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Izvornik
Creative Comping Concepts for Jazz Guitar. Electric Guitar sheet music. Advanced.
Prijevod
Creative Comping Pojmovi za jazz gitare. Električna gitara note. Napredan.
Izvornik
Creative Comping Concepts for Jazz Guitar composed by Mark Boling. For Guitar. All. Saddle-stitched, Rhythm. Backup. Private Lessons Series. Jazz. Intermediate-Advanced. Book. CD Set. 40 pages. Published by Mel Bay Publications, Inc. MB.20414BCD. ISBN 9780786671861. Jazz. 8.75 x 11.75 inches. Pianists are the main sources of inspiration for new developments in jazz guitar comping. Yet guitarists have been slow to develop a comping vocabulary with harmonic sophistication, subtle voiceleading, and rhythmic flexibility on the level of the best contemporary pianists. This book seeks to remedy the situation by articulating a comping vocabulary in the context of six of the most often played tunes in jazz. 12-bar blues, rhythm changes, minor blues, a modal tune, and a couple of standards. The comps are written out in notation and tablature and include rhythms with forward motion, chords built in fourth intervals, parallel constant structure voicings, polychords, slash chords, etc. The focus is on developing a contemporary approach to rhythm, phrasing, chord voicings, voiceleading, chord substitution, and reharmonization. A play-along CD recording of the guitar comps with bass and drums helps get the sounds and rhythms in your ear. The theory of how the comping concepts are applied to the music is explained, with ideas on how to use them creatively. Introduction. Acknowledgements. Rhythm. Phrasing. Texture. CHORD VOICINGS. Voicings in Thirds. Drop-2 and Drop-3 voicings. Guide Tone Voicings. Voicings in Fourths. Voicings in Fourths and Pentatonic Scales. Voicings Derived from the Minor 6 Pentatonic Scale. Voicings Using Combinations of Intervals. Slash Chords. Polychords. VOICELEADING. Common Tones. Direction of Top Voice. Parallel Motion with Constant Structure Voicings. Intervallic Voiceleading. CHORD SUBSTITUTION AND REHARMONIZATION. Diatonic Substitution from the Third. Diatonic Passing Chords. Add a Related Ilmi7 Before Any Dominant 7. Alter Dominant 7 Chords That Resolve Down a Perfect 5th. Chromatic Approach. Dominant Approach. Cycle of Dominants as a Reharmonization Technique. Cycle of II-Vs as a Reharmonization Technique. Chromatically Ascending 4th. Monet. C Minor Blues. Blues In F. Rhythmystic. Soul Three. Whole Nother Standard.
Prijevod
Creative Comping Pojmovi za Jazz Guitar skladao Mark Boling. Za gitaru. Svi. Uvezanih, ritam. Rezerva. Privatni Lekcije serije. Jazz. Srednji-Advanced. Knjiga. CD Set. 40 stranica. Objavljeno Mel Bay Publications, Inc. MB.20414BCD. ISBN 9780786671861. Jazz. 8,75 x 11,75 cm. Pijanisti su glavni izvori inspiracije za novi razvoj u jazz gitare Comping. Ipak, gitaristi su sporo razvijaju Comping vokabular s harmonijskim sofisticiranosti, suptilno voiceleading i ritmičke fleksibilnosti na razini najboljih suvremenih pijanista. Ova knjiga nastoji popraviti situaciju koju artikulira Comping vokabulara u kontekstu šest od najčešće reproduciranih pjesama u jazz. 12-bar blues, promjene ritma, manje blues, modal tune, te nekoliko standarda. Comps su napisane u zapisu i tablature i uključuju ritmove s kretanje prema naprijed, akordi iz četvrtog intervalima, paralelnih struktura stalna voicings polychords, slash akorde, itd.. Naglasak je na razvijanju suvremeni pristup ritam, fraziranja, voicings akord voiceleading, akord zamjenu, i reharmonization. Play-uz CD snimanje gitara kompresorima s basom i bubnjevima pomaže dobiti zvukove i ritmove u uho. Teorija kako Comping koncepti primijeniti na glazbu je objasnio, ideja o tome kako ih koristiti kreativno. Uvod. Zahvale. Ritam. Fraziranja. Tekstura. Voicings akord. Voicings u Thirds. Drop-2 i Drop-3 voicings. Vodič Tone voicings. Voicings u četvrtine. Voicings u četvrtine i pentatonic skale. Voicings izvedena iz Minor 6 pentatonika. Voicings kombinacijama intervala. Slash Chords. Polychords. VOICELEADING. Zajednički tonovi. Smjer vrh glasa. Paralelno gibanje s konstantnim Struktura voicings. Intervallic Voiceleading. AKORD supstitucije i REHARMONIZATION. Dijatonika Zamjena od trećeg. Dijatonici prolazu akordi. Dodaj vezani Ilmi7 prije bilo kakvog dominantnog 7. Alter dominantna 7 akorda koje bi riješile Down savršen 5.. Kromatska pristup. Dominantni pristup. Ciklus dominante kao Reharmonization Tehnika. Ciklus II-VS kao Reharmonization Tehnika. Kromatikom Uzlazni 4.. Monet. C-molu Blues. Blues u F. Rhythmystic. Soul tri. Cijela nother standard.
