD Track Listings. LESSON ONE. Track 1. Introduction and discussion on fingerpicks. Track 2. Performance of In Christ There Is No East or West played slowly. Track 3. Performance of In Christ There Is No East or West played fast. Track 4. Introduction to In Christ There Is No East or West. Track 5. Tuning. Track 6. Teaching of first eight bars of In Christ There Is No East or West. Track 7. Plays slowly first eight bars of In Christ There Is No East or West. Track 8. Plays slowly from end of eighth bar to end of In Christ There Is No East or West. Track 9. Plays slowly complete arrangement of In Christ There Is No East or West. Track 10. Plays at medium tempo complete arrangement of In Christ There Is No East or West. Track 11. Plays up tempo complete arrangement of In Christ There Is No East or West. Track 12. Discussion of alternating bass and pattern picking. Track 13. Performance of Take A Look At That Baby. Track 14. Tuning. Track 15. Teaching of Take A Look At That Baby. Track 17. Closing thoughts on Take A Look At That Baby. Track 18. Performance of Some Summer Day. Track 19. Tuning. Track 20. Teaching of first eight bars of first section of Some Summer Day. Track 21. Plays slowly first eight bars of first section of Some Summer Day. Track 22. Teaching from ninth bar to end of first section of first eight bars of first section of Some Summer Day. Track 23. Plays slowly first section of Some Summer Day. Track 24. Teaching of first eight bars of second section of Some Summer Day. Track 25. Plays slowly first eight bars of second section of Some Summer Day. Track 26. Plays first eight bars of second section again of Some Summer Day. Track 27. Teaching from ninth bar to end of second section again of Some Summer Day. Track 28. Plays slowly second section of Some Summer Day. Track 29. Teaching of Coda and closing thoughts on Some Summer Day. LESSON TWO. Track 1. Introduction to Indian Pacific Railroad Blues. Track 2. Performance of Indian Pacific Railroad Blues. Track 3. Tuning. Track 4. Teaching of first four bars of first section of Indian Pacific Railroad Blues. Track 5. Plays slowly first six bars of first section of Indian Pacific Railroad Blues. Track 6. Teaching of seventh and eighth bars of first section of Indian Pacific Railroad Blues. Track 7. Plays slowly first eight bars of first section of Indian Pacific Railroad Blues. Track 8. Teaching of ninth bar to end of first section of Indian Pacific Railroad Blues. Track 9. Teaching of second section of Indian Pacific Railroad Blues. Track 10. Plays slowly first, second and third sections of Indian Pacific Railroad Blues. Track 11. Teaching of fourth section of Indian Pacific Railroad Blues. Track 12. Plays slowly fourth section of Indian Pacific Railroad Blues. Track 13. Plays slowly again fourth section of Indian Pacific Railroad Blues. Track 14. Teaching of fifth section of Indian Pacific Railroad Blues. Track 15. Plays slowly fifth section of Indian Pacific Railroad Blues. Track 16. Teaching of sixth section of Indian Pacific Railroad Blues. Track 18. Plays slowly again sixth section of Indian Pacific Railroad Blues. Track 19. Plays slowly seventh section of Indian Pacific Railroad Blues. Track 20. Plays up to tempo second section of Indian Pacific Railroad Blues. Track 21. Performance of The Last Steam Engine Train. Track 22. Teaching of Intro and first section of The Last Steam Engine Train. Track 23. Plays slowly end of first section of The Last Steam Engine Train. Track 24. Plays slowly intro and first section of The Last Steam Engine Train. Track 25. Teaching of opening bars of second section of The Last Steam Engine Train. Track 26. Plays slowly second section of The Last Steam Engine Train. Track 27. Teaching of second section of The Last Steam Engine Train. Track 28. Plays second section slowly of The Last Steam Engine Train. Track 29. Discussion of origins of The Last Steam Engine Train. Track 30. Plays at medium tempo complete arrangement of The Last Steam Engine Train. Track 31. Closing thoughts on The Last Steam Engine Train. LESSON THREE. Track 1. Introduction to When The Springtime Comes Again. Track 2. Tuning. Track 3. Performance of When The Springtime Comes Again. Track 4. Teaching of first section of When The Springtime Comes Again. Track 5. Plays slowly first section of When The Springtime Comes Again. Track 6. Teaching of opening second section of When The Springtime Comes Again. Track 7. Plays slowly opening of second section of When The Springtime Comes Again. Track 8. Teaching of first to forty first bars of second section of When The Springtime Comes Again. Track 9. Plays slowly second section of When The Springtime Comes Again. Track 10. Teaching of third section of When The Springtime Comes Again. Track 11. Plays slowly third section of When The Springtime Comes Again. Track 12. Performance of The Approaching of the Disco Void. Track 13. Tuning to D A D F A D. Track 14. Teaching of first section of The Approaching of the Disco Void. Track 15. Plays slowly first section of The Approaching of the Disco Void. Track 17. Plays slowly second section of The Approaching of the Disco Void. Track 18. Plays slowly again second section of. Track 19. Teaching of third section of The Approaching of the Disco Void. Track 20. Plays slowly third section of The Approaching of the Disco Void. Track 21. Plays variations in third section of. Track 22. Plays up to tempo variations for The Approaching of the Disco Void. Track 23. Teaching of coda of The Approaching of the Disco Void. Track 24. Teaching of variations for The Approaching of the Disco Void. Track 25. Plays slowly examples of variations for The Approaching of the Disco Void. Track 26. Plays more examples of variations for. Track 27. Plays yet more examples of variations for. Track 28. Closing thoughts on The Approaching of the Disco Void.

Prijevod

Američki Primitivni Gitara sastoji John Fahey. Za gitaru. Fingerpicking. Uvezanih, solo. Grossman Audio. Amerikanac. Srednji. Knjiga. 3-CD Set. 56 stranice. Objavio Grossman je Guitar radionici. MB.99802BCD. ISBN 9780786662081. Amerikanac. 8,5 x 11 inča. U ovoj seriji za srednji gitarist, John Fahey uči raznih instrumentalnih solaža. Kritičari su se zove Ivana stil američki Primitive gitara. Knjiga obuhvaća tablature i bilješke s tri CD-u sadrži note-po-note, izraz-po-frazu pouku. Lekcija jedan. Općenito rasprava o berbi uzorak i korištenje zamjenskog bas. U Kristu Ne postoji istok ili zapad, pogledajte na to dijete, a neki ljetni dan. LEKCIJA DVA. Jedan od Ivana najtraženijih više razdvojiti sastavu je indijski Pacific Railroad Blues, također poznat kao Beverley. To tune pokazuje kako je John komponira u fingerpicking idiomu. Također, učio je još jedna vrlo zatražio i oponašali instrumentalna, John je Last Steam Engine Vlak. LEKCIJA TREĆA. Kad proljeće ponovno dolazi i približavanje disko Void. Rasprava o improvizacijski ideja u odnosu na fingerstyle skladbi zaključuje ovu lekciju. KNJIGA SADRŽAJ. Blood On The Tracks Edwin Pouncey. Objašnjenje sustava Tab. U Kristu Ne postoji istok ili zapad. Bacite pogled na to dijete. Neki Summer Day. Indian Pacific Railroad Blues. Zadnja Steam Engine Vlak. Kad proljeće Comes Again. Približava Of The Disco Void. Cd pratiti oglasi. Lekcija jedan. Track 1. Uvod i rasprava o fingerpicks. Track 2. Nastup u Kristu nema istok ili zapad igrao polako. Track 3. Nastup u Kristu Ne istok ili zapad igrao brzo. Track 4. Uvod u Kristu Ne istok ili zapad. Track 5. Tuning. Track 6. Nastava prvih osam barova u Kristu Ne istok ili zapad. Track 7. Igra se polako prvih osam barova u Kristu Ne istok ili zapad. Track 8. Igra se polako iz kraja osmog bara na kraju je u Kristu Ne istok ili zapad. Track 9. Igra se polako kompletan raspored u Kristu Ne istok ili zapad. Track 10. Igra na srednjem tempo potpune rasporedu je u Kristu Ne istok ili zapad. Track 11. Igra se tempo kompletan raspored u Kristu Ne istok ili zapad. Track 12. Rasprava o izmjenične bas i uzorak branje. Track 13. Nastup Bacite pogled na to dijete. Track 14. Tuning. Track 15. Nastava se pogled na to dijete. Track 17. Zatvaranje misli o Bacite pogled na to dijete. Track 18. Obavljanje pojedinih ljetnog dana. Track 19. Tuning. Track 20. Nastava prvih osam barova prvom dijelu nekih ljetnog dana. Track 21. Igra se polako prvih osam taktova prvom dijelu nekih ljetnog dana. Track 22. Nastava iz devetog bar do kraja prve dionice prvih osam barova prvom dijelu nekih ljetnog dana. Track 23. Igra se polako prvi dio nekih ljetnog dana. Track 24. Nastava prvih osam barova drugom dijelu nekih ljetnog dana. Track 25. Igra se polako prvih osam taktova drugom dijelu nekih ljetnog dana. Track 26. Igra prvih osam taktova drugom dijelu opet nekih ljetnog dana. Track 27. Nastava iz devetog bar do kraja drugog dijela opet nekih ljetnog dana. Track 28. Igra se polako drugi dio nekih ljetnog dana. Track 29. Nastava u kodi i zatvaranje misli na nekim ljetnog dana. LEKCIJA DVA. Track 1. Uvod u indijskom Pacific Railroad Blues. Track 2. Nastup indijskih Pacific Railroad Blues. Track 3. Tuning. Track 4. Nastava prva četiri rešetke prvom dijelu indijskog Pacific Railroad Blues. Track 5. Igra se polako prvih šest taktova prvom dijelu indijskog Pacific Railroad Blues. Track 6. Nastava sedmom i osmom rešetke prvom dijelu indijskog Pacific Railroad Blues. Track 7. Igra se polako prvih osam taktova prvom dijelu indijskog Pacific Railroad Blues. Track 8. Nastava devetom bar do kraja prve dionice indijskih Pacific Railroad Blues. Track 9. Nastava drugom dijelu indijskog Pacific Railroad Blues. Track 10. Igra se polako prvo, drugo i treće dionice indijskih Pacific Railroad Blues. Track 11. Nastava četvrtom dijelu indijskog Pacific Railroad Blues. Track 12. Igra se polako četvrti dio indijskih Pacific Railroad Blues. Track 13. Igra se polako opet četvrti dio indijskih Pacific Railroad Blues. Track 14. Nastava petom dijelu indijskog Pacific Railroad Blues. Track 15. Igra se polako peti dio indijskih Pacific Railroad Blues. Track 16. Nastava šestom dijelu indijskog Pacific Railroad Blues. Track 18. Igra se polako ponovno šesti dio indijskih Pacific Railroad Blues. Track 19. Igra se polako sedmi dio indijskih Pacific Railroad Blues. Track 20. Igra do tempo drugi dio indijskih Pacific Railroad Blues. Track 21. Nastup The Last Train parnog stroja. Track 22. Nastava Intro i prvi dio The Last Train parnog stroja. Track 23. Igrano polako kraj prvog dijela The Last Train parnog stroja. Track 24. Igra se polako intro i prvi dio The Last Train parnog stroja. Track 25. Nastava početnih taktova drugom dijelu The Last Train parnog stroja. Track 26. Igra se polako drugi dio The Last Train parnog stroja. Track 27. Nastava drugog dijela The Last Train parnog stroja. Track 28. Igra drugi dio polako od posljednjih Steam Engine vlak. Track 29. Rasprava o podrijetlu The Last Train parnog stroja. Track 30. Igra na srednje tempo potpunog uređenja The Last Train parnog stroja. Track 31. Zatvaranje misli na posljednjoj Steam Engine vlak. LEKCIJA TREĆA. Track 1. Uvod Kad proljeće ponovno dolazi. Track 2. Tuning. Track 3. Nastup Kad proljeće Comes Again. Track 4. Nastava prvom dijelu kada Springtime Comes Again. Track 5. Igra se polako prvu dionicu Kad proljeće Comes Again. Track 6. Nastava otvaranju drugog dijela kada Springtime Comes Again. Track 7. Igra sporo otvaranje drugog dijela kada Springtime Comes Again. Track 8. Nastava prvi-četrdeset prvi rešetke drugom dijelu kada Springtime Comes Again. Track 9. Igra se polako drugi dio Kad proljeće ponovno dolazi. Track 10. Nastava treće dionice kada Springtime Comes Again. Track 11. Igra se polako treću dionicu Kad proljeće ponovno dolazi. Track 12. Nastup Približavanje Disco Void. Track 13. Tuning na D A D F D. Track 14. Nastava prvom dijelu Približavanje Disco Void. Track 15. Igra se polako prvi dio Približavanje Disco Void. Track 17. Igra se polako drugi dio Približavanje Disco Void. Track 18. Igra se polako opet drugi dio. Track 19. Nastava trećem dijelu Približavanje Disco Void. Track 20. Igra se polako treću dionicu Približavanje Disco Void. Track 21. Igra varijacije u trećem dijelu. Track 22. Igra do tempo varijacije za Približavanje Disco Void. Track 23. Nastava kodi Približavanje Disco Void. Track 24. Nastava varijacija za Približavanje Disco Void. Track 25. Igra polako primjere varijacija za Približavanje Disco Void. Track 26. Igra više primjera varijacija za. Track 27. Igra još više primjera varijacija za. Track 28. Zatvaranje misli o Približavanje Disco Void.