Notna sveska $65.00

Izvornik

Clair De Lune. Guitar sheet music. B-Flat Trumpet sheet music. Drums sheet music. Percussion sheet music. Piano sheet music. Trombone sheet music. Intermediate.

Prijevod

Mjesečina. Gitara note. B-Stan Truba note. Bubnjevi note. Udaraljke note. Piano note. Trombon note. Srednji.

Izvornik

Clair De Lune by The Harry James Orchestra. Edited by Jeffrey Sultanof. Arranged by Jack Matthias. For orchestra. big band with strings. 3 Clarinets, 1 Bass Clarinet, 4 Trumpets, 3 Trombones, 2 Violins, 1 Viola, 1 Cello, Guitar, Piano, Bass, Drums. Waltz. Medium. Full score and set of parts. Published by Jazz Lines Publications. JL.JLP-8760. Background. When Harry James decided to follow the lead of fellow bandleader Artie Shaw and add a string section, he had to build a book quickly. Besides originals, new pop songs and older songs. one of which, You Made Me Love You, would make his ensemble one of the most popular in the country. , his book included arrangements of classical or concert music, three of which were piano pieces that James particularly liked. Arabesque, Golliwogs Cakewalk, and Clair de Lune. The Music. Debussy wrote Clair de Lune as early as 1890, but was published in 1905 as part of Suite Bergamasque. It is possible that the piece was slightly revised by Debussy between its original composition and publication. By 1941, it had become quite a popular piece among piano students and soloists, and James felt it would be recognizable enough to be added to the dance book. The late James Maher often reminded me that big bands during this era played all styles of music for dancing. Even bands led by Fletcher Henderson and Benny Goodman played tangos and waltzes if they were requested. Sy Oliver told me that there were waltzes in the Jimmie Lunceford book, one of the hottest swing bands of the era. So a waltz was hardly a novelty for a big band, particularly one with a string section. It appears that chief arranger Jack Matthias arranged this title, along with Debussy's Arabesque. The original score of Clair de Lune exists, and was used to prepare this edition. unfortunately, there is no name on the score, and no extant parts. The score is filled with note errors, suggesting that the arrangement was prepared in a hurry. perhaps it was one of the first batch of scores created when the string section was added to the James band. Notes to the Conductor. This score was never recorded and there are no airchecks available, so the editor must make a number of decisions so that it can be played. The obvious first step is to find any wrong notes and correct them. The second is to determine the tempo, which is missing. it is not unusual for tempo markings to be missing on music for big bands from any era. Ive examined far too many scores where the tempo must be guessed at, using available information and many years of experience studying and directing this music. Because any score written for a big band was fair game to be recorded. and Arabesque was, but not released until many years later. , I've determined the tempo to be quarter note between 132-148 bpm. There is little more than a verbal sketch for the drum part, so I suggest that the part be played by brushes as subtly as possible. this is hardly a Viennese-style waltz. Dynamics and articulation have been added to all parts. elements all-too-often missing, as such information was communicated during rehearsal. Doubles. The reed section features 3 clarinets and 1 bass clarinet throughout.

Prijevod

Clair De Lune The Harry James Orchestra. Uredio Jeffrey Sultanof. Raspored po Jack Matiju. Za orkestar. big band sa žicama. 3 klarineta, 1 bas klarinet, 4 Trube, 3 trombona, 2 violine, 1 Viola, 1 violončelo, gitara, klavir, bas, bubnjevi. Valcer. Medium. Cijeli rezultat i set dijelova. Objavljeno prema jazz Lines Publikacije. JL.JLP-8760. Pozadina. Kad je Harry James je odlučio slijediti vodstvo od kolega vođa Artie Shaw i dodati dio string, on je za izgradnju knjigu brzo. Osim izvornika, novih pop pjesama i starije pjesme. od kojih je jedan, Ti si me Love You, bi njegov ansambl jedan od najpopularnijih u zemlji. , Njegova knjiga uključene aranžmane klasične ili koncertne glazbe, od kojih su tri glasovirske skladbe koje James posebno svidjela. Arabesque, Golliwogs Cakewalk i Clair de Lune. Glazba. Debussy je napisao Clair de Lune već u 1890, ali je objavljen u 1905, kao dio Suite Bergamasque. Moguće je da je komad blago revidiran od strane Debussyja između izvornom sastavu i objavljivanje. Do 1941 postalo je vrlo popularan komad među studentima klavira i solistima, a James je osjetio da će to biti dovoljno prepoznatljiv biti dodan u plesnom knjizi. Pokojni James Maher me često podsjećao da je veliki bendovi tijekom ovog doba igrao sve stilove glazbe za ples. Čak bendovi predvođeni Fletcher Henderson i Benny Goodman igrao tanga i valcere da su zatražene. Sy Oliver mi je rekao da su valceri u Jimmie Lunceford knjige, jedan od najvrućih swing bendova doba. Pa valcer je jedva Novost za big band, pogotovo onaj s gudački. Čini se da je glavni aranžer Jack Matthias uređen ovaj naslov, zajedno s Debussy je Arabesque. Izvorna rezultat od Clair de Lune postoji, a koristi se za pripremanje ovog izdanja. nažalost, nema imena na rezultat, a ne postojeći dijelovi. Rezultat je ispunjen s naznakom pogreške, sugerirajući da je raspored je pripravljen u žurbi. možda je to bio jedan od prvih hrpa bodova stvara kada gudački je dodao da je James bend. Bilješke uz dirigenta. Ovaj rezultat nije zabilježen i nema dostupnih airchecks, pa urednik mora donijeti niz odluka, tako da se može igrati. Očito prvi korak je pronaći bilo kakve pogrešne bilješke, te ih ispraviti. Druga je odrediti tempo, kojemu nedostaje. to nije neobično za tempo oznake da nedostaje na glazbi za big bandova iz bilo kojeg doba. Ive pregledao daleko previše bodova, gdje tempo moraju pogoditi u, koristeći dostupne informacije i dugogodišnje iskustvo studiranja i usmjeravanje ove glazbe. Zato bilo koji rezultat napisan za big band bio fer igru ​​koja se snima. i Arabesque je, ali nije objavljen sve do mnogo godina kasnije. , Sam određuje tempo biti četvrtinka između 132 do 148 otkucaja u minuti. Tu je malo više od verbalnog skica za dio bubanj, pa predlažem da se dio se igrao po četkama kao suptilno moguće. to je teško bečki valcer-style. Dinamika i artikulacija su dodani na svim dijelovima. Elementi isuviše često nedostaje, kao što je informacija priopćiti tijekom probe. Dubl. The reed section features 3 clarinets and 1 bass clarinet throughout.