Notna sveska
Izvornik
Faith. Chorus from Euripides' Hippolytos. Jon Corelis. A cappella. Secular , Partsong. Language. English. Unison.
Prijevod
Faith. Zbor iz Euripidove Hippolytos. Jon Corelis. A capella. Svjetovni, Partsong. Jezik. Engleski. Unison.
Izvornik
A sung chorus from my play EURIPIDES’ HIPPOLYTOS. a modern performance version in verse with music. In this play the choral odes are set to music adapted from the medieval secular repertory. here, the melody is from the song A chantar m'er de so qu'eu no volria by La Comtessa de Dia. My translation of the lyrics from the Greek is necessarily rather free, but is close enough to be recognizable as a translation. This score is for unaccompanied a cappella female voice. the number of singers, division of parts, and possible accompaniment are left to be decided by performers at production. In this sound file, synth female la-la voice is used to simulate the vocal. The sound file on this Choralwiki site gives only the first two choruses. for a complete sound file, please see the External Links sections below. The entire play is also available at the link given in that section. The lyrics are below.
Prijevod
Pjevao zbor iz mog igrati Euripidove HIPPOLYTOS. moderna verzija nastup u stihu s glazbom. U ovoj igri se zborna Odes su uglazbili prilagođen iz srednjovjekovne svjetovne repertoara. here, the melody is from the song A chantar m'er de so qu'eu no volria by La Comtessa de Dia. My translation of the lyrics from the Greek is necessarily rather free, but is close enough to be recognizable as a translation. Ovaj rezultat je bez pratnje a capella ženski glas. broj pjevača, podjela dijelova, a moguće pratnja su prepušteni odlučuje izvođača na proizvodnju. U ovom zvučne datoteke, synth ženska la-la glas se koristi za simulaciju vokal. The sound file on this Choralwiki site gives only the first two choruses. for a complete sound file, please see the External Links sections below. The entire play is also available at the link given in that section. The lyrics are below.
