Notna sveska $150.00
Izvornik
Concerto for Percussion Solo and Wind Ensemble. Gary Ziek. Percussion sheet music. Grade 5.
Prijevod
Koncert za udaraljke solo i Puhački ansambl. Gary Ziek. Udaraljke note. Grade 5.
Izvornik
Concerto for Percussion Solo and Wind Ensemble. Solo Percussion Feature. Composed by Gary Ziek. Percussion solo and concert band. For Soloist. with Concert Band. percussion Concerto. Grade 5. Score and parts. Duration 14. 20. Published by C. Alan Publications. CN.05380. This concerto is in three connected movements and features the soloist on a variety of instruments, including marimba, vibraphone, bells, and crotales and a large percussion battery with two snare drums, multiple toms, brake drums, and bass drum. The Concerto for Percussion Solo and Wind Ensemble was composed in January of 2001 as a showcase for the talents of percussionist Scott Herring. The concerto is in three connected movements and features the soloist on a variety of instruments, including marimba, vibraphone, bells, and crotales. A large percussion battery with two snare drums, multiple toms, brake drums, and bass drum is also used. The first movement, March, utilizes a quasi five-part rondo form. The movement starts with a solo snare drum, with the ensemble providing melodic interjections. The introduction builds to the first solo marimba entrance. A left hand ostinato leads to a melodic figure which alternates between 6. 8 and 4. A short snare drum solo sets up the middle section, in which the soloist and ensemble trade musical ideas. The multi-meter passage returns, with the soloist embellishing ensemble melodic figures. An abrupt modulation leads to the final section, which echoes the opening ideas of the movement. March ends with the soloist back on the snare drum, as it comes quietly to its conclusion. The concerto immediately segues into the second movement, Meditation, which begins with the ethereal sound of multiple sets of wind chimes. As the movement progresses, the soloist plays long, reflective lines over a simple ensemble accompaniment, on various combinations of keyboard percussion instruments. The movement builds to a moment of triumph, before returning to its initial contemplative state. Fantasia. a free flight of fancy. immediately shatters the previous mood. A loud, cacophonous ensemble accompaniment provides a charged atmosphere for the soloist to utilize the percussion battery. A short melodic section, noble in character, leads to the initial climax of the final movement. The atmosphere abruptly changes again, as the ensemble and soloist embark upon a fast, violent new section. Musical lines are furiously exchanged, leading up to a thunderous percussive display. The mood is suddenly tinged with blues and jazz influences, letting the soloist function in a manner reminiscent of a drum set player. The final section of Fantasia begins with an unaccompanied marimba solo, played at breakneck speed. The ensemble begins to gradually join the soloist, as the movement build to a final, fortissimo climax.
Prijevod
Koncert za udaraljke solo i Puhački ansambl. Solo udaraljke Feature. Sastavljen Gary Ziek. Udaraljke solo i koncert bend. Za solist. s Koncertnom Band. Udaraljke Concerto. Grade 5. Rezultat i dijelovi. Trajanje 14. 20. Objavljeno C. Alan Publikacije. CN.05380. Ovaj koncert je u tri povezane pokrete i značajke solist na različitim instrumentima, uključujući i marimbu, vibrafon, zvona, i crotales i velikim udaraljke baterije s dva stupica bubnjeva, više simptoma, kočionih bubnjeva, i bas bubnju. Koncert za udaraljke solo i Puhački ansambl je sastavljena u siječnju 2001 kao izlog za talentima udaraljkaša Scott Herring. Koncert je u tri povezane pokrete i značajke solist na različitim instrumentima, uključujući i marimbu, vibrafon, zvona, i crotales. Veliki udaraljke baterija s dva stupica bubnjeva, više simptoma, kočionih bubnjeva, i bas bubnju se također koristi. Prvi stavak, ožujak, koristi kvazi petodijelnom rondo. Pokret počinje sa solo bubanj, uz ansambl pružanja melodijskih Uzvici. Uvođenje gradi na prvom ulazu solo marimbu. Lijeva ruka ostinantni dovodi do melodičnog lik koji se mijenja između 6. 8 i 4. Ukratko bubanj solo postavlja srednji dio, u kojem solista i ansambla trgovina glazbenih ideja. Multi-meter prolaz vraća, sa solistom uljepšavanje ansambl melodijske figure. Nagli modulacija vodi završne dionice, koja odjekuje uvodne ideje pokreta. Ožujak završava sa solistom natrag na bubanj, jer dolazi tiho na svom zaključku. Koncert odmah segues na drugi stavak, meditacije, koji počinje s eteričnim zvukom više kompleta vjetar otkucaji. Kao pokret napreduje, solist svira dugo, reflektirajuće crte preko jednostavnog ansambla pratnju, na raznim kombinacijama tipkovnice udaraljke. Pokret se nadovezuje na trenutak trijumfa, prije povratka u početno stanje kontemplativnom. Fantazija. slobodni let fancy. odmah razbija prethodnu raspoloženje. Glasna, cacophonous ansambl pratnju pruža napunjenu atmosferu za soliste iskoristiti udaraljke bateriju. Ukratko melodijske sekcije, plemenita karaktera, vodi do početne vrhunac završnom pokreta. Atmosfera je naglo opet mijenja, kao ansambl i solista ukrcati brzo, nasilnog novom poglavlju. Glazbene linije bijesno su razmijenjeni, što je dovelo do gromovit udaraljki zaslonu. Raspoloženje iznenada je pomiješan s blues i jazz utjecajima, ostavljajući funkciju solistički na način koji podsjeća na set bubnjeva igrača. Posljednji dio Fantasia počinje bez pratnje marimbu solo, igrao u vratolomnom brzinom. Ansambl počinje postupno pridružiti solist, kao pokret izgraditi do konačnog, fortissimo vrhunac.
