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Izvornik

Musical and Technical Guide for the Double Bass - A Method to Learn Quickly - Volume I. Double Bass sheet music. Beginning.

Prijevod

Glazbene i tehničke Vodič za kontrabas - Metoda za naučiti brzo - Volumen I. Kontrabas note. Početak.

Izvornik

Musical and Technical Guide for the Double Bass - A Method to Learn Quickly - Volume I composed by Renaud Gruss. Double Bass Solo. For Double Bass. String Bass. Technique, Scales and Studies, Instructional method, Classical, Educational. Grade 1, Grade 2. Book. 124 pages. Published by FLEX Editions. FL.FX071791. There have been enormous changes in the way that the double bass is taught over the last twenty or so years. An increasing number of younger people have become interested in studying the instrument and traditional methods have been shown to be inadequate. The studies are too long for young pupils muscles. the exercises are not melodic enough and are simply too austere for this new generation brought up on channel-hopping, so there was a need to come up with new ways of doing things. Unlike these sometimes very young pupils, young adults who can already play, often having taught themselves as members of jazz groups, one day decide they would like to join the conservatoire so that they can learn both music theory - of which they often know nothing - and the technique used to play the instrument at the same time. Then, between these two extremes, there is still the traditional learner, in other words the pupil who is just starting to play the double bass having almost reached adulthood, and who has been playing another instrument, sometimes for a number of years. Although each of these specific groups does need to be taught in a particular way, there are still some characteristics shared by all of them. Irrespective of age, size and strength, or the musical training they already have, on the double bass the first position is the hardest physically by far, and people learn both more quickly and better if they are enjoying themselves with melodic studies. This Guide has come about over the thirteen years I have been teaching at the Conservatoire de Toulouse, and has been tried and tested successfully with many pupils of all ages. Furthermore, having spent twenty-eight years giving concerts all over the world with the Orchestre de Chambre de Toulouse, I myself have faced the need to keep constantly developing my own technique, and so I have come up with a lot of little exercises for my own personal use and my students have also been able to get a great deal out of them. This Guide is the result of all the answers I have found in order to help me go honestly about my work as a musician and as a teacher. It offers you a special "path" which will help you to get on more quickly. I have not felt the need to write what has already been written by other teachers. The methods by Billa, Bottesini, Labro, Montag, Nanny, Simmandl, Streicher, Rabbath, Rollez, etc. , all propose their own particular approaches of the instrument, and they are all worth looking at if you wish to acquire an overview. So I have made no attempt to be exhaustive - there is plenty of educational literature available which already does that. On the other hand, the order in which the technical aspects are tackled and the attention paid to certain "details" are decisive to both speed of progress and accuracy of musical expression. This is why you will find the following in this Guide. Volume I. this book. Leitmotivs. the advice I am constantly giving my students. Cycle I. Learning, the path I suggest to beginners of all ages. Note. Studies are also planned to be worked in Cycle II and Cycle III with a modification of work instructions. Refer to the pictograms and instructions above each study. Volume II. Cycles II and III. Studies and scales for students from Cycle II onwards. Cycle III. Studies on the "details" which are far more than that. Renaud Gruss. Standard notation. no tablature. , fingerings, introductory text.

Prijevod

Glazbeni i Tehnička Vodič za kontrabas - metoda za brzo učenje - Volume sam sastavio Renaud Gruß. Double Bass Solo. Za kontrabas. String Bass. Tehnika, Vage i studije, nastavni metod, klasična, obrazovni. Grade 1, Grade 2. Knjiga. 124 stranice. Objavio FLEX izdanja. FL.FX071791. Tu su ogromne promjene u načinu na koji kontrabas je učio tijekom posljednjih dvadesetak godina. Sve veći broj mlađih ljudi su postali zainteresirani za studiranje instrumenta i tradicionalne metode su pokazali nedovoljnima. Studije su preduge za mlade učenike mišiće. vježbe nisu dovoljno melodična i jednostavno su previše skromno za ovu novu generaciju odgajani na kanalu skakanja, tako da nije bilo potrebe da se s novim načinima obavljanja stvari. Za razliku od tih ponekad vrlo mlade učenike, mladi koji su već može igrati, često nakon što se učio kao članovi jazz skupina, jednog dana odluči da bi željeli da se pridruže konzervatoriju, tako da oni mogu naučiti kako glazbene teorije - od kojih su oni često ne znaju ništa - i tehnika koja se koristi za igranje instrument u isto vrijeme. Zatim, između te dvije krajnosti, tamo je još uvijek tradicionalna učenik, odnosno učenik koji je tek počeo igrati kontrabas nakon što su gotovo odraste, a tko je igrao još jedan instrument, ponekad i za nekoliko godina. Iako svaki od tih posebnih skupina ne treba da se uči na određeni način, još uvijek postoje neke osobine koje dijele sve njih. Bez obzira na dob, veličini i snazi, odnosno glazbenog treninga oni već imaju, na kontrabas prva pozicija je najteži fizički daleko, a ljudi uče i brže i bolje ako su sami uživaju s melodijskim studija. Ovaj vodič je došao oko tijekom trinaest godina sam predavao na konzervatoriju de Toulouse, te je pokušao i testirani uspješno s mnogim učenicima svih uzrasta. Nadalje, nakon što je proveo dvadeset osam godina daje koncerata diljem svijeta s Orchestre de Chambre de Toulouse, ja sam se suočio potrebu da se stalno razvija svoju tehniku, pa sam se s puno malih vježbi za moju osobnu uporabu i moji učenici su također bili u mogućnosti dobiti mnogo iz njih. Ovaj vodič je rezultat svih odgovora sam našao kako da mi pomogne ići iskreno o mom radu kao glazbenik i kao učitelj. Ona vam nudi posebnu "put" koji će vam pomoći da se na brže. Nisam osjetio potrebu napisati ono što je već napisano od strane drugih učitelja. Metode od Billa, Bottesini, Labro, Montag, dadilja, Simmandl, Streicher, Rabbath, Rollez, itd. , Svi predlažu svoje posebne pristupe od instrumenta, i svi su vrijedi pogledati, ako želite steći uvid. Tako sam učinio ništa da bude potpun - ima dosta obrazovne literature na raspolaganju koji je već to radi. S druge strane, kako bi se u što su tehnički aspekti rješavati i pažnje posvetiti nekim "detaljima" su odlučni da se obje brzine napretka i točnost glazbenog izričaja. To je razlog zašto ćete pronaći sljedeće u ovom vodiču. Volumen I. ova knjiga. Leitmotivs. savjet ja sam stalno daje svojim studentima. Ciklus sam. Učenje, put predlažem da se početnike svih uzrasta. Bilješka. Studije su također planira se radio u ciklusom II i III ciklusa s izmjenom uputa za rad. Pogledajte piktograma i uputa iznad svake studije. Volume II. Ciklusi II i III. Studije i vage za studente iz ciklusa II nadalje. Ciklus III. Studije o "detaljima", koji su daleko više od toga. Renaud Gruss. Standardni zapis. nema tablature. , Prstometa, uvodni tekst.