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Izvornik

Trio, Op. 44. Louise Farrenc. Bass Clarinet sheet music. Cello sheet music. Viola sheet music. Violin sheet music. Piano Accompaniment sheet music.

Prijevod

Trio, op. 44. Louise Farrenc. Bas Klarinet note. Violončelo note. Viola note. Violina note. Klavirsku pratnju note.

Izvornik

Trio, Op. 44 composed by Louise Farrenc. 1804-1875. Winds, Strings and Piano. For clarinet. violin. , cello. viola. bass clarinet. basset horn. and piano. Tuneful, effective composition. Alternate parts provide many options for performance. Classical. Score and parts. Published by Rosewood Publications. RW.RP-02. Louise Farrenc, nee Dumont. 1804-1875. , was a gifted pianist and composer at a time when women were rarely able to aspire to more than drawing-room competence, whatever their musical ability. She studied music with Reicha and later taught the piano at the Paris Conservatoire, the only woman to hold a permanent position there as an instrumentalist during the nineteenth century. Farrenc wrote three symphonies, a piano concerto, thirty etudes for piano in all major and minor keys, four piano trios, a cello sonata and two violin sonatas, two piano quintets, a sextet for piano and wind and a nonet for wind and strings. She was one of the leading women composers of her day and was praised in the Gazette Musicale for.

Prijevod

Trio, op. 44 skladao Louise Farrenc. 1804-1875. Vjetrovi, gudače i glasovir. Za klarinet. violina. , Violončelo. ljubičica. bas klarinet. Basset rog. i glasovir. Melodična, skladba. Alternativna dijelovi pružaju mnoge mogućnosti za obavljanje. Klasičan. Rezultat i dijelovi. Objavio Rosewood Publikacije. RW.RP-02. Louise Farrenc, rođena Dumont. 1804-1875. , Bio nadaren pijanist i skladatelj u vrijeme kada su žene rijetko mogu težiti više od salona nadležnosti, bez obzira na njihov glazbeni sposobnost. Studirala je glazbu s Reicha, a kasnije je učio klavir na Pariškom konzervatoriju, jedina žena na stalno mjesto kao instrumentalist tijekom devetnaestog stoljeća. Farrenc napisao tri simfonije, klavirski koncert, trideset etide za klavir u svim većim i manjim tipkama, četiri glasovirska trija, a violončelo sonatu i dvije violine sonate, dva glasovira kvintete, a sekstet za glasovir i vjetrom i Nonet za vjetrom i gudače. Ona je bila jedna od vodećih žena skladatelja svog dana i bio hvaljen u novinama Musicala za.