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Izvornik
Cantata Academica, Carmen basiliense, Op. 62. Benjamin Britten. Voice sheet music. Choir sheet music.
Prijevod
Kantata Academica, Carmen basiliense, op. 62. Benjamin Britten. Glas note. Zbor note.
Izvornik
Cantata Academica, Carmen basiliense, Op. 62. 1959. Vocal Score. Composed by Benjamin Britten. 1913-1976. For Choral, Chorus, Orchestra. Vocal Score. BH Large Choral. 66 pages. Boosey & Hawkes #M060014024. Published by Boosey & Hawkes. HL.48008886. Take advantage of this over-stock pricing while supplies last. for SATB soloists, chorus and orchestra. Scoring. IIpicc. , 2, 2, 2. 4, 2, 3, 1. timps. 4 perc. trng, tamburo militaire, tamb, cymb, Chinese block, bd, t-t, xyl, glock, bells in C. 2 harps. II ad lib. pf. cel ad lib. strings. Text. in Latin compiled from the charter of the University, and from older orations in praise of Basle by Bernhard Wyss. Publisher. Boosey & Hawkes. Difficulty level. for chorus. Britten's genius lifts this work above being just a worthy celebration of the 500th anniversary of the foundation of Basle University. It is tongue-in-cheek and mockingly non-academic while referring all the time to academic musical forms and formulae. It is written in two parts. everything is in the statutory Latin including the titles of the parts - Pars I and Pars II. The titles of the movements show Britten's intention to show off a wide variety of techniques. Here are some examples. Chorale. Alla Rovescio. the theme is given and responded to with the same melody upside down. Recitativo. Tema seriale con fuga. Canone ed ostinato. There is a good deal of humour here. There are seven movements in Pars I and six in Pars II. The tenor soloist is given three florid recitatives, accompanied only by a piano, which act as bridges between other orchestrally accompanied movements. Of these the most noteworthy are the Arioso con canto popolare for soprano solo with tenors and basses who hum a student song. another terrific Britten scherzo. and a wonderfully raucous final pair of movements. Canon ed ostinato and Corale con canto. where Britten seems to be aping the Vivat Regina. cries in Parry's I was glad or encouraging the kind of noisy 'I'm from the best university' kind of student touchline shout. This has outrageously high notes for the tenors. top B. which further endorse this feeling. There are real echoes of the Spring Symphony. see separate entry. final movement here which are further underlined by the last section of the Cantata which brings in the bells, piano, huge percussion and the inevitable chorale in which the choir sings 'that a free academy may thrive in a free community, for ever the ornament and treasure of illustrious Basle'. This may not be Britten at his most soul-searching but, as always, there is plenty here to enjoy, especially if the work is not taken too seriously. It is a celebratory, occasional piece and it could be well taken up by other academic establishments celebrating big anniversaries. The chorus parts are not very difficult though they do present challenges for the choir - not least in having tenors capable of those very high notes at the end. The Tema seriale con fuga is sinewy and needs careful tuning. It also has the subject regularly given upside down after its initial sounding by the basses. All good fun. Duration. 21 minutes. Paul Spicer, Lichfield, 2011.
Prijevod
Kantata Academica, Carmen basiliense, op. 62. 1959. Vokalni rezultat. Sastoji od Benjamina Brittena. 1913-1976. Za zborske, zbor, orkestar. Vokalni rezultat. BH Veliki pjevački. 66 stranice. Буси. Objavio Boosey. HL.48008886. Iskoristite ovu nad-stock cijene dok zalihe traju. za SATB soliste, zbor i orkestar. Bodovanje. IIpicc. , 2, 2, 2. 4, 2, 3, 1. TIMP. 4 PERC. Trng, tamburo militaire, Tamb, cymb, kineski blok, BD, tt, xyl, glock, zvona u C. 2 harfe. II improvizirano. pf. cel improvizirano. žice. Tekst. na latinskom sastavljen od povelje Sveučilišta, a od starije orations u slavu Baselu Bernharda Wyss. Izdavač. Boosey. Stupanj težine. za zbor. Britten je genij podiže taj posao iznad toga da samo dostojno obilježavanje 500. obljetnice osnutka Sveučilišta Baselu. To je jezik-u-lice i podrugljivo ne akademski, a koji se odnosi cijelo vrijeme na akademskih glazbenih formi i formulama. To je zapisano u dva dijela. sve je u zakonskom latinskom uključujući naslovima dijelova - Pars I. i II Pars. Naslovi kretanja pokazuju Brittenovoj namjeru da pokaže širok spektar tehnika. Ovdje su neki primjeri. Hor. Na backhand. Tema je dao i odgovorio na istom melodijom naopako. Recitativa. Tema serijski bijeg. Canon i tvrdoglava. Tu je dobar posao za humor ovdje. Postoji sedam pokreti u Pars I. i šest u Pars II. Tenor solist je dao tri upadljive recitativi, samo u pratnji klavira, koji djeluju kao mostovi između ostalih orchestrally pratile pokrete. Od toga najviše pažnje su ariozo con canto Popolare za sopran solo s tenora i basova koji Hum studentsku pjesmu. još jedan sjajan Britten Scherzo. i predivno promukao finalu par pokreta. Canon i tvrdoglav i zborskog pjevanja s. gdje Britten čini se da oponašaju Vivat Regina. plače u Parry-a drago mi je i poticanje vrste bučno 'Ja sam od najboljih sveučilišta' kakve student strani povik. To je drsko visoke tonove za tenora. top B. što dodatno podupiru taj osjećaj. Postoje pravi odjeci proljetnom simfonije. vidi zaseban ulaz. Konačna pokret ovdje što dodatno su naglašene posljednjem dijelu kantatu koja donosi u zvona, klavir, udaraljke i ogromnim neminovne koral u kojem zbor pjeva 'da besplatno akademija može napredovati u slobodnoj zajednici, zauvijek ukras i blago slavan Baselu '. To ne može biti Brittena na njegov najveći duše traganja, ali, kao i uvijek, ima dosta ovdje uživati, pogotovo ako se rad ne uzima previše ozbiljno. To je slavlje, povremeno komad i to bi moglo biti dobro preuzet od drugih akademskih ustanova slavi velike obljetnice. Refren dijelovi nisu vrlo teško, iako oni to predstavljati izazov za zbor - ne samo u vlasništvo tenora sposobne od onih vrlo visokim notama na kraju. Tema seriale con FUGA je žilava i treba pažljivo tuning. Ona također ima temu redovito dao naopako nakon početnog sondiranje strane basova. Sve dobre zabave. Trajanje. 21 minuta. Paul Spicer, Lichfield 2011.
