Notna sveska $38.00
Izvornik
War Requiem, Op. 66. Benjamin Britten. Choir sheet music.
Prijevod
Ratni rekvijem, op. 66. Benjamin Britten. Zbor note.
Izvornik
War Requiem, Op. 66. 1961-62. Choral Score. Composed by Benjamin Britten. 1913-1976. For Choral, Chorus, Orchestra. CHORAL SCORE. BH Large Choral. 80 pages. Boosey & Hawkes #M060015571. Published by Boosey & Hawkes. HL.48009030. for soprano, tenor and baritone solos, chorus, orchestra, chamber orchestra, boys' choir and organ. Scoring. 3picc. , 2, ca, 3. IIIcl in Eb and bass cl. , 2, dbl bn. 6, 4, 3, 1. timps, 4 perc. 2 sd, td, bd, tamb, trgl, cymb, castanets, whip, Chinese blocks, gong, bells in C and F#, vibr, antique cymbals in C and F#. piano, grand org. ad lib. strings. Chamber orch. fl. picc. , ob. ca. , cl, bn. hn. perc. timp, sd, bd, cymb, gong. harp, string quintet. 2 vl, vla, vc, db. Chamber organ. or harmonium. to accompany boys' choir. Text. Missa pro defunctis and Wilfred Owen. Publisher. Boosey & Hawkes. Difficulty level. In many ways this magnum opus, one of the 20th century's defining works, was also Britten's defining moment. For a long time Britten had felt that the gap in his output was a major choral. orchestral work. When Coventry mounted an Arts Festival to celebrate the dedication of its new cathedral in 1962 Britten was an obvious choice to ask for a major work. This, for Britten, was the opportunity for which he had been waiting. As a lifelong, passionate pacifist it was his opportunity to write a work which reminded its audience of the reason for the building of this new cathedral, but also, and far more importantly, to demonstrate in the most powerful way possible the horror, devastation, futility and utter waste of war. His inspired idea was to mix the words of the Missa pro defunctis. Mass for the Dead. in Latin with the poems of one of the greatest of the First of the spirit War poets, Wilfred Owen. He uses nine of Owen's poems which form a kind of song cycle which weaves in and out of the formal sections of the Latin Mass. When Britten's recording was released the following year it sold 200,000 copies within the first five months which was almost unheard of for a classical work, and possibly unique for a large-scale contemporary one. This was the moment of destiny for which Britten had been preparing all his adult life. The peace movements of the 1960s, the Cuban missile crisis, nuclear testing, anti-nuclear protests, the war-weariness of the seemingly endless conflict in Vietnam, all these things contributed to the public's readiness to hear this message which Britten so powerfully addressed. Duration. 85 minutes. Paul Spicer, Lichfield, 2011.
Prijevod
Ratni rekvijem, op. 66. 1961-1962. Pjevačkog rezultat. Sastoji od Benjamina Brittena. 1913-1976. Za zborske, zbor, orkestar. ZBORSKIH SCORE. BH Veliki pjevački. 80 stranica. Буси. Objavio Boosey. HL.48009030. za sopran, tenor i bariton solo, zbor, orkestar, komorni orkestar, dječaka zbor i orgulje. Bodovanje. 3picc. , 2, CA, 3. IIIcl u Eb i bas cl. , 2, dbl milijardi. 6, 4, 3, 1. TIMP, 4 PERC. 2 SD, TD, BD, TAMB, TRGl, cymb, кастаньеты, кнут, китайские блоки, гонг, колокольчики в С и F. piano, grand org. improvizirano. žice. Komora orch. Florida. PICC. Da li. ca. , Cl, milijarde. HN. PERC. TIMP, sd, BD, cymb, gong. harfa, gudački kvintet. 2. vl., vla, VC, db. Komora organ. ili harmonija. pratiti dječačkog zbora. Tekst. Missa pro defunctis i Wilfred Owen. Izdavač. Boosey. Stupanj težine. Na mnogo načina to magnum opus, jedan od definiraju djela 20. stoljeća, bio je također Britten je definiranje trenutak. Dugo vremena Britten je osjetio da je jaz u njegovoj izlaz bio glavni zborski. orkestralno djelo. Kad Coventry izvela je Arts Festival slaviti posvetu svoje nove katedrale u 1962 Britten je očigledan izbor pitati za veliki posao. To, za Brittena, bio je prilika za koju je čekao. Kao cjeloživotnog, strastveni pacifist je njegova prilika da napiše djelo koje je podsjetio svoju publiku razloga za izgradnju ove nove katedrale, ali i daleko je još važnije, da pokažu na najbolji mogući način horor, razaranja, uzaludnost i izustiti gubljenje rata. Njegova ideja je bila nadahnuta da se miješati riječi Missi pro defunctis. Misa za Dead. na latinskom jeziku s pjesmama jedne od najvećih Prvog rata pjesnika duh, Wilfred Owen. On koristi devet Owen pjesama koje tvore svojevrsnu pjesmu ciklusa koji se isprepliće i iz formalnih dijelovima latinske mise. Kad Britten je snimka objavljena sljedeće godine je prodao 200.000 primjeraka u prvih pet mjeseci, što je bilo gotovo nečuveno za klasično djelo, a možda i jedinstven za velike suvremene jedan. To je bio trenutak sudbine za koje Britten je priprema svu svog odraslog života. Mirovni pokreti 1960-ih, kubanske raketne krize, nuklearna testiranja, anti-nuklearni prosvjedi, Rat-umara naizgled beskrajne sukoba u Vijetnamu, sve to pridonijelo spremnosti javnosti da čuje ovu poruku koja Britten tako snažno obratio. Trajanje. 85 minuta. Paul Spicer, Lichfield 2011.
