Notna sveska $23.75
Izvornik
An Idyll for the Misbegotten. Images III. George Crumb. Horn sheet music. Percussion sheet music.
Prijevod
Idila za nezakonit. Slike III. George Crumb. Horn note. Udaraljke note.
Izvornik
An Idyll for the Misbegotten. Images III. composed by George Crumb. 1929-. Contemporary Small Ensemble. For Horn, 3 Percussion. Modern. Score. Duration circa 15 minutes. Published by Edition Peters. PE.P67094A. ISBN M-3007-3494-1. Modern. I feel that 'misbegotten' well describes the fateful and melancholy predicament of the species 'homo sapiens' at the present moment in time. Mankind has become ever more 'illegitimate' in the natural world of the plants and animals. The ancient sense of brotherhood with all life-forms. so poignantly expressed in the poetry of St. Francis of Assisi. has gradually and relentlessly eroded and consequently we find ourselves monarchs of a dying world. We share the fervent hope that humankind will embrace anew nature's 'moral imperative'. My little 'Idyll' was inspired by these thoughts. Flute and drum are, to me. perhaps by association with ancient ethhnic musics. , those instruments which most powerfully evoke the voice of nature. I have suggested that ideally. if impractically. my 'Idyll' should be heard 'from afar, over a lake, on a moonlit evening in August'. 'An Idyll for the Misbegotten' evokes the haunting theme of Claude Debussy's 'Syrinx'. for solo flute, 1912. There is also a short quotation from the eighth century Chinese poet Ssu-K'ung Shu. 'The moon goes down. There are shivering birds and withering grasses. When Mr Robert Patterson. one of my former composition students and a virtuoso horn player. mentioned to me that he had been considering the feasibility of a Frech horn adaptation for the solo flute part of my 'Idyll for the Misbegotten' I was initially somewhat skeptical. My music, like so much contemporary music, implies such specificity in regard to timbre and idiomatic expression that the idea of transcription would seem unthinkable. And yet, after Mr Patterson had played through the horn part for me, I had to admire the sensitivity and ingenuity with which he had solved the various problems of transliteration. The horn, with its enormous evocative power, creates an effect at the same time more intense and primitive than the flute is capable of. The horn coloration does indeed invoke a 'mystical sense of nature'. Although the horn part in 'Idyll' demands a considerable degree of virtuosity, I feel this new version to be eminently practical and effective. I fully endorse this alternate form for the work and would be especially pleased if it might help to fill out the rather limited repertory of contemporary solo music for the horn. George Crumb. to be heard from afar, over a lake, on a moonlit evening in August. for Horn. originally Flute. and 3 Percussionists. score only - four are needed to perform.
Prijevod
Idila za nezakonit. Slike III. skladao George Crumb. 1929 -. Suvremena Mali ansambl. Za Horn, 3 udaraljke. Moderan. Postići. Trajanje oko 15 minuta. Objavio Edition Peters. PE.P67094A. ISBN M-3007-3494-1. Moderan. Osjećam da je "nezakonit" dobro opisuje sudbonosni i melankoliju teškoća vrsta 'homo sapiens' u ovom trenutku. Čovječanstvo je postalo sve više "nelegitimna" u prirodnom svijetu biljaka i životinja. Drevni osjećaj bratstva sa svim oblicima života. tako oštro izražena u poeziji Franje Asiškoga. postupno i neumoljivo smanjilo i time se nalazimo i mi vladari svijeta umirućeg. Dijelimo žarku nadu da čovječanstvo će prigrliti iznova prirode "moralni imperativ". Moja mala "Idila" je inspiriran ovim mislima. Frula i bubanj su, za mene. možda povezanosti s drevnim ethhnic musics. , Ti instrumenti koji najsnažnije dočarati glas prirode. Ja sam predložio da se idealno. Ako impractically. moj "Idila" treba čuti 'iz daljine, preko jezera, na mjesečini večeri u kolovozu'. "Idila za nezakonit 'evocira nezaboravna temu Claude Debussy je" organ za pjevanje'. za solo flautu, 1912. Tu je i kratki citat iz osmog stoljeća kineski pjesnik Ssu-K'ung Shu. 'Mjesec zalazi. Postoji drhtanje ptice i propadanje trave. Kad je gospodin Robert Patterson. jedan od mojih bivših studenata sastav i virtuoz hornist. spomenuo mi je da je bio s obzirom na izvedivost Frech roga prilagodbe za solo flautu dio mog 'Idila za nezakonit' U početku sam bio pomalo skeptičan. Moja glazba, kao i toliko suvremene glazbe, podrazumijeva takvu specifičnost u odnosu na boju i idiomatski izraz koji ideja transkripcije se čini nezamislivo. Pa ipak, nakon što je gospodin Patterson je igrao kroz rog dio za mene, morao sam se diviti osjetljivost i domišljatost kojom je riješio različite probleme transliteracija. Rog, sa svojim ogromnim sugestivnom moći, stvara efekt u isto vrijeme intenzivnije i primitivnog od flauta je sposoban. Rog farbanje doista dozivati "mistični osjećaj prirode". Iako rog dio u "Idila" zahtijeva znatan stupanj virtuoznosti, osjećam se ova nova verzija biti izrazito praktična i djelotvorna. Ja u potpunosti podupiru ovaj alternativni oblik za rad i da će biti posebno drago, ako bi to moglo pomoći da ispunite prilično ograničeni repertoar suvremene solo glazbe za rog. George Crumb. da se čuje iz daljine, preko jezera, na mjesečini večeri u kolovozu. za Horn. izvorno frula. i 3 udaraljkaša. postići samo - četiri su potrebni za obavljanje.
